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In the field of Holocaust Studies, there has been a great deal
written in English about poets such as Paul Celan, but Dan Pagis's
body of work remains largely undiscovered. By analyzing the
Holocaust poetry of Dan Pagis and correlating it to his biography
through the identifying tropes of Pagis's literature, this book
seeks to reveal that the speakers of Pagis' poems embody a
resistance to traditional historical, temporal, and structural
narratives while also outlining the scarring effects of trauma
continually revisited through poetic engagement. Beyond this, the
secondary aim of this book is to bring Pagis's work to light for an
audience that solely reads and speaks English.
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