Literary Passports is the first book to explore modernist Hebrew fiction in Europe in the early decades of the twentieth century. It not only serves as an introduction to this important body of literature, but also acts as a major revisionist statement, freeing this literature from a Zionist-nationalist narrative and viewing it through the wider lens of new comparative studies in modernism. The book's central claim is that modernist Hebrew prose-fiction, as it emerged from 1900 to 1930, was shaped by the highly charged encounter of traditionally educated Jews with the revolution of European literature and culture known as modernism. The book deals with modernist Hebrew fiction as an urban phenomenon, explores the ways in which the genre dealt with issues of sexuality and gender, and examines its depictions of the complex relations between tradition, modernity, and religion.

Although Anne (Chana) Kleiman-who died in 2011 at the age of 101-was the first American-born Jewish woman to publish poems in Hebrew, and Annabelle (Chana) Farmelant-who is still living and occasionally publishing-wrote a substantial body of Hebrew verse from the 1940s to the 1960s, their work is virtually unknown today, even to those familiar with Hebrew literature in America. In Women's Hebrew Poetry on American Shores: Poems by Anne Kleiman and Annabelle Farmelant, editor Shachar Pinsker recovers the singular voices of these women, introducing their captivating and wide-ranging poetry and placing it in its historical, literary, and cultural contexts. Women's Hebrew Poetry on American Shores presents a bilingual edition of Kleiman and Farmelant's work in a large range of themes, moods, and styles, translated into English for the first time by Yosefa Raz and Adriana X. Jacobs. It includes Kleiman's poems that were collected and published in a 1947 U.S. volume and a selection from two of Farmelant's poetry books, published in Jerusalem in 1960 and 1961. The translators have furnished the poems with copious notes, illuminating linguistic and cultural sources of the poetry and making it more accessible to contemporary readers. Pinsker introduces the volume with a background on the poets' lives and work and a look at the state of Hebrew literature in the first half of the twentieth century. The volume also includes an unpublished essay by Anne Kleiman, addressing Hebrew poet Anda Pinkerfeld and her poetic work, which sheds an important light on the dialogue between women's Hebrew poetry written in American and in Palestine during the same period. Readers and scholars of Jewish, American, and Hebrew literature and cultural history, as well as those interested in poetry, gender, and women's studies will enjoy this unique bilingual edition.