The world of genealogical research has changed dramatically in the years since this book debuted. In this revised second edition, Sherry Irvine mixes her award-winning methodology with up-to-date instruction on how to utilize the latest computer and internet sources for Scottish research. She also broadens the scope from a guide for North Americans to a useful resource for researchers from all over the globe. For family historians researching Scottish roots, this book continues to be indispensable.

The world of genealogical research has changed dramatically in the years since this book debuted. In this revised second edition, Sherry Irvine mixes her award-winning methodology with up-to-date instruction on how to utilize the latest computer and internet sources for Scottish research. She also broadens the scope from a guide for North Americans to a useful resource for researchers from all over the globe. For family historians researching Scottish roots, this book continues to be indispensable.

In Finding Your Canadian Ancestors, authors Sherry Irvine and Dave Obee guide you through Canadian genealogical records, first by record type and then according to province. The authors detail both government and ecclesiastical records, as well as records related to special groups such as Aboriginals, Acadians, and Loyalists. They give special attention to online resources, including the extensive holdings of Library and Archives of Canada.

In Finding Your Canadian Ancestors, authors Sherry Irvine and Dave Obee guide you through Canadian genealogical records, first by record type and then according to province. The authors detail both government and ecclesiastical records, as well as records related to special groups such as Aboriginals, Acadians, and Loyalists. They give special attention to online resources, including the extensive holdings of Library and Archives of Canada.

Irvin argues that rules are the key to understanding what's going on in contemporary art. Contemporary art can seem chaotic: it may be made of toilet paper, candies you can eat, or meat that is thrown out after each exhibition. Some works fill a room with obsessively fabricated objects, while others purport to include only concepts, thoughts, or language. Immaterial argues that, despite these unruly appearances, making rules is a key part of what many contemporary artists do when they make their works, and these rules can explain disparate developments in installation art, conceptual art, time-based media art, and participatory art. Sherri Irvin shows how rules are now an artistic medium: they are part of the work's structure and shape what it expresses. Rules are meaningful in themselves and help to activate the meanings of non-art materials and found objects, so audiences need to know about the rules to get the most out of their art experiences. Loss of information about the rules, like loss of a chunk of marble, can seriously damage the work, and preserving rules as well as objects is reshaping how museums maintain their collections. Where rules collide with real-world circumstances, they may be broken maliciously, mistakenly, or for good reasons, threatening the work's meanings and sometimes its very existence. Should we celebrate the prominence of rules in contemporary art? Irvin argues that, while rules aren't always used well, they can be used to create distinctive meanings and provide powerful immersive experiences not achievable through any other means.

The body is a rich object for aesthetic inquiry. We aesthetically assess both our own bodies and those of others, and our felt bodily experiences-as we eat, have sex, and engage in other everyday activities-have aesthetic qualities. The body, whether depicted or actively performing, features centrally in aesthetic experiences of visual art, theatre, dance and sports. Body aesthetics can be a source of delight for both the subject and the object of the gaze. But aesthetic consideration of bodies also raises acute ethical questions: the body is deeply intertwined with one's identity and sense of self, and aesthetic assessment of bodies can perpetuate oppression based on race, gender identity, sexual orientation, age, size, and disability. Artistic and media representations shape how we see and engage with bodies, with consequences both personal and political. This volume contains sixteen original essays by contributors in philosophy, sociology, dance, disability theory, critical race studies, feminist theory, medicine, and law. Contributors take on bodily beauty, sexual attractiveness, the role of images in power relations, the distinct aesthetics of disabled bodies, the construction of national identity, the creation of compassion through bodily presence, the role of bodily style in moral comportment, and the somatic aesthetics of racialized police violence.