This timely book will explain, via a number of thematic and case studies, that international economics is not an independent terrain of economic activity reproducing itself throughout history, but a complex articulation of social, political and culturally determined actions that are inextricably linked. Chapters will address the role of dominant global powers in the making of global industrial and monetary relations, and, in particular, ways in which, and the degrees to which dominant economic and military powers, such as the USA, tend to shape the domestic economic environments of lesser powers after their own image. Supplementing the chapters will be a comprehensive A - Z glossary section, which will include key International Political Economy terms, e.g. international debt, European free trade area, International Bank for Reconstruction and Development, IMF, GATT-WTO, Foreign exchange, fixed exchange rates, floating exchange rates, reserve currency, gold-dollar parity, multinational corporation, preferential trade agreement, hedge funds, etc. Entries will be cross-referenced for ease of use. This book will be ideal for researchers and students in the areas of politics, international relations and international economics, as well as for academics, economists, business people, and those with an interest in the workings of international political economy.

This book examines the political economy of conflict between China, a rising power, and the USA, a declining one. It provides an informed analysis as to why China is the main beneficiary of neo-liberal globalisation, a project launched in the wake of the collapse of the Bretton Woods system in the late 1960s under the aegis of the USA. Why are Huawei and other Chinese high-tech giants targeted by the USA and its allies? What is the role of the state and the Chinese political system in the development of China's political economy, as well as its globalisation? Does China's global rise provide a viable and sustainable alternative to neo-liberal globalisation? Since American leaders view increasingly the rise of China as a threat, how likely is an armed conflict between China and the USA? This book answers these questions by using a wealth of empirical material and debating with many theoretical schools of thought, Marxist or otherwise.

This book examines diverse literary writings in Bangla related to crime in late nineteenth and early twentieth century colonial Bengal, with a timely focus on gender. It analyses crime-centred fiction and non-fiction in the region to see how actual or imagined crimes related to women were shaped and fashioned into images and narratives for contemporary genteel readers. The writings have been examined within a social-historical context where gender was a fiercely contested terrain for publicly fought debates on law, sexual relations, reform, and identity as moulded by culture, class, and caste. Both canonized literary writings (like those of Bankim Chatterji) as well as non-canonical, popular writings (of writers who have not received sufficient critical attention) are scrutinised in order to examine how criminal offences featuring women (as both victims and offenders) have been narrated in early manifestations of the genre of crime writing in Bangla. An empowered and thought-provoking study, this book will be of special interest to scholars of criminology and social justice, literature, and gender.

The emergent culture of crime writings in late 19th century colonial Bengal (India) is an interesting testimony to how literature is shaped by various material forces including the market. This book deals with true crime writings of the late 1800s published by ‘lowbrow publishing houses’ — infamous for publishing ‘sensational’ and the ‘vulgar’ literature — which had an avid bhadralok (genteel) readership. The volume focuses on select translations of true crime writings by Bakaullah and Priyanath Mukhopadhyay who worked as darogas (Detective Inspectors) in the police department in mid-late nineteenth century colonised Bengal. These published accounts of cases investigated by them are among the very first manifestations of the crime genre in India. The writings reflect their understandings of criminality and guilt, as well as negotiations with colonial law and policing. Further, through a selection of cases in which women make an appearance either as victims or offenders, (or sometimes as both,) this book sheds light on the hidden gendered experiences of the time, often missing in mainstream Bangla literature. Combining a love for suspense with critical readings of a cultural phenomenon, this book will be of much interest to scholars and researchers of comparative literature, translation studies, gender studies, literary theory, cultural studies, modern history, and lovers of crime fiction from all disciplines.

The emergent culture of crime writings in late 19th century colonial Bengal (India) is an interesting testimony to how literature is shaped by various material forces including the market. This book deals with true crime writings of the late 1800s published by 'lowbrow publishing houses' - infamous for publishing 'sensational' and the 'vulgar' literature - which had an avid bhadralok (genteel) readership. The volume focuses on select translations of true crime writings by Bakaullah and Priyanath Mukhopadhyay who worked as darogas (Detective Inspectors) in the police department in mid-late nineteenth century colonised Bengal. These published accounts of cases investigated by them are among the very first manifestations of the crime genre in India. The writings reflect their understandings of criminality and guilt, as well as negotiations with colonial law and policing. Further, through a selection of cases in which women make an appearance either as victims or offenders, (or sometimes as both,) this book sheds light on the hidden gendered experiences of the time, often missing in mainstream Bangla literature. Combining a love for suspense with critical readings of a cultural phenomenon, this book will be of much interest to scholars and researchers of comparative literature, translation studies, gender studies, literary theory, cultural studies, modern history, and lovers of crime fiction from all disciplines.

This book presents a feminist mapping of the articulation and suppression of female desire in Hindi films, which comprise one of modern India's most popular cultural narratives. It explores the lineament of evil and the corresponding closure of chastisement or domesticity that appear as necessary conditions for the representation of subversive female desire. The term 'bad' is used heuristically, and not as a moral or essential category, to examine some of the iconic disruptive women of Hindi cinema and to uncover the nexus between patriarchy and other hierarchies, such as class, caste and religion in these representations. The twenty-one essays examine the politics of female desire/s from the 1930s to the present day - both through in-depth analyses of single films and by tracing the typologies in multiple films. The essays are divided into five sections indicating the various gendered desires and rebellions that patriarchal society seeks to police, silence and domesticate.

This book examines the political economy of conflict between China, a rising power, and the USA, a declining one. It provides an informed analysis as to why China is the main beneficiary of neo-liberal globalisation, a project launched in the wake of the collapse of the Bretton Woods system in the late 1960s under the aegis of the USA. Why are Huawei and other Chinese high-tech giants targeted by the USA and its allies? What is the role of the state and the Chinese political system in the development of China's political economy, as well as its globalisation? Does China's global rise provide a viable and sustainable alternative to neo-liberal globalisation? Since American leaders view increasingly the rise of China as a threat, how likely is an armed conflict between China and the USA? This book answers these questions by using a wealth of empirical material and debating with many theoretical schools of thought, Marxist or otherwise.

This book presents a feminist mapping of the articulation and suppression of female desire in Hindi films, which comprise one of modern India's most popular cultural narratives. It explores the lineament of evil and the corresponding closure of chastisement or domesticity that appear as necessary conditions for the representation of subversive female desire. The term 'bad' is used heuristically, and not as a moral or essential category, to examine some of the iconic disruptive women of Hindi cinema and to uncover the nexus between patriarchy and other hierarchies, such as class, caste and religion in these representations. The twenty-one essays examine the politics of female desire/s from the 1930s to the present day - both through in-depth analyses of single films and by tracing the typologies in multiple films. The essays are divided into five sections indicating the various gendered desires and rebellions that patriarchal society seeks to police, silence and domesticate.