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The first monograph of one of Norway's most important contemporary
artists to be published in English. The work of the Norwegian
artist Marianne Heske falls outside conventional categories of art.
A 1971 visit to Marche aux Puces near the Porte de Montreuil in
Paris would prove important for the artist. There, she found a box
of papier-mache doll heads with a look reflecting the glamour of
early-twentieth-century film stars. These were to become an
important metaphor in her artistic development. Heske soon began to
create works that involved the dolls--assemblages, photographs,
videos, and graphic works--and dolls became a central part of her
oeuvre. Includes contributions by leading Norwegian art and
literary critics such as Jon Fosse, Ken Friedman, and Frode
Helland.
A catalogue inspired by the tradition of Latin American literature
and authors such as Jorge Amado, Jorge Luis Borges, Pablo Neruda,
Gabriel Garcia Marquez. The unique storytelling tradition which
characterizes Latin American literature has influenced many
contemporary artists around the world. Within this context, it is
interesting to investigate the work of contemporary artists from
around the world who are inspired not only by these authors, but by
literature and poetry in general, as seen in works that are
typically highly narrative. Naturally, there is a strong emphasis
on artists from Brazil, Argentina, Chile and Colombia - such as Vik
Muniz and Ernesto Neto from Brazil, Monika Bravo from Colombia, but
the catalogue is not limited to Latin American artists - see for
example Ryan Brown and Tracey Snelling from US, William Kentridge
from South Africa - and the literary sources of inspiration also
extend to other parts of the world. The works featured are not
literal interpretations of these authors' works, but all allude in
some way to literature and poetry. The cross between text and
image, poetry and poetic subject matter creates a strong thread
that ties the works together.
The first monograph on Crispin Gurholt, one of Norway's most
prolific and interesting contemporary artists. Gurholt, born 1965
in Oslo where he lives and works, studied at the Norwegian National
Academy of Fine Art and at the New York University/Film School SCE.
With a background in the film industry--he works as a film and
music video director in addition to his artistic practice--Gurholt
works with professional specialists in relevant fields, including
models, lighting technicians, stylists and special-effects
technicians. He has found a method that mixes our understanding of
the film medium, the photograph, and relational art's involvement
with the public, with symbolism and formal composition borrowed
from classical painting. All the main phases of Crispin Gurholt's
highly personal style are retraced here from the first tableaux
vivant to his last video production, concert performances, and live
photo site-specific installation. The monograph is also the
catalogue of a 2010 exhibition at the Stenersen Museum in Oslo.
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