This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

MEN WHO HAVE WALKED WITH GOD BEING THE STORY OF MYSTICISM THROUGH THE AGES TOLD IN THE BIOGRAPHIES OF REPRESENTATIVE SEERS AND SAINTS WITH EXCERPTS FROM THEIR WRITINGS AND SAYINGS B Y Sheldon Cheney New York Alfred A. Knopf 1948 THIS IS A BORZOI BOOK, PUBLISHED BY ALFRED A. KNOPF, INC. Copyright 1943 by Sheldon Cheney. All rights rc emd. No fart of this book may be reproduced in any form unthout permission in writing from the publisher, except by a reviewer who may quote brief passages or reproduce not more than three illustrations in a review to bo printed in a magazine or newspaper. Manufactured in the United States of America Published simultaneously in Canada by The Bpmm Press PUBLISHED SEPTEMBER 20, 1045 REPRINTED FOUR TIMES SIXTH PRINTING, MAY 1948 Contents Preface viii I The Golden Age and the Mystic Poet LAO-TSE 1 II The BUDDHA, the Great Light, and the Bliss of NIRVANA 38 III The Age of Reason in Greece PYTHAGORAS and PLATO 86 IV The Tardy Flowering of Greek Mysticism PLOTINUS 118 V Christian Mysticism, from the Founders to SAINT BERNARD 143 VI The Medieval Flowering ECKHART and the Friends of GOD 176 VII FRA ANGELICO, the Saintly Painter and Tool of GOD 212 VIII JACOB BOEHME, the Shoemaker-Illuminate of the Reformation 238 IX BROTHER LAWRENCE, the Lay Monk Who Attained Unclouded Vision 285 X A Mystic in the Age of Enlightened Scepticism WILLIAM BLAKE 309 Afterword 378 A Descriptive Reading List, with Acknowledgments 385 Index 395 List of Illustrations FOLLOWING PAGE Lao-Tse on a Water Buffalo. Chinese, Sung 10 Sage in Contemplation. In the style of Ma Yuan 20 Sage in Contemplation under a Pine Tree. By Ma Yuan 84 An Arahat Entering into Nirvana. By Lin Ting-Kuei 80 Socrates102 Christ Appearing to the Apostles. By William Blake 146 Saint Paul By El Greco 154 Augustine Recording His Vision of the City of God 160 Saint Bernard. By El Greco 170 Saint Francis Receiving the Stigmata, School of Giotto 178 Meeting of Saint Francis and Saint Dominic, By Fra Angelico 182 The Garden of Paradise. School of Cologne, about 1400 204 The Annunciation. By Fra Angelico 216 Portrait of Fra Angelico. By Carlo Dolci The Naming of Saint John. By Fra Angelico 222 The Visitation, By Fra Angelico The Annunciation. By Fra Angelico 226 The Annunciation. By Fra Angelico Coronation of the Virgin. By Fra Angelico 232 The Nativity, By Fra Angelico j The Flight into Egypt. By Fra Angelico 286 vi LIST OF ILLUSTRATIONS FOLLOWING PAGE Glad Day. By William Blake 250 When the Morning Stars Sang Together. By William Blake 318 Then a Spirit Passed before My Face. By William Blake 326 338 356 362 Saint Paul Preaching at Athens. By William Blake Satan Rousing the Rebel Angels. By William Blake The Great Red Dragon and the Woman Clothed with the Sun. By William Blake Satan Smiting Job with Boils. By William Blake Then Went Satan Forth from the Presence of the Lord. By William Blake The Ancient of Days Laying out the Circle of the Earth. By William Blake Blake Dethroning Urizen. By William Blake The Angel of the Revelation. By William Blake 374 THE author and the publisher wish to record their thanks to the De partment of Education and Museum Extension of the Metropolitan Museum of Art, and to the Photograph Library, School of the Fine Arts, Yale University, for providing certain of the illustrations of Fra Angeli co s paintings and to Miss Elizabeth Mongan of the Print Department of the NationalGallery, Washington, for exceptional aid in assembling the photographs of William Blakes drawings and prints. Our indebted ness to museum directors and to photographers is more directly re corded in the captions under individual illustrations. vii gjr PBEPACE JlN THE final analysis there is only one subject of permanent interest, the soul. It is a truth easily forgotten in the press of prac tical undertakings...

EXPRESSIONS IN ART BY SHELDON CHENEY REVISED EDITION WITH 210 ILLUSTRATIONS TUDOR PUBLISHING COMPANY NEW YORK REVISED EDITION COPYRIGHT, 1948, BY L1VERIGHT PUBLISHING CORPORATION COPYRIGHT, 1934, BY LIVER1GHT PUBLISHING CORPORATION All rights reserved no part of thib book may be reproduced in any form without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a magazine or newspaper. PRINTED IN THE UNITED STATES OF AMERICA PREFACE MANY artists and students will face a new essay on Modernist art with the sort of impatience manifested by John Marin. I had asked for photographs of his paintings. What he exclaimed. Another damn book Contemplating the burden of recent works in this field, I too am impelled to ask why I who once reformed and wrote no books for seven years should now offer a volume about Expressionism. My reason, I think, was this. There are books enough serving as introductions to Modernism, recounting its early history and pav ing the way to the first glimmers of understanding. But there is, in English, no book pretending to analysis of the characteristic ele ments in Expressionist art. Eleven years ago I wrote a frankly introductory work. Therein I was concerned to break down prejudice against the new art. I was trying to remove the blinders placed by academic teaching over the eyes of the average citizen, was hoping to pry open, a little, the too tightly closed mind of the student and observer. In those days, in the early Twenties, Modernist art was on the defensive. One broached the subject with apologies and explana tions. One took up arms self-consciously, evenheroically, under the barrage of writings laid down by academic critics in defense of what is now obviously the old art. The whole subject of Modernism was surrounded by an atmosphere of battle, with the radicals on the challenging side. The introductory and apologetic books, my Primer and the variously admirable works of Wilenski, Bell and Eddy, belong to that earlier time, when the public was un convinced and the Moderns a beleaguered minority. Today conditions are reversed. If the battle is to continue, it is ittie cbnserVarUveS Vi icJ finH themselves on the defensive, who must - ., sue for ari ucljence. Expressionism if you will allow me the word probatioiiiHy4 is widely accepted, studied, even respectable. In this book, therefore, if I am wise, only minor effort will be expended to convince the reader that radical Modern art is logical and inevitable. I shall take for granted open-mindedness, if not a practiced appreciation of old and contemporary Expressionist works. After some clearing of the ground, and the establishing of defini tions, I shall explain, so far as my present understanding serves, the special means by which artists are accomplishing a return to essen tially expressive and creative art. I plan to describe technical methods, report theories, and sketch so much of the social back ground as may seem to have characteristic influence upon advanced practice. My first aim is to aid the student in opening the way to under standing and enjoyment. I hope, in addition, that practicing artists will find the book clarifying though I want no one to seek herein a formula for creative accomplishment. True Expressionism goes deeper than that. The book is at once my mostindependent and personal expres sion upon art, and a confession that I have no original theory of Modernism. Even while relying upon my own reactions to and study of living art works, I can claim no originality for the explana tions and analyses set forth and certainly I make no pretense to omniscience in any part of the vast field surveyed. I have merely collated more recorded opinions and expositions than any earlier writer, and I am attempting a digest in readable form, along the line of my own seeing...

This Is A New Release Of The Original 1917 Edition.

This is a new release of the original 1945 edition.

This book is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

THIS 42 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: Men Who Have Walked With God, by Sheldon Cheney. To purchase the entire book, please order ISBN 1564592685.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

THIS 24 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: Men Who Have Walked With God, by Sheldon Cheney. To purchase the entire book, please order ISBN 1564592685.

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THIS 88 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: Men Who Have Walked With God, by Sheldon Cheney. To purchase the entire book, please order ISBN 1564592685.

1917. Its character as differentiated from the commercial theater; its ideals and organization; and a record of certain European and American Examples. Contents: Present Conditions in the American Theater; The Coming of the Art Theater: Europe; The Coming of the Art Theater: America; Ideals of the Art Theater; The Artist-Director; The Question of Acting and Actors; The Question of Plays; The Question of Stage Settings; The Question of Audiences and the Community; Organization and Management; Buildings and Equipment; and Unrealized Ideals. See other titles by this author available from Kessinger Publishing.

THIS 30 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: Men Who Have Walked With God, by Sheldon Cheney. To purchase the entire book, please order ISBN 1564592685.