Composer and cellist Kathy McTavish writes about her music and experimental film. This book features sequences of black and white photo images from the film "birdland," photographs of cello performance and includes a long poem, or score, for her unique fusion form. McTavish has received Jerome Foundation, American Composers Forum commissions and several awards from the Arrowhead Regional Arts Council.

Sheila Packa has received two Loft McKnight Fellowships, in both poetry and prose, and numerous other awards. She was Duluth's Poet Laureate of 2010-2012. According to Leah Rogne, PhD, of Minnesota State University in Mankato, "Sheila Packa's poetry is at once deeply personal and widely universal in its evocative exploration of fundamental human experience. Using the red ore dust with which she was raised, she paints vivid images of birth and death, work and struggle, hope and despair. Packa captures the unrest of immigrants leaving their homes in Finland and the unrest of the bitter labor union conflicts of the early days of twentieth century on the Iron Range of northeastern Minnesota. At the same as she chronicles events from the broad sweep of history as the country extracted iron ore from the ground and labor from the immigrants, she shares tender stories from daily life, using the micro-lens of her personal experience. "Especially arresting is the way Packa weaves into her book material from historical sources, including newspaper accounts of the union organizing efforts of Elizabeth Gurley Flynn and reports on the gritty work of physicians who tended to the medical needs of the miners and their families in the early days. Women-whether in the mines or on hardscrabble farms-are equal players in Packa's Iron Range, a refreshing treatment of a region often seen as differentially the province of the male. From the story of men and women fighting for their survival and dignity in the days of industrialization to the image of a fragile grouse in the gunsights of a hunter contemplating its mortality, Packa captures the beauty and the contradictions of the place and times that have made the Iron Range iconic in history."

Echo & Lightning, by Duluth Poet Laureate Sheila Packa, uses the metaphor of bird migration and myth to examine ways we relinquish the self. "So many poems in Echo and Lightning reveal what has to be given away in order to be filled with something greater - a more intense spiritual awareness, a fuller connection with the landscape, a more generous and all-encompassing love. I often felt breathless reading these poems, utterly willing to step off firm ground and take to the air with Packa's journeying geese and swans, but reminded by the poet of what must be left behind in order to make such an exhilarating ascension - 'if you make the sky your home/ - it isn't easy, you can't bring those things'. The risk of transformation is reflected in the northern landscape Packa portrays with intimate, even mystical knowledge, a landscape where water and weather and existence is always both beauty and sacrifice. Echo and Lightning transforms us into something freer, wilder, more given to loving, while reminding us that to fly is to risk leaving the old behind, to become 'not given to possessing/ but unpossessing.' " says Kirsten Dierking.author of Northern Oracle