Stanley Kubrick's controversial film triggered copycat violence on its initial release and as a result the director withdrew the film from circulation in Britain, keeping it suppressed right up to his death in 1999. The film follows sadistic punk Alex (Malcolm McDowell) as he takes his gang on a rape and murder spree, showing absolutely no mercy to any of his victims. When he is eventually captured, the authorities subject him to a series of experiments designed to rid him of his violent tendencies.

US Ambassador Robert Thorn (Gregory Peck) is persuaded to substitute a newborn baby whose mother has died in childbirth for his own stillborn son. By the age of five the child, Damien, seems to be exerting a malevolent influence on the Thorn household, suffering a violent fit when he is taken to church and causing his nanny to hang herself. Thorn searches for an answer to his son's behaviour and meets maverick priest Father Brennan (Patrick Troughton), who tries to convince him that Damien is in fact the Antichrist and must be stopped at all costs. The Ambassador at first dismisses this as the crazy rantings of a religious maniac, but subsequent events suggest that maybe the priest had a point.

US Ambassador Robert Thorn (Gregory Peck) is persuaded to substitute a newborn baby whose mother has died in childbirth for his own stillborn son. By the age of five the child, Damien, seems to be exerting a malevolent influence on the Thorn household, suffering a violent fit when he is taken to church and causing his nanny to hang herself. Thorn searches for an answer to his son's behaviour and meets maverick priest Father Brennan (Patrick Troughton), who tries to convince him that Damien is in fact the Antichrist and must be stopped at all costs. The Ambassador at first dismisses this as the crazy rantings of a religious maniac, but subsequent events suggest that maybe the priest had a point.

A collection of films by Liverpudlian filmmaker Terence Davies. 'The Terence Davies Trilogy' comprises three short films: 'Children' (1976), 'Madonna and the Child' (1980) and 'Death and Transfiguration' (1983). Taken together, the three films trace the life of Robert Tucker, the director's alter ego, from childhood to the grave. 'Distant Voices, Still Lives' (1988) looks back on Davies's working class upbringing in post-war Liverpool. Told in flashback, the films begins and ends with family weddings, held several years apart, and is scored with songs from the period. 'The Long Day Closes' (1992) traces moments in the childhood of Bud (Leigh McCormack), a Liverpudlian schoolboy in 1955. Plucked from his cosy home when he is sent to his new Catholic school, the film looks at his loneliness as teachers and pupils pick on him and his increasing isolation at home as he hovers between childhood and adolescence. His beloved film idols and screen stories keep him company in his imagination but in the real world he feels increasingly like a misfit. 'Of Time and the City' (2008) is a highly personal portrait of Davies's native city, Liverpool, and shares his musings on his relationship with the place where he was born and lived until his late twenties. Composed largely of atmospheric archive footage accompanied by Davies's lyrical narration and a melancholy, nostalgic soundtrack, the film seamlessly intersperses Davies's personal memories and experiences with observations about the history and culture of this iconic city.

Three short films by director Terence Davies: 'Children' (1976), 'Madonna and the Child' (1980) and 'Death and Transfiguration' (1983). Taken together, the three films trace the life of Robert Tucker, the director's alter ego, from childhood to the grave.