In this book, Shay Welch expands on the contemporary cognitive thinking-in-movement framework, which has its roots in the work of Maxine Sheets-Johnstone but extends and develops within contemporary embodied cognition theory. Welch believes that dance can be used to ask questions, and this book offers a method of how critical inquiry can be embodied. First, she presents the theoretical underpinnings of what this process is and how it can work; second, she introduces the empirical method as a tool that can be used by movers for the purpose of doing embodied inquiry. Exploring the role of embodied cognition and embodied metaphors in mining the body for questions, Welch demonstrates how to utilize movement to explore embodied practices of knowing. She argues that our creative embodied movements facilitate our ability to bodily engage in critical analysis about the world.

This book investigates the phenomenological ways that dance choreographing and dance performance exemplify both Truth and meaning-making within Native American epistemology, from an analytic philosophical perspective. Given that within Native American communities dance is regarded both as an integral cultural conduit and "a doorway to a powerful wisdom," Shay Welch argues that dance and dancing can both create and communicate knowledge. She explains that dance-as a form of oral, narrative storytelling-has the power to communicate knowledge of beliefs and histories, and that dance is a form of embodied narrative storytelling. Welch provides analytic clarity on how this happens, what conditions are required for it to succeed, and how dance can satisfy the relational and ethical facets of Native epistemology.

Existential Eroticism: A Feminist Approach to Understanding Women's Oppression-Perpetuating Choices offer a unique lens aimed at the underbelly of the lady through which feminists can reorient discourses on rationality and moral responsibility related to women's oppression-perpetuating choices. Shay Welch utilizes feminist ethics, broadly construed as feminist philosophy concerned with the ethical commitment to eliminate oppression, to scrutinize how women regard and judge one another and to offer a more representative account of restriction, rationality, and responsibility to begin the healing process between diverse and divergent women. The book aims not only to construct an analysis of self-perpetuated oppression that will broaden feminist understandings of experiences that motivate many women to choose as they do, it serves as a means of understanding the marginalized.

Existential Eroticism: A Feminist Approach to Understanding Women's Oppression-Perpetuating Choices offer a unique lens aimed at the underbelly of the lady through which feminists can reorient discourses on rationality and moral responsibility related to women's oppression-perpetuating choices. Shay Welch utilizes feminist ethics, broadly construed as feminist philosophy concerned with the ethical commitment to eliminate oppression, to scrutinize how women regard and judge one another and to offer a more representative account of restriction, rationality, and responsibility to begin the healing process between diverse and divergent women. The book aims not only to construct an analysis of self-perpetuated oppression that will broaden feminist understandings of experiences that motivate many women to choose as they do, it serves as a means of understanding the marginalized.

In this book, Shay Welch expands on the contemporary cognitive thinking-in-movement framework, which has its roots in the work of Maxine Sheets-Johnstone but extends and develops within contemporary embodied cognition theory.  Welch believes that dance can be used to ask questions, and this book offers a method of how critical inquiry can be embodied.  First, she presents the theoretical underpinnings of what this process is and how it can work; second, she introduces the empirical method as a tool that can be used by movers for the purpose of doing embodied inquiry.  Exploring the role of embodied cognition and embodied metaphors in mining the body for questions, Welch demonstrates how to utilize movement to explore embodied practices of knowing.  She argues that our creative embodied movements facilitate our ability to bodily engage in critical analysis about the world. 

This anthology brings together scholarship in the field of Friendship Studies. In recent decades, friendship has been a site of analysis for understanding the connections between people and groups, and as a fabric for holding the political and social together. Starting with the theoretical debates about how to conceptualize friendship as a political idea, the anthology then looks at friendship's relationship with justice, the state, and civic relations. The collection presents cutting-edge research which moves the theorization of friendship beyond western confines to consider the themes in cross-cultural and decolonized contexts.