Toorawa re-evaluates the literary history and landscape of third to ninth century Baghdad by demonstrating and emphasizing the significance of the important transition from a predominantly oral-aural culture to an increasingly literate one. This transformation had a profound influence on the production of learned and literary culture; modes of transmission of learning; nature and types of literary production; nature of scholarly and professional occupations and alliances; and ranges of meanings of certain key concepts, such as plagiarism. In order to better understand these, attention is focused on a central but understudied figure, Ibn Abi Tahir Tayfur (d. 280 to 893), a writer, schoolmaster, scholar and copyist, member of important literary circles, and a significant anthologist and chronicler. This book will appeal to anyone interested in Arabic literary culture and history, and those with an interest in books, writing, authorship and patronage.

In spite of the considerable attention devoted to the third/ninth century by scholars of Arabic literature, credit for the elaboration of the notion of adab in its wider meaning of literary culture is given to and concentrated upon only a handful of writers. The disproportionate emphasis, within and outside the Arabic literary-historical and critical tradition, has been at the expense of certain crucial aspects of that tradition. This book re-evaluates the literary history and landscape of the third/ninth century by demonstrating and emphasising the significance of an important transformation, namely the one signalled by the transition from a predominantly oral-aural culture to an increasingly writerly, literate, and bookish one. This transformation had a profound influence on the production of learned and literary culture; on the modes of transmission of learning; on the nature and types of literary production; on the nature of scholarly and professional occupations and alliances; and on the ranges of meanings of certain key concepts, such as plagiarism. In order better to understand these, attention is focused on a central but understudied figure, Ibn Abi Tahir Tayfur (d. 280/893

Accounts of remarkable women at the world's most powerful court Consorts of the Caliphs is a seventh/thirteenth-century compilation of anecdotes about thirty-eight women who were consorts to those in power, most of them concubines of the early Abbasid caliphs and wives of latter-day caliphs and sultans. This slim but illuminating volume is one of the few surviving texts by the prolific Baghdadi scholar Ibn al-Sa'i, who chronicled the academic and political elites of his city in the final years of the Abbasid dynasty and the period following the cataclysmic Mongol invasion of 656/1258. In this work, Ibn al-Sa'i is keen to forge a connection between the munificent wives of his time and the storied lovers of the so-called golden age of Baghdad. Thus, from the earlier period, we find Harun al-Rashid pining for his brother's beautiful slave, Ghadir, and the artistry of such musical and literary celebrities as Arib and Fadl, who bested the male poets and singers of their day. From times closer to Ibn al-Sa?i's own, we meet women such as Banafsha, who endowed law colleges, had bridges built, and provisioned pilgrims bound for Mecca; slave women whose funeral services were led by caliphs; and noble Saljuq princesses from Afghanistan. Informed by the author's own sources, his insider knowledge, and well-known literary materials, these singular biographical sketches bring the belletristic culture of the Baghdad court to life, particularly in the personal narratives and poetry of culture heroines otherwise lost to history. An English-only edition.

Accounts of remarkable women at the world's most powerful court Consorts of the Caliphs is a seventh/thirteenth-century compilation of anecdotes about thirty-eight women who were consorts to those in power, most of them concubines of the early Abbasid caliphs and wives of latter-day caliphs and sultans. This slim but illuminating volume is one of the few surviving texts by the prolific Baghdadi scholar Ibn al-Sa'i, who chronicled the academic and political elites of his city in the final years of the Abbasid dynasty and the period following the cataclysmic Mongol invasion of 656/1258. In this work, Ibn al-Sa'i is keen to forge a connection between the munificent wives of his time and the storied lovers of the so-called golden age of Baghdad. Thus, from the earlier period, we find Harun al-Rashid pining for his brother's beautiful slave, Ghadir, and the artistry of such musical and literary celebrities as Arib and Fadl, who bested the male poets and singers of their day. From times closer to Ibn al-Sa?i's own, we meet women such as Banafsha, who endowed law colleges, had bridges built, and provisioned pilgrims bound for Mecca; slave women whose funeral services were led by caliphs; and noble Saljuq princesses from Afghanistan. Informed by the author's own sources, his insider knowledge, and well-known literary materials, these singular biographical sketches bring the belletristic culture of the Baghdad court to life, particularly in the personal narratives and poetry of culture heroines otherwise lost to history. An English-only edition.

Every year hundreds of thousands of pilgrims from all over the world converge on Mecca and its precincts to perform the rituals associated with the Hajj and have been doing so since the seventh century. In this volume, scholars from a range of fields - including history, religion, anthropology, and literature - together tell the story of the Hajj and explain its significance as one of the key events in the Muslim religious calendar. By outlining the parameters of the Hajj from its beginnings to the present day, the contributors have produced a global study that takes in the vast geographies of belief in the world of Islam. This volume pays attention to the diverse aspects of the Hajj, as lived every year by hundreds of millions of Muslims, touching on its rituals, its regional forms, the role of gender, its representation in art, and its organization on a global scale.

Arabic Belles Lettres brings together ten studies that shed light on important questions in the study of Arabic language, literature, literary history, and writerly culture. The volume is divided into three sections. Early Narratives comprises: Joseph Lowry on the Qur'an's allusive legal language; Abed el-Rahman Tayyara on matrilineal lineages in the context of Badr and Uhud; Ruqayya Khan on the ramifications of public courtship in 'Udhri romances; and Philip Kennedy on firasah (reading for signs and traces) in medieval narrative. Medieval Authors comprises: Shawkat Toorawa on 'Ubaydallah ibn Ahmad ibn Abi Tahir's History of Baghdad; Maurice Pomerantz and Bilal Orfali on Ibn Faris and the origins of the maqamah genre; Everett Rowson on al-Tawhidi and his predecessors (a reprint of his 1996 ZDMG article); and Ghayde Ghraowi on al-Khafaji and his Rayhanat al-alibba'. Modern Egypt comprises: Roger Allen on a cultural controversy in the Cairo newspapers of 1902; and Devin Stewart on preposterous boasting and ingenuity in on modern Egyptian Arabic.

Every year hundreds of thousands of pilgrims from all over the world converge on Mecca and its precincts to perform the rituals associated with the Hajj and have been doing so since the seventh century. In this volume, scholars from a range of fields - including history, religion, anthropology, and literature - together tell the story of the Hajj and explain its significance as one of the key events in the Muslim religious calendar. By outlining the parameters of the Hajj from its beginnings to the present day, the contributors have produced a global study that takes in the vast geographies of belief in the world of Islam. This volume pays attention to the diverse aspects of the Hajj, as lived every year by hundreds of millions of Muslims, touching on its rituals, its regional forms, the role of gender, its representation in art, and its organization on a global scale.

John Gorrie was a respected colonial judge, albeit defiantly and decidedly not on the side of the ruling classes in the territories where he was posted. He believed that everyone - irrespective of race - was equal before the law, and in all his postings worked to make justice accessible to all and to protect the underdog. His beliefs and efforts were not universally welcomed - especially by elements of those ruling classes. His unpublished novel was discovered almost a century after his death. It makes a significant contribution to unravelling the complex legacy of empire as well as offering new insights into the life and work of this early champion of equal human rights. John Gorrie was born in Scotland, son of a United Presbyterian Minister. Educated at the University of Edinburgh, and called to the Scottish Bar. In 1862 he became a leader-writer on The Morning Starbefore beginning colonial life with a posting to Jamaica and then to Mauritius in 1869 initially as Substitute Procureur-General, and then puisne (junior) Judge. Later postings included Fiji as Chief Justice, Chief Judicial Commissioner of the Western Pacific High Commission. After being knighted in 1881, he was Chief Justice successively of the Leeward Islands, Trinidad, and of the united Trinidad and Tobago until 1892.

Dev Virahsawmy is a prolific Mauritian author who has also been active in politics, pedagogy and in promoting Mauritian Creole (Morisien). His literary works include the award-winning play, Li, and Toufann, the acclaimed adaptation of The Tempest. Lenpas Flanbwayan appears here in print for the first time, accompanied by a translation into English by Shawkat M. Toorawa. Like much of Virahsawmy's oeuvre, this novella engages with questions such as economic development, environmental stewardship, political will, and social justice and inequality. The book opens with a Foreword by noted scholar Francoise Lionnet and closes with a bibliography of Virahsawmy's literary works prepared by Toorawa.