The Vietnam War, Oklahoma City bombing, Columbine High School shooting, and attacks of 9/11 all shattered myths of national identity. Vietnam was a war the U.S. didn't win on the ground in Asia or politically at home; Oklahoma City revealed domestic terrorism in the heartland; Columbine debunked legends of high school as an idyllic time; and 9/11 demonstrated U.S. vulnerability to international terrorism. The Vietnam Veterans Memorial was intended to separate the victims from the war that caused their death. This focus on individuals lost (evident in all the memorials and museums discussed here) conflates the function of cemeteries, where deaths are singular and grieving is personal, with that of memorials - to remember and mourn communal losses and reflect on national events seen in a larger context. Memorials to Shattered Myths: Vietnam to 9/11 traces the evolution and consequences of this new hybrid paradigm, which grants a heroic status to victims and by extension to their families, thereby creating a class of privileged participants in the permanent memorial process. It argues against this practice, suggesting instead that victims' families be charged with determining the nature of an interim memorial, one that addresses their needs in the critical time between the murder of their loved ones and the completion of the permanent memorial. It also charges that the memorials discussed here are variously based on strategies of diversion and denial that direct our attention away from actual events, and reframe tragedy as secular or religious triumph. Thus they basically camouflage history. Seen as an aggregate, they define a nation of victims, exactly the concept they and their accompanying celebratory narratives were apparently created to obscure.

Now from Rockport Publishers and including new content: Saigami, Volume 1. A troubled girl's life changes when she ends up in a fantasy world with dragons, curious characters, and her own emerging ability to control flames. The girl known as Ayumi is a troubled European teenager who feels lost, like a stranger in her world. Her father left when she was little, while her mother's work means she is never around. A love of manga and books keeps her happy, while honest-to-goodness friends seem to be something only other people have. But this is not the case in the fantasy land known as Aesztrea. In this strange new world, there are dragons, creatures, and warriors who can wield power beyond our wildest imagination. When Ayumi arrives in Aesztrea, she learns that she may also be a Saigami. This warrior class of supernatural and superhuman abilities is one of the most honored and respected people in this new world. For the first time in her life, her potential is limitless, and she has seemingly found a place and a people where she can belong. But not all is right in Aesztrea, and there is a gnawing threat that the citizens can feel growing. Ayumi will have to face her own demons to get to the bottom of this and determine who she wants to be. Saigami is rated T for Teen, recommended for ages 13 and up. Saturday AM, the world's most diverse manga-inspired comics, are now presented in a new format! Introducing Saturday AM TANKS, the new graphic novel format similar to Japanese Tankobons where we collect the global heroes and artists of Saturday AM. These handsome volumes have select color pages, revised artwork, and innovative post-credit scenes that help bring new life to our popular BIPOC, LGBTQ, and/or culturally diverse characters. Join in even more adventures with the other action-packed Saturday AM TANKS series:Apple Black, Clock Striker, Gunhild, Hammer, Henshin!, The Massively Multiplayer World of Ghosts, Oblivion Rouge, Soul Beat, Titan King, Underground, and Yellow Stringer.

Sri Lanka has thrilled the foreign imagination as a land of infinite possibility. Portuguese, Dutch and British colonisers envisioned an island of gems and pearls, a stopping-point on the Silk Road; tourists today are sold a vision of golden beaches and swaying palm trees, delicious food and smiling locals. This favours the south of the island over the north rebuilt piecemeal after the end of the civil war in 2009, and erases a history of war crimes, illicit assassination of activists and journalists, subjugation of minorities, and a legacy of governmental corruption that has now led the country into economic and social crisis. This first ever anthology of Sri Lankan and diasporic poetry – many exiles refuse to identify as “Sri Lankan� – features over a hundred poets writing in English, or translated from Tamil and Sinhala. It brings to light a long-neglected national literature, and reshapes our understanding of migrational poetics and the poetics of atrocity. Poets long out of print appear beside exciting new talents; works written in the country converse with poetry from the UK, the US, Canada and Australia. Poems in traditional and in open forms, concrete poems, spoken word poems, and experimental post-lyric hybrids of poetry and prose, appear with an introduction explaining Sri Lanka’s history. There are poems here about love, art, nature – and others exploring critical events: the Marxist JVP insurrections of the 1970s and 80s, the 2004 tsunami and its aftermath, recent bombings linked with the demonisation of Muslim communities. The civil war between the government and the separatist Tamil Tigers is a haunting and continual presence. A poetry of witness challenges those who would erase, rather than enquire into, the country’s troubled past. This anthology affirms the imperative to remember, whether this relates to folk practices suppressed by colonisers, or more recent events erased from the record by Sinhalese nationalists. Poetry Book Society Special Commendation.

In her fourth collection, Seni Seneviratne will extend her reputation as a fine poet whose incisive social and political concerns are matched by her meticulous care with the shape of each poem and the architecture of her collections, where individual poems are enriched by their place in the whole and their dialogue with each other. In this collection, the connecting thread is the bird, both in its observed physical otherness and as an image that carries cultural and historical resonances. In the first section of the collection, the imagery of the caged bird runs through a sequence of poems that meditate on the silenced voices of enslaved Black children, trapped as picturesque, consumerist trophies in those 18th century paintings to be found in English stately homes, which celebrate their occupants’ gaining of new wealth through the slave trade and slave-grown sugar. The second section of the collection yokes Seneviratne’s skills as a poet with her deep knowledge of the ways of birds in their natural environment – the freedom they possess in their otherness from human concerns. The final section revisits the myth of Philomena from Ovid’s Metamorphoses and puts this tongueless woman/nightingale in dialogue with the gender fluidity of Tiresias to explore different forms of silencing in history and the present. As a poet who balances careful observation with imaginative flight, Seni Seneviratne addresses both heart and mind.

Now from Rockport Publishers and including new content: Saigami, Volume 2. Saigami, Volume 2 continues the journey of the young teenage woman Ayumi as she discovers more about her astral flame powers, her adopted land of Aesztrea, and even her own identity. The day of the Saigami Initiation Exam has come. Despite her best effort and newfound optimism, Earth native Ayumi isn’t ready for it. What will she do when she finds herself all alone again, and her best attempts come up short? New players have entered the contest, and Ayumi must determine how badly she wants to succeed in this new fantasy world. Can she become the warrior she wasn’t meant to be? The Initiation Exam throws an unexpected curveball at young Saigami candidates, including Ayumi, who has arrived in this strange fantasy world under mysterious circumstances. While these young, powerful teenagers have no way of knowing, the contest strings are being pulled from the shadows, putting their future careers—and their lives—in jeopardy. Ayumi and the others will have to act fast, be clever, and rely on unlikely alliances to survive this test. Can a fellow female Saigami initiate help Ayumi in her darkest hour? Refusing to be a damsel in distress, Ayumi’s not ready to go down without a fight, and her mighty new flame powers are burning hotter than ever! Saigami is rated T for Teen, recommended for ages 13 and up. Saturday AM, the world’s most diverse manga-inspired comics, are now presented in a new format! Introducing Saturday AM TANKS, the new graphic novel format similar to Japanese Tankobons where we collect the global heroes and artists of Saturday AM. These handsome volumes have select color pages, revised artwork, and innovative post-credit scenes that help bring new life to our popular BIPOC, LGBTQ, and/or culturally diverse characters. Join in even more adventures with the other action-packed Saturday AM TANKS series:Apple Black, Clock Striker, Gunhild, Hammer, Henshin!, The Massively Multiplayer World of Ghosts, Oblivion Rouge, Soul Beat, Titan King, Underground, and Yellow Stringer.

Seni Seneviratne's debut collection offers a poetic landscape that echoes themes of migration, family, love and loss and reflects her personal journey as a woman of Sri Lankan and English heritage. The poems cross oceans and centuries. In "Cinnamon Roots", Seni Seneviratne travels from colonial Britain to Ceylon in the 15th century and back to Yorkshire in the 20th Century; in "A Wider View", time collapses and carries her from a 21st century Leeds back to the flax mills of the 19th century; poems like "Grandad's Insulin", based on childhood memories, place her in 1950's Yorkshire but echo links with her Sri Lankan heritage.

The Vietnam War, Oklahoma City bombing, Columbine High School shooting, and attacks of 9/11 all shattered myths of national identity. Vietnam was a war the U.S. didn't win on the ground in Asia or politically at home; Oklahoma City revealed domestic terrorism in the heartland; Columbine debunked legends of high school as an idyllic time; and 9/11 demonstrated U.S. vulnerability to international terrorism. The Vietnam Veterans Memorial was intended to separate the victims from the war that caused their death. This focus on individuals lost (evident in all the memorials and museums discussed here) conflates the function of cemeteries, where deaths are singular and grieving is personal, with that of memorials - to remember and mourn communal losses and reflect on national events seen in a larger context. Memorials to Shattered Myths: Vietnam to 9/11 traces the evolution and consequences of this new hybrid paradigm, which grants a heroic status to victims and by extension to their families, thereby creating a class of privileged participants in the permanent memorial process. It argues against this practice, suggesting instead that victims' families be charged with determining the nature of an interim memorial, one that addresses their needs in the critical time between the murder of their loved ones and the completion of the permanent memorial. It also charges that the memorials discussed here are variously based on strategies of diversion and denial that direct our attention away from actual events, and reframe tragedy as secular or religious triumph. Thus they basically camouflage history. Seen as an aggregate, they define a nation of victims, exactly the concept they and their accompanying celebratory narratives were apparently created to obscure.

Personal heartbreak and public politicaltrauma collide in this moving poetry compilation. While the poems struggle with sadness, a sense of acceptance transcends the pain as the poet explores a mixed heritage background. Sudden twists of anger and tragedy are tempered only by the poet s compassion, and the overall effect is both compelling and cathartic. Hauntingly compelling, this collection will appeal most to those interested in LGBT studies and diasporic literature."

'Perfect for fans of Eleanor Oliphant is Completely Fine' Hello! 'Extremely charming' Marian Keyes Not every journey takes you far from home... Mr Doubler is an expert in many things. He can bake the fluffiest lemon drizzle cake, distil divine gin, and grow perfect potatoes. But when it comes to company, he's not so confident. Since he lost his wife, he's been living on his own on top of a hill, with just one regular visitor: his housekeeper, Mrs Millwood, who visits every day. Until the day she doesn't. With Mrs Millwood missing, Doubler's routine is thrown into chaos - and he begins to worry that he might have lost his way. But could the kindness of strangers bring him down from the hill? Mr Doubler Begins Again is a nostalgic celebration of food, friendship, kindness, and second chances, perfect for fans of Rachel Joyce and Joanna Cannon. Readers love Mr Doubler Begins Again: 'Poignant and thought-provoking' Bee 'Wise, clever and beautifully written' MoziDogReads 'An adorable, heart-warming and amusing story... A breath of fresh air' Cheryl 'Seni Glaister's writing is beautiful, so lyrical, so thoughtful and so deep... I feel like every single word matters in this book' Nicola 'Uplifting, amusing and engaging... A treat to read' Jenny H 'A brilliant read. Did not wish it to end' Biren 'This book was a sheer delight to read' Whispering Stories Blog 'A wonderfully touching, funny and inspiring book' Karen

Monuments around the world have become the focus of intense and sustained discussions, activism, vandalism, and removal. Since the convulsive events of 2015 and 2017, during which white supremacists committed violence in the shadow of Confederate symbols, and the 2020 nationwide protests against racism and police brutality, protesters and politicians in the United States have removed Confederate monuments, as well as monuments to historical figures like Christopher Columbus and Dr. J. Marion Sims, questioning their legitimacy as present-day heroes that their place in the public sphere reinforces. The essays included in this anthology offer guidelines and case studies tailored for students and teachers to demonstrate how monuments can be used to deepen civic and historical engagement and social dialogue. Essays analyze specific controversies throughout North America with various outcomes as well as examples of monuments that convey outdated or unwelcome value systems without prompting debate.

With contributions from leading authorities in the field, this one-of-a-kind text explores the major health challenges and conditions specifically affecting women. Epidemiology of Women's Health covers chronic, infectious, autoimmune and psychological conditions as well as the health disparities and differences in health behaviors to give the reader a comprehensive understanding of the major female-specific needs that may be useful in developing effective public health programs. The text concludes with a review of the ethical aspects of gender-specific research studies. Divided into 10 sections, the book covers the following topic areas: Introduction to Epidemiology of Women's Health; Personal and Community-Based Health Promotion and Morbidity Prevention; Sexual Health Across the Life Span; Sexually Transmitted Infections; Chronic Psychological and Psychosocial Conditions; Endocrine & Autoimmune Conditions; Malignancies; Chronic Conditions; Aging; and Impact of Research: Lessons from the Past, Challenges of the Future.

A comprehensive look at Louise Nevelson's career as a pioneering sculptor Louise Nevelson (1900-1988) was a towering figure in postwar American art, exerting great influence with her monumental installations, innovative sculptures made of found objects, and celebrated public artworks. The Sculpture of Louise Nevelson focuses on all phases of the artist's remarkable ascent to the top of the art world, from her groundbreaking works of the 1940s to complex pieces completed in the late 1980s. The most extensive study of Nevelson to be published in over 20 years, this beautifully illustrated book also demonstrates how Nevelson's flamboyant style and carefully cultivated persona enhanced her reputation as an artist of the first rank. Essays by distinguished scholars examine a wide variety of important issues and themes throughout Nevelson's career, including the role of monochromatic color in her painted wooden sculpture; the art-historical context of her work; her acclaimed large-scale commissioned artworks, which established her as a central figure in the public art revival of the late 1960s; and her "self-fashioning" as a celebrated artist, particularly her origins as a Ukrainian-born Jewish immigrant to the United States. An illustrated chronology and exhibition history accompany the text. Published in conjunction with the first major exhibition of Nevelson's work in America since 1980, this book provides essential information on and insights into the study of a revolutionary 20th-century artist.