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Inspired by Steven Spielberg’s own childhood, rediscover the magic of movies in The Fabelmans, a coming-of-age story about a young man uncovering a shattering family secret and the power of film and imagination to help us see the truth about ourselves and each other. With a star-studded cast, The Fabelmans tells a timeless tale of heartbreak, healing, and hope for the dreamer inside all of us.
Knocked Up
Superbad
The 40 Year Old Virgin
Talladega Nights
The Internship (2013)
The Watch (2012)
The creator of the Polyvagal Theory explains the principles in simple terms that are accessible to all. Since Stephen Porges first proposed the Polyvagal Theory in 1994, its basic idea―that the level of safety we feel impacts our health and happiness―has radically shifted how researchers and clinicians approach trauma interventions and therapeutic interactions. Yet despite its wide acceptance, most of the writing on the topic has been obscured behind clinical texts and scientific jargon. Our Polyvagal World definitively presents how Polyvagal Theory can be understandable to all and demonstrates how its practical principles are applicable to anyone looking to live their safest, best, healthiest, and happiest life. What emerges is a worldview filled with optimism and hope, and an understanding as to why our bodies sometimes act in ways our brains wish they didn’t. Filled with actionable advice and real-world examples, this book will change the way you think about your brain, body, and ability to stay calm in a world that feels increasingly overwhelming and stressful.
Seth Masket's The Inevitable Party is a study of anti-party reforms and why they fail. Numerous reform movements over the past century have designated parties as the enemy of democracy, and they have found a willing ally in the American people in their efforts to rein in and occasionally root out parties. Masket investigates several of these anti-party reform efforts - from open primaries to campaign finance restrictions to nonpartisan legislatures - using legislative roll call votes, campaign donations patterns, and extensive interviews with local political elites. These cases each demonstrate parties adapting to, and sometimes thriving amidst, reforms designed to weaken or destroy them. The reason for these reforms' failures, the book argues, is that they proceed from an incorrect conception of just what a party is. Parties are not rigid structures that can be wished or legislated away; they are networks of creative and adaptive policy demanders who use their influence to determine just what sorts of people get nominated for office. Even while these reforms tend to fail, however, they impose considerable costs on society, usually reducing transparency and accountability in politics and government.
This volume consists of written chapters taken from the
presentations at the symposium "100+ Years of Plastics: Leo
Baekeland and Beyond," held March 22, 2010, at the 239th ACS
National Meeting in San Francisco. The symposium celebrates the
100th anniversary of the formation of General Bakelite Corp., which
was preceded by Leo Baekland's synthesis of Bakelite in 1907 and
the unveiling of the Bakelite process in 1909. It is quite
reasonable to use the synthesis of Bakelite as the starting point
of the Age of Plastics. Indeed, Time magazine in its June 14, 1999,
issue on the 100 most influential people of the 20th century chose
Leo Baekeland and his Bakelite synthesis as the sole representative
of chemistry.
Topher Grace, Teresa Palmer and Anna Faris star in this coming-of-age comedy drama set in the late 1980s. Matt Franklin (Grace) is a bright young college graduate whose life has been going steadily nowhere since he left college, despite the economic boom going on all around him. When he finds himself at a Labour Day weekend party with Tori (Palmer), the long-time object of his unrequited affections, Matt throws caution to the wind and goes all out to catch the girl of his dreams, whatever it takes.
Compilation of the funniest moments of Family Guy's maniacal baby genius, Stewie Griffin (voice of Seth MacFarlane), who, at the tender age of one, spends his life planning to take over the world.
Entire fourth season of the animated sitcom. The Griffins are an average North American family living in an average North American home in an average North American town. The dad Peter is a big TV fan; mom Lois is a former heiress who gave up her riches to marry the man she loves; 16-year-old Meg is a drama queen eager to be accepted by her peers; 13-year-old Chris likes his food and has the beginnings of a TV habit which could grow to equal his dad's; baby Stewie is a malevolent genius with plans for complete global domination; and martini-guzzling Brian is, well, the family dog. The episodes comprise: 'North By North Quahog', 'Fast Times at Buddy Cianci Jr. High', 'Blind Ambition', 'Don't Make Me Over', 'The Cleveland-Loretta Quagmire', 'Petarded', 'Brian the Bachelor', '8 Simple Rules for Buying My Teenage Daughter', 'Breaking Out Is Hard to Do', 'Model Misbehavior', 'Peter's Got Woods', 'The Perfect Castaway' and 'Jungle Love'.
Chemistry is intimately involved in the development of the oldest known civilizations, resulting in a range of chemical technologies that not only continue to be part of modern civilized societies, but are so commonplace that it would be hard to imagine life without them. Such chemical technology has a very long and rich history, in some cases dating back to as early as 20,000 BCE. Chemistry Technology in Antiquity aims to present the discovery, development, and early history of a range of such chemical technologies, with the added goal of including a number of smaller subjects often ignored in the presentation of early chemical technology. While the book does not aim to be a comprehensive coverage of the full range of chemical technologies practiced during antiquity, it provides a feel and appreciation for both the deep history involved with these topics, as well as the complexity of the chemical processes that were being utilized at such a very early time period.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy. |
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