'Poetic speech is a pearl, connected to the king's ear.' This statement gestures to words as objects of material value sought by those with power and resources. The author provides a sense for the texture of the Persian world by discussing what made poetry precious. By focusing on reports on poets' lives, they illuminate the social scene in which poetry was produced and consumed. The discussion elicits poetry's close connections to political and religious authority, economic exchange, and the articulation of gender. At the broadest level, the study substantiates the interdependency between cultural and material reproduction of society.

Fazlallah Astarabadi was a 14th-century Islamic religious leader who believed that the world was about to come to an end. This book is the first comprehensive study of Astarabadi's life and thought and also offer a history of his movement. It emphasizes the diversity of medieval Islam by describing an apocalyptic movement founded on the idea that the cosmos contains embedded secrets that become manifest through extraordinary human beings.

Between 1300 and 1500 C.E. a new form of Sufi Islam took hold among central Islamic peoples, joining individuals through widespread networks resembling today's prominent paths and orders. Understanding contemporary Sufism requires a sophisticated analysis of these formative years. Moving beyond a straight account of leaders and movements, Shahzad Bashir weaves a rich history around the depiction of bodily actions by Sufi masters and disciples, primarily in Sufi literature and Persian miniature paintings of the period.

Focusing on the Persianate societies of Iran and Central Asia, Bashir explores medieval Sufis' conception of the human body as the primary shuttle between interior ( "batin") and exterior ( "zahir") realities. Drawing on literary, historical, and anthropological approaches to corporeality, he studies representations of Sufi bodies in three personal and communal arenas: religious activity in the form of ritual, asceticism, rules of etiquette, and a universal hierarchy of saints; the deep imprint of Persian poetic paradigms on the articulation of love, desire, and gender; and the reputation of Sufi masters for working miracles, which empowered them in all domains of social activity.

Bashir's novel perspective illuminates complex relationships between body and soul, body and gender, body and society, and body and cosmos. It highlights love as an overarching, powerful emotion in the making of Sufi communities and situates the body as a critical concern in Sufi thought and practice. Bashir's work ultimately offers a new methodology for extracting historical information from religious narratives, especially those depicting extraordinary and miraculous events.

Between 1300 and 1500 C.E. a new form of Sufi Islam took hold among central Islamic peoples, joining individuals through widespread networks resembling today's prominent paths and orders. Understanding contemporary Sufism requires a sophisticated analysis of these formative years. Moving beyond a straight account of leaders and movements, Shahzad Bashir weaves a rich history around the depiction of bodily actions by Sufi masters and disciples, primarily in Sufi literature and Persian miniature paintings of the period.

Focusing on the Persianate societies of Iran and Central Asia, Bashir explores medieval Sufis' conception of the human body as the primary shuttle between interior ( "batin") and exterior ( "zahir") realities. Drawing on literary, historical, and anthropological approaches to corporeality, he studies representations of Sufi bodies in three personal and communal arenas: religious activity in the form of ritual, asceticism, rules of etiquette, and a universal hierarchy of saints; the deep imprint of Persian poetic paradigms on the articulation of love, desire, and gender; and the reputation of Sufi masters for working miracles, which empowered them in all domains of social activity.

Bashir's novel perspective illuminates complex relationships between body and soul, body and gender, body and society, and body and cosmos. It highlights love as an overarching, powerful emotion in the making of Sufi communities and situates the body as a critical concern in Sufi thought and practice. Bashir's work ultimately offers a new methodology for extracting historical information from religious narratives, especially those depicting extraordinary and miraculous events.

Messianic Hopes and Mystical Visions tells the story of the Nurbakhshiya, an Islamic messianic movement that originated in fifteenth-century central Asia and Iran and survives to the present in Pakistan and India. In the first full-length study of the sect, Shahzad Bashir illumines the significance of messianism as an Islamic religious paradigm and illustrates its centrality to any discussion of Islamic sectarianism. By tracing Nurbakhshi activity in the Middle East and central and southern Asia through more than five centuries, Bashir brings to view the continuities and disruptions within Islamic civilization across regions and over time. Bashir effectively captures the way Nurbakhshis have understood and debated the meaning of their tradition in various geographical and temporal contexts. Bashir provides a detailed biography of the movement's founder, Muhammad Nurbakhsh (d. 1464). Born to a Twelver Shi'i family, Nurbakhsh declared himself the mahdi, or the Muslim messiah, as an adept of the Kubravi Sufi order under the influence of the teachings of the great Sufi master Ibn al-'Arabi (d. 1240). Nurbakhsh's religious worldview, which Bashir treats in depth in this volume, offers a new window onto the intellectual world of the late medieval Islamic East. Although Nurbakhsh met with limited success as a claimant to the title of mahdi during his lifetime, his movement prospered after his death as his disciples remained active in Timurid and Safavid Iran, central Asia, and Ottoman Anatolia. Bashir analyzes the spread of the Nurbakhshiya as well as its greatest sociopolitical triumph - transplantation into Kashmir in the late fifteenth and early sixteenth centuries, from where the movement extended into neighboring Ladakh and Baltistan. Making use of previously unexamined sources, Bashir recounts every phase of Nurbakshi history, paying particular attention to the reinterpretation and adjustment of the tradition in each local context.

In the West, media coverage of Afghanistan and Pakistan is framed by military and political concerns, resulting in a simplistic picture of ageless barbarity, terrorist safe havens, and peoples in need of either punishment or salvation. Under the Drones looks beyond this limiting view to investigate real people on the ground, and to analyze the political, social, and economic forces that shape their lives. Understanding the complexity of life along the 1,600-mile border between Afghanistan and Pakistan can help America and its European allies realign their priorities in the region to address genuine problems, rather than fabricated ones. This volume explodes Western misunderstandings by revealing a land that abounds with human agency, perpetual innovation, and vibrant complexity. Through the work of historians and social scientists, the thirteen essays here explore the real and imagined presence of the Taliban; the animated sociopolitical identities expressed through traditions like Pakistani truck decoration; Sufism's ambivalent position as an alternative to militancy; the long and contradictory history of Afghan media; and the simultaneous brutality and potential that heroin brings to women in the area. Moving past shifting conceptions of security, the authors expose the West's prevailing perspective on the region as strategic, targeted, and alarmingly dehumanizing. Under the Drones is an essential antidote to contemporary media coverage and military concerns.