-Offers a practical guide to using the tools of narrative cinema in nonfiction film, focusing on storytelling as it applies to every part of the filmmaking process. -5th edition is updated to include new examples, increased coverage of documentary ethics and research for nonfiction film (especially using web-based material), an exploration of short-form nonfiction forms, and new interviews, giving documentary filmmakers the tools to make effective, ethically-responsible films for a range of different audience types. -Interviews with award-winning documentary filmmakers including Stanley Nelson (The Black Panthers), Orlando von Einsiedel (Virunga), and Cara Mertes (JustFilms), and [tbc - new names], offering contemporary insight into the craft.

-Offers a practical guide to using the tools of narrative cinema in nonfiction film, focusing on storytelling as it applies to every part of the filmmaking process. -5th edition is updated to include new examples, increased coverage of documentary ethics and research for nonfiction film (especially using web-based material), an exploration of short-form nonfiction forms, and new interviews, giving documentary filmmakers the tools to make effective, ethically-responsible films for a range of different audience types. -Interviews with award-winning documentary filmmakers including Stanley Nelson (The Black Panthers), Orlando von Einsiedel (Virunga), and Cara Mertes (JustFilms), and [tbc - new names], offering contemporary insight into the craft.

Fully revised and updated, Archival Storytelling second edition is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makers today. Whether you're a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials-images, audio, or music that you yourself did not create-to use them in your work. This book explains what's involved in researching and licensing visuals and music, and exactly what media makers need to know when filming in a world crowded with rights-protected images and sounds. Filled with insights from filmmakers, archivists, and intellectual property experts, this second edition defines key terms such as copyright, fair use, public domain, and orphan works. It guides readers through the complex archival process and challenges them to become not only archival users but also archival and copyright activists. This book is an essential resource for both students and professionals, from seasoned filmmakers to those creating their first projects, offering practical advice for how to effectively and ethically draw on the wealth of cultural materials that surround us.

Fully revised and updated, Archival Storytelling second edition is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makers today. Whether you're a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials-images, audio, or music that you yourself did not create-to use them in your work. This book explains what's involved in researching and licensing visuals and music, and exactly what media makers need to know when filming in a world crowded with rights-protected images and sounds. Filled with insights from filmmakers, archivists, and intellectual property experts, this second edition defines key terms such as copyright, fair use, public domain, and orphan works. It guides readers through the complex archival process and challenges them to become not only archival users but also archival and copyright activists. This book is an essential resource for both students and professionals, from seasoned filmmakers to those creating their first projects, offering practical advice for how to effectively and ethically draw on the wealth of cultural materials that surround us.