The republication of From Generation to Generation-almost half a century after its first appearance in 1956-constitutes a good occasion for a look at the way in which problems of youth and generations developed in contemporary societies. In this brilliant, pioneering effort, different approaches in the social sciences to the analysis of these issues receive close scrutiny. Eisenstadt reexamines these issues by including in this edition several new chapters on this theme.

Winner of the prestigious MacIver Award when it was first published, this remains a towering work of modern political sociology, especially of macrosociology. Its main objective is comparative analysis of political commonalities found in different societies, both historical and present. The book seeks to find some pattern or laws in the structure and development of such systems. The imaginative use of data helps to bring order into what might otherwise be considered a speculative volume. The purpose of The Political Systems of Empires is to apply sociological concepts to the analysis of historical societies through the comparative analysis of a special type of political system. This analysis does not purport to be historical or descriptive. Its main objective is comparative analysis of political commonalities found in different societies. The book seeks to find some pattern or laws in the structure and development of such systems.

In this remarkable study, Robert R. Faulkner shows that the Hollywood film industry, like most work communities, is dominated by a highly productive and visible elite who exercise major influence on the control of available resources, career chances, and access to opportunity. Faulkner traces a network of connections that bind together filmmakers (employers) and composers (employees) and reveals how work is allocated among composers and the division of labor within the Hollywood film community, using statistical analysis and highly revealing personal interviews. One of the very first empirical studies in the "new economic sociology," Music on Demand shows the dynamics of markets constituted by the interaction between buyers and artistic talent (the producers and directors of feature films) and the sellers of artistic talent (the composers of film scores). Faulkner's interviews with those composers considered to be elite and those on the industry's periphery reveal how they perceive their careers, how they define commercial artistic success, and how they establish, or try to establish, those vital connections with filmmakers. Now available in paperback, this pioneering study will be of compelling interest to researchers in culture studies as well as readers interested in learning more about this little-known world.

How may we characterize contemporary society in a world so complex? Can looking at the diverse paths followed by various cultures in the modern world generate useful new social scientific typologies, or must a different set of questions be posed in this era of globalization? What, in short, is the nature of modernity? These are some of the questions addressed by the contributors to Multiple Modernities. Following the theme in an earlier work edited by Shmuel Eisenstadt, Public Spheres and Collective Identities, this book challenges conventional notions of how the world has changed politically, socially, and economically. The authors consider the meaning of modernity in contexts as different as communist Russia, modern India, the Muslim world, Latin America, China and East Asia, and the United States. Miscegenation, transnational migration, technological developments, and changing communications have shifted the ground on which theories of society were once built; political system, diaspora groups, religion, and "classical" theories of modernity have to be reconsidered in a new context. Authors and chapters include: S.N. Eisenstadt, "Multiple Modernities"; Bjrn Wittrock, "Modernity: One, None, or Many? European Origins and Modernity as a Global Condition"; Johann P. Arnason, "Communism and Modernity"; Nilfer Gle, "Snapshots of Islamic Modernities"; Dale F. Eickelman, "Island and the Languages of Modernity"; Sudipta Kaviraj, "Modernity and Politics in India"; Stanley J. Tambiah, "Transnational Movements, Diaspora, and Multiple Modernities"; Tu Weiming, "Implications of the Jrise of 'Confucian' East Asia"; Jrgen Heideking, "The Pattern of American Modernity from the Revolution to the Civil War"; and Renato Ortiz, "From Incomplete Modernity to World Modernity." Written in clear and non-technical language for both a scholarly and general audience, this volume confronts the problem of just what constitutes the common core of modernity.

In this remarkable study, Robert R. Faulkner shows that the Hollywood film industry, like most work communities, is dominated by a highly productive and visible elite who exercise major influence on the control of available resources, career chances, and access to opportunity. Faulkner traces a network of connections that bind together filmmakers (employers) and composers (employees) and reveals how work is allocated among composers and the division of labor within the Hollywood film community, using statistical analysis and highly revealing personal interviews. One of the very first empirical studies in the "new economic sociology," "Music on Demand" shows the dynamics of markets constituted by the interaction between buyers and artistic talent (the producers and directors of feature films) and the sellers of artistic talent (the composers of film scores).

Faulkner's interviews with those composers considered to be elite and those on the industry's periphery reveal how they perceive their careers, how they define commercial artistic success, and how they establish, or try to establish, those vital connections with filmmakers. Now available in paperback, this pioneering study will be of compelling interest to researchers in culture studies as well as readers interested in learning more about this little-known world.

The republication of "From Generation to Generation"-almost half a century after its first appearance in 1956-constitutes a good occasion for a look at the way in which problems of youth and generations developed in contemporary societies. In this brilliant, pioneering effort, different approaches in the social sciences to the analysis of these issues receive close scrutiny. Eisenstadt reexamines these issues by including in this edition several new chapters on this theme. New to this edition are essays on "The Archetypal Patterns of Youth;" "Intellectual Rebellion and Generation Conflict;" and "Youth, Generation Consciousness and Historical Change." All of these articles shift emphasis from the structural-institutional analysis presented in the original edition of "From Generation to Generation" to the importance of cultural definitions of youth and generations in radically different societies. In a new introduction, "Sociological Analysis and Youth Rebellion," Eisenstadt undertakes a historical as well as analytical treatment of young people. He reviews decades of alienation of the young, the rebellion of students, and more generally, intergenerational conflict. His major finding is that youth groups tend to arise in those societies whose integrative principles are set aside from family and kinship relations. His work now considers recent dynamic specifics of youth culture as they relate to existing theory, the social and political policies of institutional entrepreneurs as they attempt to bring youth back into the fold of adult society, and the impact on society of the ideology of rebellion. The author states that with the young, any given situation of change opens up a variety of possibilities for development of new types of institutional, organizational, and behavioral patterns. Hence, in the crystallization of institutional frameworks a crucial part is played by those people who evince a special capacity to set up broad orientations to propound new norms and to articulate new goals. The same, of course, applies to the analysis of age groups and youth activities, which Eisenstadt undertakes in this classic work. Professor S. N. Eisenstadt teaches at The Hebrew University of Jerusalem and is frequently a visiting professor at American universities. He is the author of "The Political Systems of Empires," which won the 1964 McIver Award, and which has been published by Transaction in a new paperback edition.

How may we characterize contemporary society in a world so complex? Can looking at the diverse paths followed by various cultures in the modern world generate useful new social scientific typologies, or must a different set of questions be posed in this era of globalization? What, in short, is the nature of modernity? These are some of the questions addressed by the contributors to "Multiple Modernities."
Following the theme in an earlier work edited by Shmuel Eisenstadt, "Public Spheres and Collective Identities," this book challenges conventional notions of how the world has changed politically, socially, and economically. The authors consider the meaning of modernity in contexts as different as communist Russia, modern India, the Muslim world, Latin America, China and East Asia, and the United States. Miscegenation, transnational migration, technological developments, and changing communications have shifted the ground on which theories of society were once built; political system, diaspora groups, religion, and "classical" theories of modernity have to be reconsidered in a new context.
Authors and chapters include: S.N. Eisenstadt, "Multiple Modernities"; Bjrn Wittrock, "Modernity: One, None, or Many? European Origins and Modernity as a Global Condition"; Johann P. Arnason, "Communism and Modernity"; Nilfer Gle, "Snapshots of Islamic Modernities"; Dale F. Eickelman, "Island and the Languages of Modernity"; Sudipta Kaviraj, "Modernity and Politics in India"; Stanley J. Tambiah, "Transnational Movements, Diaspora, and Multiple Modernities"; Tu Weiming, "Implications of the Jrise of 'Confucian' East Asia"; Jrgen Heideking, "The Pattern of American Modernity from the Revolution to the Civil War"; and Renato Ortiz, "From Incomplete Modernity to World Modernity."
Written in clear and non-technical language for both a scholarly and general audience, this volume confronts the problem of just what constitutes the common core of modernity.
Shmuel N. Eisenstadt is Rose Issacs Professor Emeritus of Sociology at The Hebrew University of Jerusalem. He is the author of "The Political Systems of Empires" and co-editor of "Public Spheres and Collective Identities," available from Transaction.

Winner of the prestigious MacIver Award when it was first published, this remains a towering work of modern political sociology, especially of macrosociology. Its main objective is comparative analysis of political commonalities found in different societies, both historical and present. The book seeks to find some pattern or laws in the structure and development of such systems. The imaginative use of data helps to bring order into what might otherwise be considered a speculative volume.
The purpose of The Political Systems of Empires is to apply sociological concepts to the analysis of historical societies through the comparative analysis of a special type of political system. This analysis does not purport to be historical or descriptive. Its main objective is comparative analysis of political commonalities found in different societies. The book seeks to find some pattern or laws in the structure and development of such systems.

Der Band versammelt wichtige Texte von Eisenstadt zum Thema "Soziologische Theorie und Moderne", die das gesamte Spektrum der umfassenden Forschungen von Eisenstadt repräsentieren.

Dieses Buch gibt einen erstklassigen Uberblick uber die Forschungen von Shmuel N. Eisenstadt. Anschaulich stellt Eisenstadt dabei seine Positionen uber den sozialen Wandel, uber die Einheit und die Vielfalt der Moderne vor. Im Mittelpunkt stehen dabei in diesem Buch die "grossen Revolutionen.""