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This collection opens the geospatiality of "Asia" into an
environmental framework called "Oceania" and pushes this complex
regional multiplicity towards modes of trans-local solidarity,
planetary consciousness, multi-sited decentering, and world
belonging. At the transdisciplinary core of this "worlding" process
lies the multiple spatial and temporal dynamics of an environmental
eco-poetics, articulated via thinking and creating both with and
beyond the Pacific and Asia imaginary.
This collection opens the geospatiality of “Asia” into an
environmental framework called "Oceania" and pushes this complex
regional multiplicity towards modes of trans-local solidarity,
planetary consciousness, multi-sited decentering, and world
belonging. At the transdisciplinary core of this “worlding”
process lies the multiple spatial and temporal dynamics of an
environmental eco-poetics, articulated via thinking and creating
both with and beyond the Pacific and Asia imaginary.
Ecocriticism is a mode of interdisciplinary critical inquiry into
the relationship between cultural production, society, and the
environment. The field advocates for the more-than-human realm as
well as for underprivileged human and non-human groups and their
perspectives. Taiwan is one of the earliest centers for promoting
ecocriticism outside the West and has continued to play a central
role in shaping ecocriticism in East Asia. This is the first
English anthology dedicated to the vibrant development of
ecocriticism in Taiwan. It provides a window to Taiwan's important
contributions to international ecocriticism, especially an emerging
"vernacular" trend in the field emphasizing the significance of
local perspectives and styles, including non-western vocabularies,
aesthetics, cosmologies, and political ideologies. Taiwan's unique
history, geographic location, geology, and subtropical climate
generate locale-specific, vernacular thinking about island ecology
and environmental history, as well as global environmental issues
such as climate change, dioxin pollution, species extinction,
energy decisions, pollution, and environmental injustice. In
hindsight, Taiwan's industrial modernization no longer appears as a
success narrative among Asia's "Four Little Dragons," but as a
cautionary tale revealing the brute force entrepreneurial
exploitation of the land and the people. In this light, this volume
can be seen as a critical response to Taiwan's postcolonial,
capitalist-industrial modernity, as manifested in the scholars'
readings of Taiwan's "mountain and river," ocean, animal, and
aboriginal (non)fictional narratives, environmental documentaries,
and art installations. This volume is endowed with a mixture of
ecocosmopolitan and indigenous sensitivities. Though dominated by
the Han Chinese ethnic group and its Confucian ideology, Taiwan is
a place of complicated ethnic identities and affiliations. The
succession of changing colonial and political regimes, made even
more complex by the island's sixteen aboriginal groups and several
diasporic subcultures (South Asian immigrants, Western expatriates,
and diverse immigrants from the Chinese mainland), has led to an
ongoing quest for political and cultural identity. This complexity
urges Taiwan-based ecoscholars to pay attention to the diasporic,
comparative, and intercultural dimensions of local specificity,
either based on their own diasporic experience or the cosmopolitan
features of the Taiwanese texts they scrutinize. This
cosmopolitan-vernacular dynamic is a key contribution Taiwan has to
offer current ecocritical scholarship.
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