What if there was a purple planet with purple people on it? Sheree Fitch answers this question with a zany tongue-twister of a poem featuring Mabel Murple, a daredevil who rides a purple motorbike through purple puddles, skis on purple snow, and on her pancakes pours maple syrup. With a rich and vivid purple palette, Kate Greenaway Medal recipient Sydney Smith's illustrations reflect the wild joy in this classic poem. Mabel Murple won the Ann Connor Brimer award for children's literature.

During the global pandemic, Sheree Fitch shared what she calls moments--her first-burst warm-up writing exercises, on social media almost every day. Sometimes funny verse, other times lyrical prose or poetry, these daily missives were one way to negotiate the strange, unpredictable times. On April 20, immediately upon waking, as the full story of the tragedy in Portapique, Nova Scotia, was unfolding, Fitch thought of all affected, the painful day ahead, of what parents would say to their children. She thought about grieving when apart. These words moved through her immediately that day. Fitch shared Because We Love, We Cry on social media and it was embraced by Nova Scotians and those who love them across the country. It was read aloud in Canadian Parliament and during a provincial news conference about COVID-19, and by Fitch herself during a nationally broadcast vigil held for the twenty-two victims of the Portapique tragedy. After many requests, Nimbus and Sheree have come together to make the poem available in book form. Featuring colour line drawings and the full poem on heavy cardstock for safekeeping, as well as a pull-out postcard to send to loved ones near and far, Because We Love is a mantra, a prayer, a lament, a talisman, a paper rosary, a beating heart to keep close to your own. A portion of the book's proceeds will be donated annually to the Red Cross Stronger Together Nova Scotia Fund, which offers support to the individuals, families and communities impacted by the Nova Scotia tragedy with immediate and long-term needs.

Kezie, Patrick and Jed are left behind when Noli moves away. The house on the corner is empty, and the cul-de-sac kids wonder who will move in. Who will play hockey with them? Who will supply the cookies?
One day, a moving van pulls up. But the new neighbor is not at all what they were hoping for...

If I were the moon / I'd shine down my light / Right into your bedroom / To warm up the night. A timeless bedtime book that "beautifully captures that perfect moment when a child is tucked up in bed, spellbound by the voice of an older sibling or an adult sharing a special book" (Books in Canada). With lyrical text, lit up by soft and gentle illustrations, If I Were the Moon makes its triumphant return to print in a beautiful hardcover just in time for its twentieth anniversary.

Hello toes, our tootsie friends Hello, summer feet again! Canada's Dr. Seuss, Sheree Fitch, is back with a brand-new tongue-twisting picture book that celebrates all things summer. From those first barefoot days, wobble-dy walking over rocks and pebbles, to wandering-wild while searching for sea glass and, finally, huddled-up cozy at a late-summer bonfire, these summer feet flutter kick, somersault, hide-and-seek, and dance in the rain, soaking up all the season has to offer. With Fitch's classic lip-slippery, lyrical rhymes and Carolyn Fisher's bright and colourful illustrations, Summer Feet will be an instant summertime favourite.

Some called Polly MacCauley a witch, and some called her wise, and because she was so rarely seen, some even called her a figment of everyone else's imagination. But there were some who believed that she sheared and spun and carded and dyed special wool from a special lamb born long ago, and that she was the maker of many gifts. From one of Canada's most loved and lauded children's writers comes a new tale about the joy of making things, the strength of community, and the warm reach of generosity. This beautifully illustrated storybook blends poetry and prose, infused with Fitch's trademark wit and playfulness, to tell the story of Polly MacCauley, a bit of a mystery in her community of River John, who spends her time making wondrous things with wool. When Star, a very special lamb, is born on a nearby farm, Polly knows that with Star's wool she can make her 'finest, divinest, woolliest gift of all'. But the greedy Count and Countess of far-off Woolland have learned about the lamb's arrival, too, and are determined to add her to their flock. Will the good folk of River John join together to see that Star gets to her rightful home? Will Polly be able to finish her masterpiece? Darka Erdelji's gorgeous illustrations have just the right amount of whimsy, perfectly capturing the spirit of Fitch's touching yarn. Divided into nine short sections, this is a grand book to share aloud, or read alone. It will appeal to children of all ages. And to knitters, weavers, spinners and the warm-hearted everywhere.

Designed to spark the imagination and enhance creativity, the guided exercises and fun-filled suggestions in this innovative book integrate elements of writing with simple movements and yoga principles to create a safe and joyful learning experience. The book combines writing tasks with basic physical movements that are easy to incorporate into classroom instruction. Useful and inspiring for students and teachers alike, the book is committed to getting kids writing and playing with words and ideas. It challenges teachers to refresh their teaching of writing, inspire students, and find the fun in everyday learning.

Sheree Fitch's best-selling adult poetry collection explores the shadows that never penetrate the sunlit world of her children's books. With over 5,000 copies sold of the first edition, this second edition 10 years later and 13 poems wiser adds depth and texture to the original collection; like a fine cognac, it has become richer with the passing years.

Sheree Fitch's refreshingly direct lyrics explore the harsh realities of women's lives and the many kinds of shelter they create for themselves and give to each other. The title suite is peopled by battered wives, single mothers, women who are poor and perhaps homeless, and exhausted caregivers, with each woman speaking in her own voice. The new poems in "Moonsongs" express a decade's personal development, not in the form of answers, but in the form of more pointed questions.

"In This House Are Many Women and Other Poems" demonstrates Fitch's poetic depth and versatility. But whether she writes passionately of victims and workers in a woman's shelter, finds epiphanies in family life, or examines the uncertainties of romantic love, Fitch never loses her sense of humour. Who else but the creator of Mable Murple could conjure up Diana, the domestic acrobat who transforms her home into a circus or Eve, the mother of us all, offering child-rearing tips?