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-Offers a practical guide to using the tools of narrative cinema in
nonfiction film, focusing on storytelling as it applies to every
part of the filmmaking process. -5th edition is updated to include
new examples, increased coverage of documentary ethics and research
for nonfiction film (especially using web-based material), an
exploration of short-form nonfiction forms, and new interviews,
giving documentary filmmakers the tools to make effective,
ethically-responsible films for a range of different audience
types. -Interviews with award-winning documentary filmmakers
including Stanley Nelson (The Black Panthers), Orlando von
Einsiedel (Virunga), and Cara Mertes (JustFilms), and [tbc - new
names], offering contemporary insight into the craft.
Fully revised and updated, Archival Storytelling second edition is
a timely, pragmatic look at the use of audiovisual materials
available to filmmakers and scholars, from the earliest photographs
of the 19th century to the work of media makers today. Whether
you're a top Hollywood filmmaker or a first-time documentarian, at
some point you are going to want to find, use, and license
third-party materials-images, audio, or music that you yourself did
not create-to use them in your work. This book explains what's
involved in researching and licensing visuals and music, and
exactly what media makers need to know when filming in a world
crowded with rights-protected images and sounds. Filled with
insights from filmmakers, archivists, and intellectual property
experts, this second edition defines key terms such as copyright,
fair use, public domain, and orphan works. It guides readers
through the complex archival process and challenges them to become
not only archival users but also archival and copyright activists.
This book is an essential resource for both students and
professionals, from seasoned filmmakers to those creating their
first projects, offering practical advice for how to effectively
and ethically draw on the wealth of cultural materials that
surround us.
-Offers a practical guide to using the tools of narrative cinema in
nonfiction film, focusing on storytelling as it applies to every
part of the filmmaking process. -5th edition is updated to include
new examples, increased coverage of documentary ethics and research
for nonfiction film (especially using web-based material), an
exploration of short-form nonfiction forms, and new interviews,
giving documentary filmmakers the tools to make effective,
ethically-responsible films for a range of different audience
types. -Interviews with award-winning documentary filmmakers
including Stanley Nelson (The Black Panthers), Orlando von
Einsiedel (Virunga), and Cara Mertes (JustFilms), and [tbc - new
names], offering contemporary insight into the craft.
Fully revised and updated, Archival Storytelling second edition is
a timely, pragmatic look at the use of audiovisual materials
available to filmmakers and scholars, from the earliest photographs
of the 19th century to the work of media makers today. Whether
you're a top Hollywood filmmaker or a first-time documentarian, at
some point you are going to want to find, use, and license
third-party materials-images, audio, or music that you yourself did
not create-to use them in your work. This book explains what's
involved in researching and licensing visuals and music, and
exactly what media makers need to know when filming in a world
crowded with rights-protected images and sounds. Filled with
insights from filmmakers, archivists, and intellectual property
experts, this second edition defines key terms such as copyright,
fair use, public domain, and orphan works. It guides readers
through the complex archival process and challenges them to become
not only archival users but also archival and copyright activists.
This book is an essential resource for both students and
professionals, from seasoned filmmakers to those creating their
first projects, offering practical advice for how to effectively
and ethically draw on the wealth of cultural materials that
surround us.
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