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"Building Like Moses with Jacobs in Mind" - Contemporary Planning in New York City (Hardcover, New): Scott Larson "Building Like Moses with Jacobs in Mind" - Contemporary Planning in New York City (Hardcover, New)
Scott Larson
R2,060 R1,877 Discovery Miles 18 770 Save R183 (9%) Ships in 12 - 17 working days

aThe antagonism between urbanist and writer Jane Jacobs and master builder Robert Moses may frame debates over urban form, but in "Building Like Moses with Jacobs in Mind, " Scott Larson aims to use the Moses-Jacobs rivalry as a means for examining and understanding the New York City administration's redevelopment strategies and actions. By showing how the Bloomberg administration's plans borrow selectively from Moses' and Jacobs' writing, Larson lays bare the contradictions buried in such rhetoric and argues that there can be no equitable solution to the social and economic goals for redevelopment in New York City with such a strategy.a

"Building Like Moses with Jacobs in Mind" offers a lively critique that shows how the legacies of these two planners have been interpretedOCoand reinterpretedOCoover time and with the evolution of urban space. Ultimately, he makes the case that neither figure offers a meaningful model for addressing stubborn problemsOCopoverty, lack of affordable housing, and segregation along class and racial linesOCothat continue to vex today's cities.

"Building Like Moses with Jacobs in Mind" - Contemporary Planning in New York City (Paperback): Scott Larson "Building Like Moses with Jacobs in Mind" - Contemporary Planning in New York City (Paperback)
Scott Larson
R730 R681 Discovery Miles 6 810 Save R49 (7%) Ships in 12 - 17 working days

The antagonism between urbanist and writer Jane Jacobs and master builder Robert Moses may frame debates over urban form, but in Building Like Moses with Jacobs in Mind, Scott Larson aims to use the Moses-Jacobs rivalry as a means for examining and understanding the New York City administration's redevelopment strategies and actions. By showing how the Bloomberg administration's plans borrow selectively from Moses' and Jacobs' writing, Larson lays bare the contradictions buried in such rhetoric and argues that there can be no equitable solution to the social and economic goals for redevelopment in New York City with such a strategy. Building Like Moses with Jacobs in Mind offers a lively critique that shows how the legacies of these two planners have been interpreted - and reinterpreted - over time and with the evolution of urban space. Ultimately, he makes the case that neither figure offers a meaningful model for addressing stubborn problems - poverty, lack of affordable housing, and segregation along class and racial lines - that continue to vex today's cities.

Deconstructing the High Line - Postindustrial Urbanism and the Rise of the Elevated Park (Hardcover): Christoph Lindner, Brian... Deconstructing the High Line - Postindustrial Urbanism and the Rise of the Elevated Park (Hardcover)
Christoph Lindner, Brian Rosa; Contributions by Tom Baker, Julian Brash, Phil Birge-Liberman, …
R3,160 Discovery Miles 31 600 Ships in 12 - 17 working days

2017 Choice Outstanding Academic Title The High Line, an innovative promenade created on a disused elevated railway in Manhattan, is one of the world’s most iconic new urban landmarks. Since the opening of its first section in 2009, this unique greenway has exceeded all expectations in terms of attracting visitors, investment, and property development to Manhattan’s West Side. Frequently celebrated as a monument to community-led activism, adaptive re-use of urban infrastructure, and innovative ecological design, the High Line is being used as a model for numerous urban redevelopment plans proliferating worldwide. Deconstructing the High Line is the first book to analyze the High Line from multiple perspectives, critically assessing its aesthetic, economic, ecological, symbolic, and social impacts. Including several essays by planners and architects directly involved in the High Line’s design, this volume also brings together a diverse range of scholars from the fields of urban studies, geography, anthropology, sociology, and cultural studies. Together, they offer insights into the project’s remarkable success, while also giving serious consideration to the critical charge that the High Line is “Disney World on the Hudson,” a project that has merely greened, sanitized, and gentrified an urban neighborhood while displacing longstanding residents and businesses. Deconstructing the High Line is not just for New Yorkers, but for anyone interested in larger issues of public space, neoliberal redevelopment, creative design practice, and urban renewal.    

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