In the eyes of mid-twentieth-century white America, "Aiiieeeee!" was the one-dimensional cry from Asian Americans, their singular expression of all emotions-it signified and perpetuated the idea of Asian Americans as inscrutable, foreign, self-hating, undesirable, and obedient. In this anthology first published in 1974, Frank Chin, Jeffery Chan, Lawson Inada, and Shawn Wong reclaimed that shout, outlining the history of Asian American literature and boldly drawing the boundaries for what was truly Asian American and what was white puppetry. Showcasing fourteen uncompromising works from authors such as Carlos Bulosan and John Okada, the editors introduced readers to a variety of daring voices. Forty-five years later the radical collection continues to spark controversy. While in the seventies it helped establish Asian American literature as a serious and distinct literary tradition, today the editors' forceful voices reverberate in contemporary discussions about American literary traditions. Now back in print with a new foreword by literary scholar Tara Fickle, this third edition reminds us how Asian Americans fought for-and seized-their place in the American literary canon.

In the eyes of mid-twentieth-century white America, "Aiiieeeee!" was the one-dimensional cry from Asian Americans, their singular expression of all emotions-it signified and perpetuated the idea of Asian Americans as inscrutable, foreign, self-hating, undesirable, and obedient. In this anthology first published in 1974, Frank Chin, Jeffery Chan, Lawson Inada, and Shawn Wong reclaimed that shout, outlining the history of Asian American literature and boldly drawing the boundaries for what was truly Asian American and what was white puppetry. Showcasing fourteen uncompromising works from authors such as Carlos Bulosan and John Okada, the editors introduced readers to a variety of daring voices. Forty-five years later the radical collection continues to spark controversy. While in the seventies it helped establish Asian American literature as a serious and distinct literary tradition, today the editors' forceful voices reverberate in contemporary discussions about American literary traditions. Now back in print with a new foreword by literary scholar Tara Fickle, this third edition reminds us how Asian Americans fought for-and seized-their place in the American literary canon.

Homebase is the coming of age story of Rainsford Chan in 1950s and 60s California. Rainsford is a fourth-generation Chinese American named after the town where his great grandfather worked during the gold rush. Orphaned at fifteen, he attempts to claim America as his homebase, and his personal history is interwoven with dreams, stories, and letters of his family's life in America. Moving through time and place, the story allows the reader to discover the past as Rainsford does, to see the world through his eyes, and to learn the truth about the Chinese American experience.hawn Wong is the author of the novel American Knees and director of the Honors Program at the University of Washington.

Homebase is the coming of age story of Rainsford Chan in 1950s and '60s California. Rainsford is a fourth-generation Chinese American named after the town where his great-grandfather worked during the gold rush. Orphaned at fifteen, he attempts to claim America as his homebase, and his personal history is interwoven with dreams, stories, and letters of his family's life in America. Moving through time and place, the story allows the reader to discover the past as Rainsford does, to see the world through his eyes, and to learn the truth about the Chinese American experience.