Overworked and Undervalued: Black Women and Successin America is a collection of essays written by Black female scholars, educators, and students as well as public policy, behavioral, and mental health professionals. The contributors' share their experiences and frustrations with White America which continues to demand excessive labor and one-sided relationships of Black women while it simultaneously diminishes them. The book describes the ongoing struggle for women of color in general, but Black women in particular, which derives from the experience that only certain parts of our identities are deemed acceptable. The essays reflect on the events of the last few years and the toll the related stress has taken on each author. As a whole, the book offers its readers an opportunity to gain insight into these women's experiences and to find their place in supporting the Black women in their lives.

For First-, Second-, or Third-Time Moms, Single Parents, Same-Sex Parents, and More--This Isn't Your Typical "Birth Story" Book! With an exciting collection of personal narratives, How to Prepare for Home Birth sheds light on the varied and fascinating experiences of women choosing home birth. Anyone even remotely interested in home birth will want to pull up a chair and witness one of the most intimate moments in each family's life. From the redwoods of California to a converted cowshed in Ireland, readers will be not only entertained, but also exposed to what home birth really feels, looks, and sounds like. Topics include: First-time home birth Home birth after hospital birth Home birth after Cesarean section Postpartum advice And so much more Expectant parents will come away with a deep understanding and sense of security, knowing that if others have done this, they can, too.

Kinaesthesia and Visual Self-reflection in Contemporary Dance features interviews with UK-based professional-level contemporary, ballet, hip hop, and breaking dancers and cross-disciplinary explication of kinaesthesia and visual self-reflection discourses. Expanding on the concept of a 'kinaesthetic mode of attention' leads to discussion of some of the key values and practices which nurture and develop this mode in contemporary dance. Zooming in on entanglements with video self-images in dance practice provides further insights regarding kinaesthesia's historicised polarisation with the visual. It thus provides opportunities to dwell on and reconsider reflections, opening up to a set of playful yet disruptive diffractions inherent in the process of becoming a contemporary dancer, particularly amongst an increasingly complex landscape of visual and theoretical technologies.

Latina/o/x Communication Studies: Theories, Methods, and Practice spotlights contemporary Latina/o/x Communication Studies research in various theoretical, methodological, and academic contexts. Leandra H. Hernandez, Diana I. Bowen, Sara De Los Santos Upton, and Amanda R. Martinez have assembled a collection of case studies that focus on health, media, rhetoric, identity, organizations, the environment, and academia. Contributors expand upon previous Latina/o/x Communication Studies scholarship by examining identity and academic experiences in our current political climate; the role of language, identity, and Latinidades in health and media contexts; and the role of social activism in rhetorical, environmental, organizational, and border studies contexts. Scholars of communication, Latin American Studies, rhetoric, and sociology will find this book particularly useful.

Harried mother of three Shantelle Bisson guides you through raising a family, all while keeping your cool! Let's face it - raising children can take a wrecking ball to your ambitions, your finances, your relationships, even your health. But, as mother of three Shantelle Bisson will tell you, it doesn't have to be that way. In Raising Your Kids Without Losing Your Cool, Shantelle sets out how to get ready for baby's arrival, helps you through the big push, lays it all out on breastfeeding, and makes sure you don't forget to KEEP HAVING SEX. Plus, she'll help you navigate the perils of helicopter parenting, children on social media, and even gender-reveal parties, and answer the burning question: Is that really cool?

Contributions by Kathleen Alcalá, Sarah Amira de la Garza, Sarah De Los Santos Upton, Moises Gonzales, Luisa Fernanda Grijalva-Maza, Leandra H. Hernández, Spencer R. Herrera, Brenda Selena Lara, Susana Loza, Juan Pacheco Marcial, Amanda R. Martinez, Diana Isabel Martínez, Diego Medina, Cathryn J. Merla-Watson, Arturo "Velaz" Muñoz, Eric Murillo, Saul Ramirez, Roxanna Ivonne Sanchez-Avila, ire’ne lara silva, Lizzeth Tecuatl Cuaxiloa, and Bianca Tonantzin Zamora Monsters and Saints: LatIndigenous Landscapes and Spectral Storytelling is a collection of stories, poetry, art, and essays divining the contemporary intersection of Latinx and Indigenous cultures from the American Southwest, Mexico, and Central and South America. To give voice to this complicated identity, this volume investigates how cultures of ghost storytelling foreground a sense of belonging and home in people from LatIndigenous landscapes. Monsters and Saints reflects intersectional and intergenerational understandings of lived experiences, bodies, and traumas as narrated through embodied hauntings. Contributions to this anthology represent a commitment to thoughtful inquiry into the ways storytelling assigns meaning through labels like monster, saint, and ghost, particularly as these unfold in the context of global migration. For many marginalized and displaced peoples, a sense of belonging is always haunted through historical exclusion from an original homespace. This exclusion further manifests as limited bodily autonomy. By locating the concept of "home" as beyond physical constructs, the volume argues that spectral stories and storytelling practices of LatIndigeneity (re)configure affective states and spaces of being, becoming, migrating, displacing, and belonging.

Martin's work is characterised by a unique freedom, expressed through the possibilities of her chosen canvas - a piece of paper or textile, a sculptural surface, wall or screen. She interrogates 'who we are at the core, as people', and since her beginnings with live performance drawing in the mega clubs of Tokyo she has navigated creative worlds to interrogate and play with the role of artist and viewer. This monograph charts her career and includes early pieces, larg-scale murals and commissions, and collaborations with museums, technical institutes, museums and fashion brands.

Kinaesthesia and Visual Self-reflection in Contemporary Dance features interviews with UK-based professional-level contemporary, ballet, hip hop, and breaking dancers and cross-disciplinary explication of kinaesthesia and visual self-reflection discourses. Expanding on the concept of a 'kinaesthetic mode of attention' leads to discussion of some of the key values and practices which nurture and develop this mode in contemporary dance. Zooming in on entanglements with video self-images in dance practice provides further insights regarding kinaesthesia's historicised polarisation with the visual. It thus provides opportunities to dwell on and reconsider reflections, opening up to a set of playful yet disruptive diffractions inherent in the process of becoming a contemporary dancer, particularly amongst an increasingly complex landscape of visual and theoretical technologies.