Wounds Fragments Derelict is Carlos Gabriel Kelly's debut poetry collection. These poems comprise a narrative of love and loss. Throughout the collection, Kelly weaves poetic fragments into a narrative expressing the torment of a relationship that clings to the heart even with the passage of time. As the speaker conjures his world seen through the prism of lost love, ghosts populate a landscape in which heartbreak prevents any possibility of moving forward. In these fragments, romantic, bold, and erotic verse speaks to the heart, its repetitions rattling the bones with carefully composed meter. Kelly also inventively takes advantage of the full page to create non-traditional forms for his poems. With honesty, poignancy, and romantic flair, he distills the most exhilarating highs and heartbreaking lows of life and love into evocative lines that will become etched in the reader's mind.

THE BEIGING OF AMERICA, BEING MIXED RACE IN THE 21ST CENTURY, takes on race matters and considers them through the firsthand accounts of mixed race people in the United States. Edited by mixed-race scholars Cathy J. Schlund-Vials, Sean Frederick Forbes and Tara Betts, this collection consists of 39 poets, writers, teachers, professors, artists and activists, whose personal narratives articulate the complexities of interracial life. THE BEIGING OF AMERICA was prompted by cultural critic/scholar Hua Hsu, who contemplated the changing face and race of U.S. demographics in his 2009 The Atlantic article provocatively titled The End of White America. In it, Hsu acknowledged steadily ascending rates of interracial marriage that undergirded assertions about the beiging of America. THE BEIGING OF AMERICA is an absorbing and thought-provoking collection of stories that explore racial identity, alienation, with people often forced to choose between races and cultures in their search for self-identity. While underscoring the complexity of the mixed-race experience, these unadorned voices offer a genuine, poignant, enlightening and empowering message to all readers.

Poems that address the pain caused by gender stereotypes and racial oppression in the American South. Claire Millikin's poetry collection, Dolls, stages a confrontation of gendered and racial oppression. Working through the motif of the doll, the poems interrogate femininity in the traditional culture of the South, where damaging structures of gender and race are upheld. Millikin centers the book on an elegy for Sage Smith, an African American trans woman who disappeared from Charlottesville in 2012. Through the recurring figure of the doll-an ultra-femme figure who is frozen, damaged, silenced-Millikin protests the conditions of sexism in the area she was born in, offering poised responses to the wound of injustice that still shapes the region. With a reflective introduction by poet and scholar Sean Frederick Forbes, Dolls presents a harsh look at the price of traditional femininity.