George Lindbeck lamented that his most widely read work, The Nature of Doctrine, had often been read apart from his ecumenical focus. In this book, Shaun Brown seeks to provide a corrective to misreadings of Lindbeck's work by focusing upon his "Israelology"-his emphasis upon the church and Israel as one elect people of God. While many Christians after the Holocaust have noted the harm that Supersessionism brought to the Jews, Lindbeck focuses upon the harm that supersessionism has brought to the church. He argues the appropriation of Israelhood by the church can bring intra-Christian ecumenical benefits. This work comes in two stages. In the first stage, undertaken while he was an observer at the Second Vatican Council, Lindbeck discusses a parallel between Israel and the church. The second stage, which begins in the late 1980s and continues through the end of his career, Lindbeck describes the church as "Israel-like" or "as Israel."

This book explores many of the theological and religious themes inherent in the Game of Thrones HBO television series and George R.R. Martin's A Song of Ice and Fire novels. Written for academics yet accessible for the layperson, the chapters explore themes of power, religion, and sacred institutions in Westeros; Christian ecclesiology in the Night's Watch and the religion of the Iron Islands; Augustinian notions of evil in the Night King and anthropology in the Seven; Orientalism, Hinduism, and the many worldviews in the World of Ice and Fire, and the series more controversial and disturbing themes of rape and death. Theology and Game of Thrones will appeal to theology and religious studies scholars and fans alike as it explores these elements in Martin's complex fantasy epic.

Scholars have been arguing for years that Star Wars is more than light sabers, Wookies, Millennium Falcons, and troubling familial relationships. Star Wars is an exciting space fantasy that we can explore from multiple academic perspectives, such as philosophy and psychology. This volume adds to that conversation by asking, "what would it look like if we analyzed the Star Wars universe theologically?" In Theology and the Star Wars Universe, contributors from various theological traditions take on this task by exploring the nature of the Force, the spiritual role of the Jedi, nonviolent and liberationist readings of the Franchise, and the enduring power of hope. Written for the restless, curious academic but accessible to diehard fans, Theology and the Star Wars Universe is an exciting foray into the study of theology and popular culture.

George Lindbeck lamented that his most widely read work, The Nature of Doctrine, had often been read apart from his ecumenical focus. In this book, Shaun Brown seeks to provide a corrective to misreadings of Lindbeck's work by focusing upon his "Israelology"-his emphasis upon the church and Israel as one elect people of God. While many Christians after the Holocaust have noted the harm that Supersessionism brought to the Jews, Lindbeck focuses upon the harm that supersessionism has brought to the church. He argues the appropriation of Israelhood by the church can bring intra-Christian ecumenical benefits. This work comes in two stages. In the first stage, undertaken while he was an observer at the Second Vatican Council, Lindbeck discusses a parallel between Israel and the church. The second stage, which begins in the late 1980s and continues through the end of his career, Lindbeck describes the church as "Israel-like" or "as Israel."

After Star Trek: Enterprise concluded in 2005, Star Trek went on hiatus until the 2009 film Star Trek and its sequels. With the success of these films, Star Trek returned to the small screen with series like Discovery, Picard, and Strange New Worlds. These films and series, in different ways, reflect cultural shifts in Western society. Theology and Star Trek gathers a group of scholars from various religious and theological disciplines to reflect upon the connection between theology and Star Trek anew. The essays in part one, “These are the Voyages,” explore the overarching themes of Star Trek and the thought of its creator, Gene Roddenberry. Part two, “Strange New Worlds,” discusses politics and technology. Part three, “To Explore and to Seek,” focuses on issues related to practice and formation. Part four, “To Boldly Go,” contemplates the future of Star Trek.