The first collection of its kind, The Oberon Book of Queer Monologues chronicles over one hundred years of queer and trans performance. Combining stage plays with spoken word and performance art, this anthology features over forty extracts from some of the most exciting stage works in the English-speaking world. Originally published as The Oberon Book of Queer Monologues, it is an essential tool for artists seeking monologues for auditions or training; a comprehensive guide through the hidden histories of queer theatre; and a celebration of the LGBTQIA+ community. Curated by award-winning artist Scottee, it features work from artists including Neil Bartlett, Mae West, Emma Donoghue, Split Britches, Chris Goode and Travis Alabanza.

Award-winning artist, writer and broadcaster Scottee grew up around mould, mice and second-hand clothes. After a chance meeting with some posh kids, his mum teaching him to talk proper and him successfully persuading his parents to take him off free school meals Scottee knew he didn't want to be common. In Class, Scottee uncovers what it is to be embarrassed about where you're from, how you can pretend to be richer than you are and explores why we all get a thrill from watching how the other half live. This is a book for the middle class, those who didn't grow up in poverty. 'This work is essential. For you and the world.' Sofie Hagen 'Class is hard to watch, it's gruelling, it sticks to you, you can feel it after it is gone. But, so is growing up poor and the experience of poverty. Scottee has made something that doesn't let you off the hook, and nor should it.' Travis Alabanza

Scottee grew up around strong, brave and violent men and boys. Bravado is his memoir of working class masculinity from 1991 to 1999 as seen by a sheep in wolf's clothing. Scottee grew up on a council estate in Kentish Town, where as a child he knew the inside of every pub. In Bravado he goes back to the raw, harsh days of that childhood - growing up among men who worked hard, drank hard and fought hard. He describes his first fight, trying to prove himself to tougher boys and experiences of domestic and sexual abuse. Scottee also grapples with the contradictions of being a gay man who is attracted to working-class men, but also feels scarred by the experience of growing up with them. Bravado was devised as a show that would be performed in typically male, working-class environments such as pubs, garages or changing rooms, and that would be performed by a volunteer who would be paid GBP100 for reading the script, and receive counselling after the show. Bravado explores the graphic nature of maleness and the extent it will go to succeed. This show is not for the weak-hearted - it includes graphic accounts of violence, abuse, assault and sex.