The Norton Library edition of Jane Eyre faithfully reproduces the third (1848) edition, the last corrected by Charlotte Bronte. A new introduction by Sharon Marcus sheds light on the novel's complex depictions of female agency, drawing fresh appreciation to "the genius, the vehemence, the indignation of Charlotte Bronte" (Virginia Woolf), brought vividly to life through the singular voice of her passionate and uncompromising heroine.

A bold new account of how celebrity works Why do we care so much about celebrities? Who decides who gets to be a star? Do celebrities deserve the outsized attention they receive? Sharon Marcus challenges everything you thought you knew about our obsession with fame. Drawing on scrapbooks, diaries, and vintage fan mail, she traces celebrity culture back to its nineteenth-century roots, when people the world over found themselves captivated by celebrity chefs, bad-boy poets, and actors such as the "divine" Sarah Bernhardt, as famous in her day as the Beatles in theirs. The Drama of Celebrity reveals how journalists, the public, and celebrities themselves all compete to shape the stories we tell about celebrities and fans, resulting in a high-stakes drama as endless as it is unpredictable.

Since 2012, Public Books has championed a new kind of community for intellectual engagement, discussion, and action. An online magazine that unites the best of the university with the openness of the internet, Public Books is where new ideas are debuted, old facts revived, and dangerous illusions dismantled. Here, young scholars present fresh thinking to audiences outside the academy, accomplished authors weigh in on timely issues, and a wide range of readers encounter the most vital academic insights and explore what they mean for the world at large. Think in Public: A Public Books Reader presents a selection of inspiring essays that exemplify the magazine's distinctive approach to public scholarship. Gathered here are Public Books contributions from today's leading thinkers, including Jill Lepore, Imani Perry, Kim Phillips-Fein, Salamishah Tillet, Jeremy Adelman, N. D. B. Connolly, Namwali Serpell, and Ursula K. Le Guin. The result is a guide to the most exciting contemporary ideas about literature, politics, economics, history, race, capitalism, gender, technology, and climate change by writers and researchers pushing public debate about these topics in new directions. Think in Public is a lodestone for a rising generation of public scholars and a testament to the power of knowledge.

""Between Women" literally shifts our understanding of how the history of sexuality and gender norms ought to be written. Sharon Marcus's groundbreaking text finally offers us a framework for thinking about the social and sexual bonds among women and their centrality to the history of gender, sexuality, marriage, and the family. Working with a wide array of texts, Marcus brilliantly shows how literary studies can enter into both social history and contemporary politics. Her final reflections on gay and lesbian marriage make clear the high stakes and pressing conceptual implications for our time of this kind of critical and capacious work."--Judith Butler, University of California, Berkeley

"This magnificent and impressive book offers us what Foucault would have called a 'history of the present': not only does it completely transform our perception of the past, but, in so doing, it also newly illuminates the debates and struggles that are ours, today."--Didier Eribon, author of "Michel Foucault" and "Insult and the Making of the Gay Self"

""Between Women" significantly revises conventional wisdom about Victorian female friendships, desire, and marriage. To tell this story, Marcus has studied women's life writings, canonical fiction, fashion magazines, doll stories, and anthropological texts of the period. The result is intellectually stunning and wonderfully entertaining."--Judith R. Walkowitz, Johns Hopkins University

""Between Women" is not only a first-rate Victorianist study, it is also the most original work on gender and sexuality to appear in years--one that promises to shake up feminist theory and queer theory in all the right ways. A densely researched book, asacademically sound as it is intellectually thrilling."--Diana Fuss, Princeton University

"This is a superb work of scholarship, beautifully conceived and written, that will change our views of Victorian women, men, society, and culture. Sharon Marcus's argument that the Victorians viewed intense and passionate female relationships as a vital precursor and stimulus for heterosexual marriage is persuasive. What she has accomplished is the most difficult of intellectual projects: seeing what is in plain sight and yet has not been noticed because of our cultural preconceptions, and then using her findings to recast an entire field."--Bonnie S. Anderson, City University of New York

On Election Day in 2016, it seemed unthinkable to many Americans that Donald Trump could become president of the United States. But the victories of the Obama administration hid from view fundamental problems deeply rooted in American social institutions and history. The election's consequences drastically changed how Americans experience their country, especially for those threatened by the public outburst of bigotry and repression. Amid the deluge of tweets and breaking news stories that turn each day into a political soap opera, it can be difficult to take a step back and see the big picture. To confront the threats we face, we must recognize that the Trump presidency is a symptom, not the malady. Antidemocracy in America is a collective effort to understand how we got to this point and what can be done about it. Assembled by the sociologist Eric Klinenberg as well as the editors of the online magazine Public Books, Caitlin Zaloom and Sharon Marcus, it offers essays from many of the nation's leading scholars, experts on topics including race, religion, gender, civil liberties, protest, inequality, immigration, climate change, national security, and the role of the media. Antidemocracy in America places our present in international and historical context, considering the worldwide turn toward authoritarianism and its varied precursors. Each essay seeks to inform our understanding of the fragility of American democracy and suggests how to protect it from the buried contradictions that Trump's victory brought into public view.

A bold new account of how celebrity works Why do so many people care so much about celebrities? Who decides who gets to be a star? What are the privileges and pleasures of fandom? Do celebrities ever deserve the outsized attention they receive? In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable. Drawing on scrapbooks, personal diaries, and vintage fan mail, Marcus traces celebrity culture back to its nineteenth-century roots, when people the world over found themselves captivated by celebrity chefs, bad-boy poets, and actors such as the "divine" Sarah Bernhardt (1844-1923), as famous in her day as the Beatles in theirs. Known in her youth for sleeping in a coffin, hailed in maturity as a woman of genius, Bernhardt became a global superstar thanks to savvy engagement with her era's most innovative media and technologies: the popular press, commercial photography, and speedy new forms of travel. Whether you love celebrity culture or hate it, The Drama of Celebrity will change how you think about one of the most important phenomena of modern times.

On Election Day in 2016, it seemed unthinkable to many Americans that Donald Trump could become president of the United States. But the victories of the Obama administration hid from view fundamental problems deeply rooted in American social institutions and history. The election's consequences drastically changed how Americans experience their country, especially for those threatened by the public outburst of bigotry and repression. Amid the deluge of tweets and breaking news stories that turn each day into a political soap opera, it can be difficult to take a step back and see the big picture. To confront the threats we face, we must recognize that the Trump presidency is a symptom, not the malady. Antidemocracy in America is a collective effort to understand how we got to this point and what can be done about it. Assembled by the sociologist Eric Klinenberg as well as the editors of the online magazine Public Books, Caitlin Zaloom and Sharon Marcus, it offers essays from many of the nation's leading scholars, experts on topics including race, religion, gender, civil liberties, protest, inequality, immigration, climate change, national security, and the role of the media. Antidemocracy in America places our present in international and historical context, considering the worldwide turn toward authoritarianism and its varied precursors. Each essay seeks to inform our understanding of the fragility of American democracy and suggests how to protect it from the buried contradictions that Trump's victory brought into public view.

In urban studies, the nineteenth century is the "age of great cities." In feminist studies, it is the era of the separate domestic sphere. But what of the city's homes? In the course of answering this question, Apartment Stories provides a singular and radically new framework for understanding the urban and the domestic. Turning to an element of the cityscape that is thoroughly familiar yet frequently overlooked, Sharon Marcus argues that the apartment house embodied the intersections of city and home, public and private, and masculine and feminine spheres. Moving deftly from novels to architectural treatises, legal debates, and popular urban observation, Marcus compares the representation of the apartment house in Paris and London. Along the way, she excavates the urban ghost tales that encoded Londoners' ambivalence about city dwellings; contends that Haussmannization enclosed Paris in a new regime of privacy; and locates a female counterpart to the flaneur and the omniscient realist narrator--the portiere who supervised the apartment building.

Since 2012, Public Books has championed a new kind of community for intellectual engagement, discussion, and action. An online magazine that unites the best of the university with the openness of the internet, Public Books is where new ideas are debuted, old facts revived, and dangerous illusions dismantled. Here, young scholars present fresh thinking to audiences outside the academy, accomplished authors weigh in on timely issues, and a wide range of readers encounter the most vital academic insights and explore what they mean for the world at large. Think in Public: A Public Books Reader presents a selection of inspiring essays that exemplify the magazine's distinctive approach to public scholarship. Gathered here are Public Books contributions from today's leading thinkers, including Jill Lepore, Imani Perry, Kim Phillips-Fein, Salamishah Tillet, Jeremy Adelman, N. D. B. Connolly, Namwali Serpell, and Ursula K. Le Guin. The result is a guide to the most exciting contemporary ideas about literature, politics, economics, history, race, capitalism, gender, technology, and climate change by writers and researchers pushing public debate about these topics in new directions. Think in Public is a lodestone for a rising generation of public scholars and a testament to the power of knowledge.