This is no ordinary reprint of common magical squares found in Agrippa's Three Books of Occult Philosophy. Not even close This Occult Encyclopedia contains hundreds of new magical squares based on secret esoteric techniques developed by master sages of the ancient Near East. Did you know that there are four forms of each magic square corresponding with each of the Elements? Did you know that from each square you can extract up to 8 Angels and 8 Genies that are specific to THAT square? Did you know there is a secret mathematical code embedded in all magic squares? There is much more to the art of magic squares than even the most seasoned modern-day ceremonial magician is aware of. The Occult Encyclopedia of Magical Squares contains information that will make a difference in how you approach talismanic magic. It also contains hundreds of ready and finished squares for: Archangels and Angels of the Zodiac Archangels and Angels of the Planets Planetary Intelligences and Spirits Olympic Spirits Lords of Zodiacal Triplicities by Day and Night Angels Ruling the 12 Houses Angels of Astrological Decanates and Quinances You will get hundreds of magic squares to facilitate the evocation and aid of over 200 spiritual beings. This book is a must-have for serious seekers, no matter which magical tradition you follow.

This book explores the role of national theatres, national cultural centres, cultural policy, festivals, and the film industry as creative and cultural performances hubs for exercising soft power and cultural diplomacy. It shows how can existing cultural and non-cultural infrastructures, sometimes referred to as the Orange Economy, open opportunities for diplomacy and soft power; ways by which cultural performance and creative practice can be re-centered in post-colonial Africa and in post-global pandemic era; and existing structures that cultural performers, diplomats, administrators, cultural entrepreneurs, and managers can leverage to re-enact cultural performance and creative practice on the continent. This volume is positioned within postcolonial discourse to amplify narratives, experiences and realities that are anti-oppressive especially within critical discourse.

This book documents the experiences of victims of violent conflicts, who used dance, music, and drama to negotiate their wellbeing, and build resilience and hope. The culturally familiar context used by the victims is a bottom-up approach that generates positive energies enabling them to attain emotional growth and psychological integration, including social skills with which they imagine and work towards a better future. "Shadrach grasps the physical and psychological dimensions of theatrical events. He describes as an observer, analyses as a scientist, and understands the need for reflection before coming to a conclusion." Wolfgang Schneider "... It is a stimulant for further research in cultural performances and their therapeutic properties." S. E. Ododo

Against a disturbing political backdrop and through an in-depth appraisal of selected illustrative texts from major genres-poetry, prose, and drama-Emmanuel Fru Doh presents the origins and growth of a young but potent literature. To him, Anglophone-Cameroon literature is a weapon in the hands of an oppressed English speaking minority in his native Cameroon, Africa, who were unfairly manipulated by the United Nations and Britain into a skewed federation in the name of an independence deal.

This book explores the role of national theatres, national cultural centres, cultural policy, festivals, and the film industry as creative and cultural performances hubs for exercising soft power and cultural diplomacy. It shows how can existing cultural and non-cultural infrastructures, sometimes referred to as the Orange Economy, open opportunities for diplomacy and soft power; ways by which cultural performance and creative practice can be re-centered in post-colonial Africa and in post-global pandemic era; and existing structures that cultural performers, diplomats, administrators, cultural entrepreneurs, and managers can leverage to re-enact cultural performance and creative practice on the continent. This volume is positioned within postcolonial discourse to amplify narratives, experiences and realities that are anti-oppressive especially within critical discourse.

This book is written by a successful survivor! This clear and supportive text provides a detailed synthesis of, and rationale for, the key issues involved in a PhD and is highly recommended for anyone contemplating embarking on a PhD programme - it should be read from start to finish before starting the journey and consulted at regular intervals throughout the journey using the lists of dos and don'ts as checklists at strategic milestones along the way. Professor Eleri Jones, Professor Emerita, Cardiff Metropolitan University Dr Iornem presents the topic of a PhD journey in the same way as he undertook the journey itself: with enthusiasm and joy. Any student wanting to tackle this daunting task should use this book as a guide and as a motivator. Dr Iornem recognizes the hurdles and the fears which face a research student and addresses them with realism, pragmatism and humour, based on his own personal experiences. Dr John Koenigsberger, PhD supervisor: Cardiff Metropolitan University; University of Wales, Trinity St. Davids From development of the research proposal to preparing for the viva voce and post-doctoral career options, this handy survival guide provides an invaluable source of advice and inside knowledge on the entire PhD process. All stages are explained in simple terms, and potential pitfalls are clearly highlighted, along with how to avoid them. This accessible, informative and engaging book is highly recommended as essential reading to anyone considering undertaking a PhD. Dr Hillary J. Shaw, Senior Research Fellow, Centre for Urban Research on Austerity, De Montfort University The doctorate is an emotional and academic journey, filled with dilemmas and obstacles that are normal for every student. Offering a new perspective to help navigate and adjust to a new environment and culture of learning, this book seeks to answer questions like: *What if my research is not up to a PhD standard? *What makes a thesis original? *What if I cannot finish the course before the stipulated 3-year period? *What kind of training do I need before commencing a PhD? Drawn from the author's own experience, alongside the stories of other students and graduates, the book illustrates possible solutions to the academic and emotional challenges faced by today's PhD student. Key features: 1.Reflections from contemporary PhD students and graduates. 2.Comprehensive table of contents including research, proposal writing, avoiding plagiarism, publishing, and preparing for the viva voce. 3.Accessible and practical approach to the common problems faced by today's doctoral students. 4.Conversational style for an easy-to-read experience, particularly useful for international students whose first language is not English. 5.Simplified coverage of the research journey in a logical step-by-step format from pre-application to the final Thesis Defence. Essential reading for students and supervisors, A Social Science Student's Guide to Surviving Your PhD will also be of use to international students seeking to gain further insight into the application process and the demands of research degrees in the UK. Dr Kohol Shadrach Iornem is a senior lecturer at the International Foundation Group, London, UK, where he teaches Business Management, Organisational Behaviour and Study Skills. He is also the Director of Programmes at London Graduate School.