Thomas Hoccleve produced the first author-curated 'collected poems' in the English language, preserved in two complementary manuscripts: Huntington Library, MSS HM 111 and HM 744 (copied 1422-26). This is the first full modern edition of these poems. The twenty-eight pieces span Hoccleve's entire career: they range from stirring devotional verse, to playful autobiography, deft translations of Latin and French texts, and timely political verse. The collection comprises the entirety of Hoccleve's poetic corpus, save his two longer works, the Regiment of Princes and the Series. It includes some of Hoccleve's most celebrated and widely studied poems, including 'The Epistle of Cupid', 'La Male Regle', 'To Sir John Oldcastle', 'Complaint Paramount', 'Learn to Die', and 'The Court of Good Company'. This edition engages for the first time with newly identified sources of poems; it also offers comprehensive textual variants for the poems, a full up-to-date chronology, and explanatory notes that engage with the wealth of recent scholarship on Hoccleve – including newly discovered details about Hoccleve's life and the dates of his poems, his relationship with heresy and orthodox reform movements, and his positioning within London scribal circles and coterie readerships.

This book explores the work of the late-medieval English writer Thomas Hoccleve. It highlights Hoccleve's role, throughout his works, as a religious writer: an individual who engages seriously with the dynamics of heresy and ecclesiastical reform, who contributes to traditions of vernacular devotional writing, and who raises the question of how Christianity manifests on personal as well as political levels. It suggests a role for Hoccleve as a poetic mediator, capable of mediating between the increasingly militant English church and an incipient English literary tradition, and it highlights Hoccleve's role in transforming the figure of Chaucer in the first decades of the fifteenth century. It argues that the version of Chaucer presented in Hoccleve's Regiment of Princes - august, devout, and conspicuously religious - is not a pre-formed artifact, but rather a Hocclevian invention; and it indicates the ecclesiastical, political, and literary contexts that make this version of Chaucer both possible and necessary. This study also situates Hoccleve's accomplishments in a transnational poetic context - offering French and Italian precedents for Hoccleve's moralization of Chaucer, while examining the influence of contemporary French poetry on Hoccleve's work. It positions us to reconsider Hoccleve's role within English literary tradition, and to better understand the way heresy and religious reform surface in late medieval poetry; and it affords us a more nuanced context for Chaucer's positioning as a literary 'father' figure in this period.

This book explores the work of the late-medieval English writer Thomas Hoccleve. It highlights Hoccleve's role, throughout his works, as a religious writer: an individual who engages seriously with the dynamics of heresy and ecclesiastical reform, who contributes to traditions of vernacular devotional writing, and who raises the question of how Christianity manifests on personal as well as political levels. It suggests a role for Hoccleve as a poetic mediator, capable of mediating between the increasingly militant English church and an incipient English literary tradition, and it highlights Hoccleve's role in transforming the figure of Chaucer in the first decades of the fifteenth century. It argues that the version of Chaucer presented in Hoccleve's Regiment of Princes - august, devout, and conspicuously religious - is not a pre-formed artifact, but rather a Hocclevian invention; and it indicates the ecclesiastical, political, and literary contexts that make this version of Chaucer both possible and necessary. This study also situates Hoccleve's accomplishments in a transnational poetic context - offering French and Italian precedents for Hoccleve's moralization of Chaucer, while examining the influence of contemporary French poetry on Hoccleve's work. It positions us to reconsider Hoccleve's role within English literary tradition, and to better understand the way heresy and religious reform surface in late medieval poetry; and it affords us a more nuanced context for Chaucer's positioning as a literary 'father' figure in this period.