What if the American literary canon were expanded to consistently represent women writers, who do not always fit easily into genres and periods established on the basis of men's writings? How would the study of American literature benefit from this long-needed revision? This timely collection of essays by fourteen women writers breaks new ground in American literary study. Not content to rediscover and awkwardly "fit" female writers into the "white male" scheme of anthologies and college courses, editors Margaret Dickie and Joyce W. Warren question the current boundaries of literary periods, advocating a revised literary canon. The essays consider a wide range of American women writers, including Mary Rowlandson, Margaret Fuller, Harriet Beecher Stowe, Emily Dickinson, Frances Harper, Edith Wharton, Gertrude Stein, Amy Lowell and Adrienne Rich, discussing how the present classification of these writers by periods affects our reading of their work. Beyond the focus of feminist challenges to American literary periodization, this volume also studies issues of a need for literary reforms considering differences in race, ethnicity, class, and sexuality. The essays are valuable and informative as individual critical studies of specific writers and their works. Challenging Boundaries presents intelligent, original, well-written, and practical arguments in support of long-awaited changes in American literary scholarship and is a milestone of feminist literary study.

Set in Japanese-occupied Shanghai in 1945, The Frontiers of Love passes effortlessly in and out of Asian and Western fields of reference to explore the issue of cultural identity in a city dominated by Western colonialism. Diana Chang uses psychological portrayal, historical narrative, and sociological observation to achieve a multi-dimensional view of a city both Chinese and Western, liberating and oppressive, national and international. As the character Feng observes of Shanghai, "Strictly speaking, it could not be called Chinese, though it was inhabited mostly by Chinese - Chinese who were either wealthy, Westernized, or prayed to a Christian God".

In this critically acclaimed memoir, Lim lays bare the turns in her early life in wartorn Malaysia, from wealth and security to poverty and family violence. Her struggles to fashion a meaningful life that will include professional achievement and a self-determined sexuality take her on a journey across cultural and geographical borders. In time, she moves from a numbered isolation to a self-forged identity as an Asian American, aware of her relationship to the land she left behind, her new homeland, and the homeland she carries within herself.