This volume explores and calls into question certain commonly held assumptions about writing and technological advancement in the Islamic tradition. In particular, it challenges the idea that mechanical print naturally and inevitably displaces handwritten texts as well as the notion that the so-called transition from manuscript to print is unidirectional. Indeed, rather than distinct technologies that emerge in a progressive series (one naturally following the other), they frequently co-exist in complex and complementary relationships - relationships we are only now starting to recognize and explore. The book brings together essays by internationally recognized scholars from an array of disciplines (including philology, linguistics, religious studies, history, anthropology, and typography) whose work focuses on the written word - channeled through various media - as a social and cultural phenomenon within the Islamic tradition. These essays promote systematic approaches to the study of Islamic writing cultures writ large, in an effort to further our understanding of the social, cultural and intellectual relationships between manuscripts, printed texts and the people who use and create them.

The webs, nodes and networks created by Britain's Indian Ocean Empire during the nineteenth and twentieth centuries are here explored in the context of their personal and social impact. Using the British Settlement of Aden as its focus, the book examines the development of a local community within the spaces created by imperial rule. It explores how individuals from widely disparate backgrounds brought together by the networks of empire created a cohesive community utilizing the one commonality at their disposal: their faith. Specifically, it examines how religious institutions and spiritual ideas served as parameters for the creation of community and the kinds of symbolic and cultural capital an individual needed to attain communal membership and influence within the confines of imperial rule.