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This volume brings together 29 junior and senior scholars to
discuss aspects of Hesiod's poetry and its milieu and to explore
questions of reception over two and half millennia from shortly
after the poems' conception to Twitter hashtags. Rather than an
exhaustive study of Hesiodic themes, the Handbook is conceived as a
guide through terrain, some familiar, other less charted, examining
both Hesiodic craft and later engagements with Hesiod's stories of
the gods and moralizing proscriptions of just human behavior. The
volume opens with the "Hesiodic Question," to address questions of
authorship, historicity, and the nature of composition of Hesiod's
two major poems, the Theogony and Works and Days. Subsequent
chapters on the archaeology and economic history of archaic
Boiotia, Indo-European poetics, and Hesiodic style offer a critical
picture of the sorts of questions that have been asked rather than
an attempt to resolve debate. Other chapters discuss Hesiod's
particular rendering of the supernatural and the performative
nature of the Works and Days, as well as competing diachronic and
synchronic temporalities and varying portrayals of female in the
two poems. The rich story of reception ranges from Solon to comic
books. These chapters continue to explore the nature of Hesiod's
poetics, as different writers through time single out new aspects
of his art less evident to earlier readers. Long before the advent
of Christianity, classical writers leveled their criticism at
Hesiod's version of polytheism. The relative importance of Hesiod's
two major poems across time also tells us a tale of the age
receiving the poems. In the past two centuries, artists and writers
have come to embrace the Hesiodic stories for themselves for the
insight they offer of the human condition but even as old allegory
looks quaint to modern eyes new forms of allegory take form.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Elections ask voters to choose between political parties. But
voters across the UK are increasingly being presented with
fundamentally different, and largely disconnected, sets of
political choices. This book is about this hollowing out of a
genuinely British democratic politics: how and why it has occurred,
and why it matters. Electoral choices across Britain became
increasingly differentiated along national lines over much of the
last half-century. In 2017, for the second general election in a
row, four different parties came first in the UK's four nations. UK
voters are increasingly faced with general election campaigns that
are largely disconnected from each other. At the same time, voters
acquire much of their information about the election from
news-media based in London that display little understanding of
these national distinctions. The UK continues to elect
representatives to a single parliament. But the shared debates and
sets of choices that tie a political community together are
increasingly absent. Separate national political arenas and agendas
still have to interact but in some respects the House of Commons
increasingly resembles the European Parliament - whose members are
democratically chosen but from a disconnected series of separate
national electoral contests. This is deeply problematic for the
long-term unity and integrity of the UK.
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Zebra's Day Out (Hardcover)
Susan Polites, Gabrielle Scully; Illustrated by Rex Patrick
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R442
Discovery Miles 4 420
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Ships in 18 - 22 working days
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Brazil (Hardcover)
William Scully
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R981
Discovery Miles 9 810
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Ships in 10 - 15 working days
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A Companion to Catholicism and Recusancy in Britain and Ireland is
an edited collection of nineteen essays written by a range of
experts and some newer scholars in the areas of early modern
British and Irish history and religion. In addition to English
Catholicism, developments in Ireland, Scotland, and Wales, as well
as ongoing connections and interactions with Continental
Catholicism, are well incorporated throughout the volume. Many
currents of the latest scholarship are addressed and advanced,
including religious minorities and exiles, women and gender
studies, literary and material culture, religious identity
construction, and, within Catholic studies, the role of laity as
well as clergy, and of female as well as male religious. In all,
these essays significantly advance the movement of early modern
British and Irish Catholicism from the historiographical margins to
an evolving, but ultimately more capacious and accurate, historical
mainstream.
A beautifully-illustrated colouring book celebrating the magic of
the natural and human worlds, and those who inhabit them. Featuring
detailed line art of tarot cards, herbs, flowers, mandalas, the
moon, the mountains, creatures of the night and much, much more,
this book is a spellbinding celebration of modern witchcraft with
its focus on healing, mindfulness and meditation. Every
illustration is accompanied by text on the opposite page about the
magical element being displayed. Illustrated by bestselling artist
Claire Scully.
Stephen Scully both offers a reading of Hesiod's Theogony and
traces the reception and shadows of this authoritative Greek
creation story in Greek and Roman texts up to Milton's own creation
myth, which sought to "soar above th' Aonian Mount [i.e., the
Theogony] ... and justify the ways of God to men." Scully also
considers the poem in light of Near Eastern creation stories,
including the Enuma elish and Genesis, as well as the most striking
of modern "scientific myths," Freud's Civilization and its
Discontents. Scully reads Hesiod's poem as a hymn to Zeus and a
city-state creation myth, arguing that Olympus is portrayed as an
idealized polity and - with but one exception - a place of communal
harmony. This reading informs his study of the Theogony's reception
in later writings about polity, discord, and justice. The rich and
various story of reception pays particular attention to the long
Homeric Hymns, Solon, the Presocratics, Pindar, Aeschylus,
Aristophanes, and Plato in the Archaic and Classical periods; to
the Alexandrian scholars, Callimachus, Euhemerus, and the Stoics in
the Hellenistic period; to Ovid, Apollodorus, Lucan, a few Church
fathers, and the Neoplatonists in the Roman period. Tracing the
poem's reception in the Byzantine, medieval, and early Renaissance,
including Petrarch and Erasmus, the book ends with a lengthy
exploration of Milton's imitations of the poem in Paradise Lost.
Scully also compares what he considers Hesiod's artful interplay of
narrative, genealogical lists, and keen use of personified
abstractions in the Theogony to Homeric narrative techniques and
treatment of epic verse.
Dental defects may be the physical expression of genetic defects,
and so they can often be seen in a variety of syndromes associated
with malformations of organs. However, dental defects are often not
recognized, identified, nor characterised despite representing a
possible diagnostic sign for an undiagnosed condition. This book
addresses this gap by providing an understanding of dental genetics
and its developmental biology counterpart. With approximately
seventy well-illustrated examples, the authors present the clinical
oro-facial manifestations accompanying various syndromes, providing
the necessary knowledge for diagnostic purposes, as well as giving
insight into recent development for each specific condition. The
clarity and format of this book make it an ideal support guide both
in the clinic and while conducting research.
Leading Irish academics and policy practitioners present a current
and comprehensive study of policy analysis in Ireland. Contributors
examine policy analysis at different levels of government and
governance including international, national and local and in the
civil service, as well as non-government actors such as NGOs,
interest groups and think tanks. They investigate the influential
roles of the European Union, the public, science, quantitative
evidence, the media and gender expertise in policy analysis.
Surveying the history and evolution of public policy analysis in
Ireland, this authoritative text addresses the current state of the
discipline, identifies post-crisis developments and considers
future challenges for policy analysis.
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