Germany, 1918: a country in flux. The First World War is over, the nation defeated. Revolution is afoot, the monarchy has fallen and the victory of democracy beckons. Everything must change with the times.

Out of the ashes of the First World War, Germany launches an unprecedented political project: its first democratic government. The Weimar Republic is established. The years that follow see political extremism, economic upheaval, revolutionary violence and the transformation of Germany. Tradition is shaken to its core as a triumphant procession of liberated lifestyles emerges. Women conquer the racetracks and tennis courts, go out alone in the evenings, cut their hair short and cast the idea of marriage aside. Unisex style comes into fashion, androgynous and experimental. People revel in the discovery of leisure, filling up boxing halls, dance palaces and the hotspots of the New Age, embracing the department stores’ promise of happiness and accepting the streets as a place of fierce political battles.

In this short burst of life between the wars, amidst a frenzy of change, comes a backlash from those who do not see themselves reflected in the new Republic. Little by little, deep divisions begin to emerge. Divisions that would bring devastating consequences, altering the course of the twentieth century and the lives of millions around the world. Vertigo is a vital, kaleidoscopic portrait of a pivotal moment in German history.

It is 2027. France is in a state of economic decline and moral decay.

As the country plunges into a closely-fought presidential campaign, the French state falls victim to a series of mysterious and unsettling cyberattacks. The sophisticated nature of the attacks leaves the best computer scientists at the DGSI – the French counter-terrorism agency – scrambling for answers.

An advisor to the country’s Finance Minister, Paul Raison is close to the heart of government. His wife Prudence is a Treasury official, while his father Édouard, now retired, has spent his career working for the DGSI. When Édouard has a stroke, his children have an opportunity to repair their strained relationships, as they determine to free their father from the medical centre where he is wasting away.

Michel Houellebecq’s Annihilation reveals new sides to his writing, adding compassion and tenderness to the emotions of rage and irony that have powered both him and his earlier works to international fame.

Translated from the French by Shaun Whiteside

The Earth is Falling is a haunting and magical novel based around the existence of an abandoned village outside Naples. The deserted houses that still stand there are peopled with ghosts who live in a perpetual present from which time has effectively been abolished. The village appears to be semi-alive; the landslide which ominously awaits and which will eventually lead to the abandonment of the place has yet to arrive (yet its rumbles are heard). Pellegrino peoples Alento with eccentrics, luminaries, an eternally optimistic town crier. In the closing pages, the narrator Estella summons the remaining ghosts for a final dinner. The overall effect is unsettling, haunting and uncanny, the trapped souls doomed to repeat their circumscribed daily life for ever, cut off from the world but dimly aware of its continued presence outside. The pervading mood of nostalgia and melancholy works in stark contrast with the inevitability of the impending catastrophe of the landslide that threatens to obliterate their world forever.

'This book's power lies in its depiction of civilians trying to lead ordinary lives during the horror of war . . . It is shattering stuff, but Rothmann is tender towards his characters and this book is as memorable as his last.' The Times, 'Historical Fiction Book of the Month' As the Second World War enters its final stages, millions in Germany are forced from their homes by bombing, compelled to seek shelter in the countryside where there are barely the resources to feed them. Twelve-year-old Luisa, her mother, and her older sister Billie have escaped the devastation of the city for the relative safety of a dairy farm. But even here the power struggles of the war play out: the family depend on the goodwill of Luisa's brother-in-law, an SS officer, who in expectation of payment turns his attention away from his wife and towards Billie. Luisa immerses herself in books, but even she notices the Allied bombers flying east above them, the gauntness of the prisoners at the camp nearby, the disappearance of fresh-faced boys from the milk shed - hastily shipped off to a war that's already lost. Living on the farm teaches Luisa about life and death, but it's man's capacity for violence that provides the ultimate lesson, that robs her of her innocent ignorance. When, at a birthday celebration, her worst fears are realized, Luisa collapses under the weight of the inexplicable. Ralf Rothmann's previous novel, To Die in Spring, described the horror of war and the damage done on the battlefield. The God of that Summer tells the devastating story of civilians caught up in the chaos of defeat, of events that might lead a twelve-year-old child to justifiably say: 'I have experienced everything.'

As the Second World War enters its final stages, millions in Germany are forced from their homes by bombing, compelled to seek shelter in the countryside where there are barely the resources to feed them.

Twelve-year-old Luisa, her mother, and her older sister Billie have escaped the devastation of the city for the relative safety of a dairy farm. But even here the power struggles of the war play out: the family depend on the goodwill of Luisa’s brother-in-law, an SS officer, who in expectation of payment turns his attention away from his wife and towards Billie. Luisa immerses herself in books, but even she notices the Allied bombers flying east above them, the gauntness of the prisoners at the camp nearby, the disappearance of fresh-faced boys from the milk shed – hastily shipped off to a war that’s already lost.

Living on the farm teaches Luisa about life and death, but it’s man’s capacity for violence that provides the ultimate lesson, that robs her of her innocent ignorance. When, at a birthday celebration, her worst fears are realized, Luisa collapses under the weight of the inexplicable.

Ralf Rothmann’s previous novel, To Die in Spring, described the horror of war and the damage done on the battlefield. The God of that Summer tells the devastating story of civilians caught up in the chaos of defeat, of events that might lead a twelve-year-old child to justifiably say: ‘I have experienced everything.’

When her cousin and wife fail to return from a walk, this story takes a sinister turn to a quest of survival A woman takes a holiday in the Austrian mountains, spending a few days with her cousin and his wife in their hunting lodge. When the couple fails to return from a walk, the woman sets off to look for them. But her journey reaches a sinister and inexplicable dead end. She discovers only a transparent wall behind which there seems to be no life. Trapped alone behind the mysterious wall she begins the arduous work of survival. This is at once a simple account of potatoes and beans, of hoping for a calf, of counting matches, of forgetting the taste of sugar and the use of one's name, and simultaneously a disturbing dissection of the place of human beings in the natural world. **PERFECT FOR FANS OF THE YELLOW WALLPAPER, STATION ELEVEN AND THE MARTIAN** VINTAGE EARTH is a collection of novels to transform our relationship with the natural world. Each one is a work of creative activism, a blast of fresh air, a seed from which change can grow. The books in this series reconnect us to the planet we inhabit - and must protect. Discover great writing on the most urgent story of our times.

For fans of Dan Brown's Inferno, a sensational Italian thriller starring Dante Alighieri as lead detective. Florence, August 1300. On the banks of the river Arno, a war galley is found with the entire crew dead inside. Dante Alighieri, Prior to the City, suspects poison but the only clue is a mysterious mechanical device. Dante suspects that the damaged device is the work of al-Jazari, the legendary Persian inventor. But others are also after the instrument and will stop at nothing to lay their hands on it... When Dante returns to Florence to work on his magnum opus, the Divine Comedy, he discovers that the renegade monk, Brinando, is stirring up trouble and recruiting Florentines for a new crusade to liberate the Holy Land. Is this disturbing new development somehow linked to the deaths of the galley crew?

From the author of the giant bestseller, Night Train to Lisbon, comes a finely calibrated heartbreaker of a novel about fathers and daughters, great rises and sudden falls. It all starts with the death of Martijn van Vliet's wife. His grief-stricken young daughter, Lea, cuts herself off from the world, right up until the day that she hears a snatch of Bach being played on a violin by a busker. Transfixed by the sweet melody, she emerges from her mourning, vowing to learn the instrument. Lea's all-consuming passion is matched by talent, and she becomes one of the finest players in the country - but as her fame blossoms, her relationship with her father only withers. Desperate to hold on to Lea, Martijn is driven to commit an act that threatens to destroy both him and his daughter.

Dissatisfied and discontent, Florent-Claude Labrouste feels he is dying of sadness. His young girlfriend hates him and his career as an engineer at the Ministry of Agriculture is pretty much over. His only relief comes in the form of a pill – white, oval, small. Recently released for public consumption, Captorix is a new brand of anti-depressant which works by altering the brain’s release of serotonin.

Armed with this new drug, Labrouste decides to abandon his life in Paris and return to the Normandy countryside where he used to work promoting regional cheeses, and where he had once been in love. But instead of happiness, he finds a rural community devastated by globalisation and European agricultural policies, and local farmers longing, like Labrouste himself, for an impossible return to what they remember as the golden age.

Written by one of the most provocative and prophetic novelists of his generation, Serotonin is at once a devastating story of solitude, longing and individual suffering, and a powerful criticism of modern life.

A witty yet moving narrative worked up from sketched biographical fragments, 1913 is an intimate vision of a world that is about to change forever. The stuffy conventions of the nineteenth century are receding into the past, and 1913 heralds a new age of unlimited possibility. Kafka falls in love; Louis Armstrong learns to play the trumpet; a young seamstress called Coco Chanel opens her first boutique; Charlie Chaplin signs his first movie contract; and new drugs like cocaine usher in an age of decadence. Yet everywhere there is the premonition of ruin - the number 13 is omnipresent, and in London, Paris and Vienna, artists take the omen and act as if there were no tomorrow. In a Munich hotel lobby, Rilke and Freud discuss beauty and transience; Proust sets out in search of lost time; and while Stravinsky celebrates the Rite of Spring with industrial cacophony, an Austrian postcard painter by the name of Adolf Hitler sells his conventional cityscapes.

In the early hours of an August morning a gunfight broke out in an Italian restaurant in Duisburg; in less than five minutes over seventy shots were fired into the bodies of six men. Both victims and assassins were members of the 'Ndrangheta crime organization; Calabria's Mafia had extended the savage tentacle of its influence outside Italy for the first time. For the men of the 'Ndrangheta, time is still measured in hour-glasses and honour may only be washed with blood. Petra Reski dispels the Hollywood romance surrounding the Mafia to reveal the huge and menacing force lurking everywhere - from street corner to parliament offices, construction site to corporate headquarters - and involved in everything from petty extortion to the disposal of nuclear waste. Reski's searing portrait of the criminals who have come to control not only Italy but vast swathes of Europe, is a journalistic tour de force.

'This book's power lies in its depiction of civilians trying to lead ordinary lives during the horror of war . . . It is shattering stuff, but Rothmann is tender towards his characters and this book is as memorable as his last.' The Times, 'Historical Fiction Book of the Month' As the Second World War enters its final stages, millions in Germany are forced from their homes by bombing, compelled to seek shelter in the countryside where there are barely the resources to feed them. Twelve-year-old Luisa, her mother, and her older sister Billie have escaped the devastation of the city for the relative safety of a dairy farm. But even here the power struggles of the war play out: the family depend on the goodwill of Luisa's brother-in-law, an SS officer, who in expectation of payment turns his attention away from his wife and towards Billie. Luisa immerses herself in books, but even she notices the Allied bombers flying east above them, the gauntness of the prisoners at the camp nearby, the disappearance of fresh-faced boys from the milk shed - hastily shipped off to a war that's already lost. Living on the farm teaches Luisa about life and death, but it's man's capacity for violence that provides the ultimate lesson, that robs her of her innocent ignorance. When, at a birthday celebration, her worst fears are realized, Luisa collapses under the weight of the inexplicable. Ralf Rothmann's previous novel, To Die in Spring, described the horror of war and the damage done on the battlefield. The God of that Summer tells the devastating story of civilians caught up in the chaos of defeat, of events that might lead a twelve-year-old child to justifiably say: 'I have experienced everything.'

THE INTERNATIONAL BESTSELLER 'The most brilliant and fascinating book I have read in my entire life' Dan Snow 'A huge contribution... remarkable' Antony Beevor, BBC RADIO 4 'Extremely interesting ... a serious piece of scholarship, very well researched' Ian Kershaw The Nazis presented themselves as warriors against moral degeneracy. Yet, as Norman Ohler's gripping bestseller reveals, the entire Third Reich was permeated with drugs: cocaine, heroin, morphine and, most of all, methamphetamines, or crystal meth, used by everyone from factory workers to housewives, and crucial to troops' resilience - even partly explaining German victory in 1940. The promiscuous use of drugs at the very highest levels also impaired and confused decision-making, with Hitler and his entourage taking refuge in potentially lethal cocktails of stimulants administered by the physician Dr Morell as the war turned against Germany. While drugs cannot on their own explain the events of the Second World War or its outcome, Ohler shows, they change our understanding of it. Blitzed forms a crucial missing piece of the story.

It all starts with the death of Martijn van Vliet's wife. His grief-stricken young daughter, Lea, cuts herself off from the world, right up until the day that she hears a snatch of Bach being played on a violin by a busker. Transfixed by the sweet melody, she emerges from her mourning, vowing to learn the instrument. Lea's all-consuming passion is matched by talent, and she becomes one of the finest players in the country - but as her fame blossoms, her relationship with her father only withers. Desperate to hold on to Lea, Martijn is driven to commit an act that threatens to destroy both him and his daughter.

'I know no one ever believes us nowadays - everyone thinks we knew everything. We knew nothing. It was all a well-kept secret. We believed it. We swallowed it. It seemed entirely plausible'

Brunhilde Pomsel described herself as an 'apolitical girl' and a 'figure on the margins'. How are we to reconcile this description with her chosen profession? Employed as a typist during the Second World War, she worked closely with one of the worst criminals in world history: Nazi Propaganda Minister Joseph Goebbels. She was one of the oldest surviving eyewitnesses to the internal workings of the Nazi power apparatus until her death in 2017. Her life, mirroring all the major breaks and continuities of the twentieth century, illustrates how far-right politics, authoritarian regimes and dictatorships can rise, and how political apathy can erode democracy.

Compelling and unnerving, The Work I Did gives us intimate insight into political complexity at society's highest levels - at one of history's darkest moments.

Walter Urban and Friedrich 'Fiete' Caroli work side by side as hands on a dairy farm in northern Germany. By 1945, it seems the War's worst atrocities are over. When they are forced to 'volunteer' for the SS, they find themselves embroiled in a conflict which is drawing to a desperate, bloody close. Walter is put to work as a driver for a supply unit of the Waffen-SS, while Fiete is sent to the front. When the senseless bloodshed leads Fiete to desert, only to be captured and sentenced to death, the friends are reunited under catastrophic circumstances.

In a few days the war will be over, millions of innocents will be dead, and the survivors must find a way to live with its legacy.

An international bestseller, To Die in Spring is a beautiful and devastating novel by German author Ralf Rothmann.

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil. Georges Simenon's brilliant pipe-smoking detective, Jules Maigret, is one of the most beloved literary creations of the twentieth century. In this adventure, an officer from Scotland Yard is studying Maigret's methods when a call from an island off the Cote d'Azure sends the two men off to an isolated community to investigate its eccentric inhabitants.

After two years of nonstop negotiations with the Russian authorities, Jean-Christophe Brisard and Lana Parshina were granted access to secret files detailing the Soviets' incredible hunt to recover Hitler's body: the layout of the bunker, plans for escaping, eyewitness accounts of the Fuhrer's final days, and human remains-a bit of skull with traces of the lethal bullet and a fragment of jaw bone. For the first time, the skull, teeth and other elements were analysed by a medical examiner with cutting edge forensics equipment. The authors use these never before seen documents and research to reconstruct the events in fascinating new detail.

A prime number is inherently a solitary thing: it can only be divided by itself, or by one; it never truly fits with another. Alice and Mattia also move on their own axes, alone with their personal tragedies. As a child Alice's overbearing father drove her first to a terrible skiing accident, and then to anorexia. When she meets Mattia she recognises a kindred spirit, and Mattia reveals to Alice his terrible secret: that as a boy he abandoned his mentally-disabled twin sister in a park to go to a party, and when he returned, she was nowhere to be found. These two irreversible episodes mark Alice and Mattia's lives for ever, and as they grow into adulthood their destinies seem irrevocably intertwined. But then a chance sighting of a woman who could be Mattia's sister forces a lifetime of secret emotion to the surface. A meditation on loneliness and love, The Solitude of Prime Numbers asks, can we ever truly be whole when we're in love with another?

This extraordinary book tells the story of Geoffroy Delorme, an accomplished photographer, lecturer and nature lover, who, recalling a chance meeting with a young roe deer in his youth, decides to change his life. He casts his metropolitan world behind and relocates to the sumptuous national forest of Louviers, Normandy to live with the deer and immerse himself in the wilderness for seven years. Alone in the forest with no tent, no shelter and not even a sleeping bag or blanket is an exercise in pure survival, and so Geoffroy follows the deer's behaviour closely. He adapts to their way of life, learns to eat and sleep among them, and acquires a unique understanding of these extraordinary creatures. Over time he befriends the deer and becomes part of a wild animal family with which he shares moments of joy, sorrow and even fear. Deer Man is a fascinating and spellbinding account of the ancient quest to reconnect with the natural world.

In the eighteenth century, Laurence Sterne explores the temptations of the French capital in a teasing study of foreign mores and Restif de la Bretonne provides an eye-witness account of the Revolution. From the 1800s, Hugo, Balzac, Flaubert, and Zola offer fascinating portraits of the city's teeming humanity; the Goncourt brothers chronicle the explosion of artistic talent; Huysmans describes an evening at the Folies Bergere. Colette chronicles the pitfalls for a young girl in the decadent city of the early twentieth century; F. Scott Fitzgerald revels in the city's glamour; Jean Rhys's lost heroines wander from cafe to cafe; James Baldwin celebrates its sexual freedoms; and Raymond Queneau gleefully reinvents the language of the street. In our time, Michel Tournier's North African immigrant walks a camel along the boulevards, while Nobel Laureate Patrick Modiano brilliantly maps the city's many arrondissements. The alluring power of Paris has never dimmed and it is richly captured in all its facets in these compelling and seductive tales.