Winner of the MLA Aldo and Jeanne Scaglione Prize for Italian Studies 2016 Winner of the American Association for Italian Studies Book Prize 2016 This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Written by one of Europe's leading critics, Ecocriticism and Italy reads the diverse landscapes of Italy in the cultural imagination. From death in Venice as a literary trope and petrochemical curse, through the volcanoes of Naples to wine, food and environmental violence in Piedmont, Serenella Iovino explores Italy as a text where ecology and imagination meet. Examining cases where justice, society and politics interlace with stories of land and life, pollution and redemption, the book argues that literature, art and criticism are able to transform the unexpressed voices of these suffering worlds into stories of resistance and practices of liberation.

Bringing together new writing by some of the field's most compelling voices from the United States and Europe, this is the first book to examine Italy-as a territory of both matter and imagination-through the lens of the environmental humanities. The contributors offer a wide spectrum of approaches-including ecocriticism, film studies, environmental history and sociology, eco-art, and animal and landscape studies-to move past cliche and reimagine Italy as a hybrid, plural, eloquent place. Among the topics investigated are post-seismic rubble and the stratifying geosocial layers of the Anthropocene, the landscape connections in the work of writers such as Calvino and Buzzati, the contaminated fields of the ecomafia's trafficking, Slow Food's gastronomy of liberation, poetic birds and historic forests, resident parasites, and nonhuman creatures. At a time when the tension between the local and the global requires that we reconsider our multiple roots and porous place-identities, Italy and the Environmental Humanities builds a creative critical discourse and offers a series of new voices that will enrich not just nationally oriented discussions, but the entire debate on environmental culture.

What is Melville beyond the whale? Long celebrated for his stories of the sea, Melville was also fascinated by the interrelations between living species and planetary systems, a perspective informing his work in ways we now term "ecological". By reading Melville in the context of nineteenth-century science, Tom Nurmi contends that he may best be understood as a proto-ecologist who innovatively engages with the entanglement of human and nonhuman realms. Melville lived during a period in which the process of scientific specialization was well underway, while the integration of science and art was concurrently being addressed by American writers. Steeped in the work of Lyell, Darwin, and other scientific pioneers, he composed stories and verse that made the complexity of geological, botanical, and zoological networks visible to a broad spectrum of readers, ironically in the most "unscientific" forms of fiction and poetry. Set against the backdrop of Melville's literary, philosophical, and scientific influences, Magnificent Decay focuses on four of his most neglected works - Mardi (1849), Pierre (1852), The Piazza Tales (1856), and John Marr (1888) - to demonstrate that, together, literature and science offer collective insights into the past, present, and future turbulence of the Anthropocene. Tracing the convergences of ecological and literary creativity, Melville's lesser-read texts explore the complex interplay between inanimate matter, life, and human society across multiple scales and, in so doing, illustrate the value of literary art for representing ecological relationships.

Material Ecocriticism offers new ways to analyze language and reality, human and nonhuman life, mind and matter, without falling into well-worn paths of thinking. Bringing ecocriticism closer to the material turn, the contributions to this landmark volume focus on material forces and substances, the agency of things, processes, narratives and stories, and making meaning out of the world. This broad-ranging reflection on contemporary human experience and expression provokes new understandings of the planet to which we are intimately connected.

This important volume brings together scientific, cultural, literary, historical, and philosophical perspectives to offer new understandings of the critical issues of our ecological present and new models for the creation of alternative ecological futures. At a time when the narrative and theoretical threads of the environmental humanities are more entwined than ever with the scientific, ethical, and political challenges of the global ecological crisis, this volume invites us to rethink the Anthropocene, the posthuman, and the environmental from various cross-disciplinary viewpoints. The book enriches the environmental debate with new conceptual tools and revitalizes thematic and methodological collaborations in the trajectory of ecocriticism and the environmental humanities. Alliances between the humanities and the social and natural sciences are vital in addressing and finding viable solutions to our planetary predicaments. Drawing on cutting-edge studies in all the major fields of the eco-cultural debate, the chapters in this book build a creative critical discourse that explores, challenges and enhances the field of environmental humanities.

The words 'Anthropocene animals' conjure pictures of dead albatrosses' bodies filled with plastic fragments, polar bears adrift on melting ice sheets, solitary elephants in the savannah. Suspended between the impersonal nature of the Great Extinction and the singularity of exotic individuals, these creatures appear remote, disconnected from us. But animals in the Anthropocene are not simply 'out there.' Threatening and threatened, they populate cities and countryside, often trapped in industrial farms, zoos, labs. Among them, there are humans, too. Italo Calvino's Animals explores Anthropocene animals through the visionary eyes of a classic modern author. In Calvino's stories, ants, cats, chickens, rabbits, gorillas, and other critters emerge as complex subjects and inhabitants of a world under siege. Beside them, another figure appears in the mirror: that of an anthropos without a capital A, epitome of subaltern humans with their challenges and inequalities, a companion species on the difficult path of co-evolution.

Italian writer and filmmaker Gianni Celati's 1989 philosophical travelogue Towards the River's Mouth explores perception, memory, place and space as it recounts a series of journeys across the Po River Valley in northern Italy. The book seeks to document the "new Italian landscape" where divisions between the urban and rural were being blurred into what Celati terms "a new variety of countryside where one breathes an air of urban solitude." Celati traveled by train, by bus, and on foot, at times with photographer Luigi Ghirri, at others exploring on his own without predetermined itineraries, taking notes on the places he encountered, watching and listening to people in stations, fields, bars, houses, squares, and hotels. In this way the book took shape as Celati traveled and wrote, gathering and rewriting his notes into "stories of observation" (9). Celati attempts to find meaning by seeking the uncertain limits of our ability to discern everyday surroundings. "Every observation," as he puts it, "needs liberate itself from the familiar codes it carries, to go adrift in the middle of all things not understood, in order to arrive at an outlet, where it must feel lost." At the forefront of the then-nascent spatial turn in the humanities, Towards the River's Mouth is a key text of what in recent years has been variously termed literary cartography, literary geography, and spatial poetics. Its call to carefully and affectionately examine our surroundings while attempting to step back from habitual ways of perceiving and moving through space, has resonated as much with literary scholars and other writers as with geographers and architects. By now a classic of twentieth-century Italian literature, it has in recent years garnered increasing attention, especially with the growth of ecocriticism and new materialism within the environmental humanities. This edition, translated into English for the first time, features an introduction that places Towards the River's Mouth in the context of Celati's other work, and a selection of ten scholarly essays by prominent figures in comparative literature and Italian studies.

What is Melville beyond the whale? Long celebrated for his stories of the sea, Melville was also fascinated by the interrelations between living species and planetary systems, a perspective informing his work in ways we now term "ecological". By reading Melville in the context of nineteenth-century science, Tom Nurmi contends that he may best be understood as a proto-ecologist who innovatively engages with the entanglement of human and nonhuman realms. Melville lived during a period in which the process of scientific specialization was well underway, while the integration of science and art was concurrently being addressed by American writers. Steeped in the work of Lyell, Darwin, and other scientific pioneers, he composed stories and verse that made the complexity of geological, botanical, and zoological networks visible to a broad spectrum of readers, ironically in the most "unscientific" forms of fiction and poetry. Set against the backdrop of Melville's literary, philosophical, and scientific influences, Magnificent Decay focuses on four of his most neglected works - Mardi (1849), Pierre (1852), The Piazza Tales (1856), and John Marr (1888) - to demonstrate that, together, literature and science offer collective insights into the past, present, and future turbulence of the Anthropocene. Tracing the convergences of ecological and literary creativity, Melville's lesser-read texts explore the complex interplay between inanimate matter, life, and human society across multiple scales and, in so doing, illustrate the value of literary art for representing ecological relationships.

Bringing together new writing by some of the field's most compelling voices from the United States and Europe, this is the first book to examine Italy-as a territory of both matter and imagination-through the lens of the environmental humanities. The contributors offer a wide spectrum of approaches-including ecocriticism, film studies, environmental history and sociology, eco-art, and animal and landscape studies-to move past cliche and reimagine Italy as a hybrid, plural, eloquent place. Among the topics investigated are post-seismic rubble and the stratifying geosocial layers of the Anthropocene, the landscape connections in the work of writers such as Calvino and Buzzati, the contaminated fields of the ecomafia's trafficking, Slow Food's gastronomy of liberation, poetic birds and historic forests, resident parasites, and nonhuman creatures. At a time when the tension between the local and the global requires that we reconsider our multiple roots and porous place-identities, Italy and the Environmental Humanities builds a creative critical discourse and offers a series of new voices that will enrich not just nationally oriented discussions, but the entire debate on environmental culture.