Timothy Findley (1930-2002) was one of Canada's foremost writers--an award-winning novelist, playwright, and short-story writer who began his career as an actor in London, England. Findley was instrumental in the development of Canadian literature and publishing in the 1970s and 80s. During those years, he became a vocal advocate for human rights and the anti-war movement. His writing and interviews reveal a man concerned with the state of the world, a man who believed in the importance of not giving in to despair, despite his constant struggle with depression. Findley believed in the power of imagination and creativity to save us. Tiff: A Life of Timothy Findley is the first full biography of this eminent Canadian writer. Sherrill Grace provides insight into Findley's life and struggles through an exploration of his private journals and his relationships with family, his beloved partner, Bill Whitehead, and his close friends, including Alec Guinness, William Hurt, and Margaret Laurence. Based on many interviews and exhaustive archival research, this biography explores Findley's life and work, the issues that consumed him, and his often profound depression over the evils of the twentieth-century. Shining through his darkness are Findley's generous humour, his unforgettable characters, and his hope for the future. These qualities inform canonic works like The Wars (1977), Famous Last Words (1981), Not Wanted on the Voyage (1984), and The Piano Man's Daughter (1995).

As playwright, actor, director, teacher, mentor, theatre administrator, and critic, Sharon Pollock has played an integral role in the shaping of Canada's national theatre tradition, and she continues to produce new works and to contribute to Canadian theatre as passionately as she has done over the past fifty years. Pollock is nationally and internationally respected for her work and support of the theatre community. She has also played a major role in informing Canadians about the "dark side" of their history and current events. This collection, comprised entirely of new and original assessments of her work and contribution to theatre, is both timely and long overdue. Includes a new play titled "Sharon's Tongue" by the Playing with Pollock Collective With contributions by: Kathy K. Y. Chung Donna Coates Carmen Derksen Sherrill Grace Martin Morrow Jeton Neziraj Wes Pearce Tanya Schaap Shelley Scott Jerry Wasserman Jason Weins Cynthia Zimmerman

"That Canada remains a society haunted by its war history seems clear." Since 1977, a new generation of Canadian writers and artists has been mapping the cultural landscapes formed by the memories of war we have inherited, and also the ones we are expected to forget. Challenging, even painful, the art and literature in Grace's magisterial study build causeways into history, connecting us to trials and traumas many Canadians have never known but that haunt society in subtle and compelling ways. A contemporary scholar of the period under examination, Grace exemplifies her role as witness, investing the text with personal, often lyrical, responses as a way of enacting this crucial memory-work. This comprehensive study is intended for scholars, students, and general readers interested in literature, theatre, and art relating to memories of the world wars.

This is a collection of stage plays by some of Canada's leading playwrights. Included are: R.H. Thomson's "The Lost Boys," David French's "Soldier's Heart," Stephen Massicotte's "Mary's Wedding," Guy Vanderhaeghe's "Dancock's Dance," Vern Thiessen's "Vimy," Margaret Hollingsworth's "Ever Loving," Jason Sherman's "None is Too Many," and Marie Clements' "Burning Vision."