Now available in a durable paperback edition, Shari Benstock's critically acclaimed, best-selling Women of the Left Bank is a fascinating exploration of the lives and works of some two dozen American, English, and French women whose talent shaped the Paris expatriate experience in the century's early years.

This ambitious historical, biographical, and critical study has taken its place among the foremost works of literary criticism. Maurice Beebe calls it "a distinguished contribution to modern literary history." Jane Marcus hails it as "the first serious literary history of the period and its women writers, making along the way no small contribution to our understanding of the relationships between women artists and their male counterparts, from Henry James to Hemingway, Joyce, Picasso, and Pound."

Until recently, fashion was considered the "F-word" in intellectual circles, dismissed as unworthy of serious attention. Yet no area of life, no individual moment, stands outside fashion's discourses. Intuitively, we all know that clothing is a language, incessesantly communicating messages about its wearer. But who speaks this language, to whom it is addressed, what does it mean, and how are its meanings established and tranformed? On Fashion explores the ways our material, political, psychological, sexual, even intellectual lives are woven into fashion's fabric. This stimulating collection of essays explores fashion's symbolic and figurative functions in photography, cinema, and video; in consumerism, postmodernism, and feminism; in political and material culture; and in self-definition and subjectivity. They demonstrate the pervasive reach of fashion and its expressions. The collection contains over sixty photographs and illustrations and includes essays by Barbara Brodman, Mary Ann Caws, Helene Cixous, Linda Benn DeLibero, Diana Fuss, Cheryl Herr, Karla Jay, Deborah Jenson, Douglas Kellner, Ingeborg Majer O'Sickey, Leslie W. Rabine, Andrew Ross, Sonia Rykiel, Carol Shloss, Kaja Silverman, Maureen Turim, and Iris Marion Young.

Praise for the first edition (published by Charles Scribner's Sons in 1994): "Here, at last, is Edith Wharton in all her power, her ambitions, and her angers. For the first time we have a biography using new material and allowing us to acclaim an accomplished though prejudiced woman, one who was against women's suffrage, who surrounded herself with famous men, yet was the author of insightful, feminist novels. Here is the truth, brilliantly recounted, compelling to read." -- Carolyn G. Heilbrun, author of Writing a Woman's Life "This may be the best-written biography of the [1990s]. Evocative, rich in new material, and always focused on Edith Wharton the woman, Benstock's way of telling the woman writer's story is superb. If we thought we knew the Wharton story before, this book proves us wrong." -- Linda Wagner-Martin, author of Sylvia Plath: A Biography "It was indeed an age of innocence but it was also an age of experience. Shari Benstock's biography of Edith Wharton captures that world. Beautifully researched and impressively thorough, this new biography is especially interesting about Wharton's family and her relationships. It will benefit all students and lovers of her fiction." -- Fred Kaplan, author of Henry James: The Imagination of Genius "Shari Benstock's biography is quite simply the standard biography of Edith Wharton. This is true even though other excellent biographies preceded hers." -- Carol J. Singley, author of Edith Wharton: Matters of Mind and Spirit

This collection of twelve essays discusses the principles and practices of women's autobiographical writing in the United States, England, and France from the eighteenth to the twentieth centuries. Employing feminist and poststructuralist methodologies, the essays examine a wide range of private life writings -- letters, journals, diaries, memoirs, pedagogical texts, and fictional and factual autobiographies. The concepts of theory and practice -- as opposing and mutually exclusive methodologies, as focal points for conflicting interpretations, and finally as complementary approaches to the study of literature -- are central to this collection.
"The Private Self" explores the links between the historical devaluation of women's writings and the cultural definitions of women that have constrained their writing practices and excluded them from the canon of traditional autobiographical texts. Collectively, these essays expose the cultural biases that derive from notions of selfhood defined by a white, masculine, and Christian experience. In an effort to revise our prevailing concept of autobiography, these essays deal with differences of race, class, religion, sexual orientation, and gender.
Discussed here are writings by more than two dozen women including Jane Austen, Emily Dickinson, Alice James, Virginia Woolf, Charlotte Forten Grimke, Zora Neale Hurston, Maya Angelou, Sophie Kovalevsky, Anais Nin, Hilda Doolittle, and Simone de Beauvoir. The work of these writers reveals a split between public and private self-representations, and it is the notion of a private self expressed through women's autobiographical writings that forms the link among all the essays.

..". an important and valuable collection... the essays are at thecutting edge of post modernism." -- Maggie Humm, Women's Studies InternationalForum

"This well-written, carefully edited anthology providesan excellent overview of the thicket of contemporary feminist literary theory... Nolibrary should be without it." -- Kathryn Allen Rabuzzi, Syracuse University, Religious Studies Review

"In all, this is a rich and variedcollection." -- Journal of Modern Literature

Explores theaesthetic and political issues inherent in feminist critical theory and practice.Contributors include Shari Benstock, Elaine Showalter, Nina Baym, Paula A.Treichler, Jane Marcus, Josephine Donovan, Judith Kegan Gardiner, Judith Newton, Lillian S. Robinson, Nina Auerbach, Elizabeth Fox-Genovese, Hortense J. Spillers, and Susan Stanford Friedman.

Adopted at more than 1,000 colleges and universities, Bedford/St. Martin's innovative "Case Studies in Contemporary Criticism" series has introduced more than a quarter of a million students to literary theory and earned enthusiastic praise nationwide. Along with an authoritative text of a major literary work, each volume presents critical essays, selected or prepared especially for students, that approach the work from several contemporary critical perspectives, such as gender criticism and cultural studies. Each essay is accompanied by an introduction (with bibliography) to the history, principles, and practice of its critical perspective. Every volume also surveys the biographical, historical, and critical contexts of the literary work and concludes with a glossary of critical terms. New editions reprint cultural documents that contextualize the literary works and feature essays that show how critical perspectives can be combined.

This edition of a widely-taught literary work reprints an authoritative text together with five essays that approach the work from five contemporary critical perspectives: cultural studies, Marxist, feminist, deconstructionist and psychoanalytic. The editorial apparatus introduces students to both the text and the critical perspectives presented.