Shunsuke Tsurumi, one of Japan's most distinguished contemporary philosophers, continues his study of the intellectual and social history of modern Japan with this penetrating analysis of popular culture in the post-war years. Japanese manga (comics), manzai (dialogues), television, advertising and popular songs are the medium for a revealing examination of the many contradictory forces at work beneath the surface of an apparently uniform and universal culture. The author argues that the iconography of these popular forms has deep and significant implication for the development of Japanese national life in the post-growth years that lie ahead.

When this book was published in Japanese in 1982 it was awarded the prestigious Jiro Osaragi Prize. It is an important contribution to the understanding of the mental and spiritual world of Japan just over two generations ago. The author argues that just as the period of isolation up to the middle of the 19th century was crucial for Japan's development, so the Second World War represented another crucial period for the country. These years were a period of intellectual isolation during which significant development took place.

First published in 1986. By the middle of the nineteenth century Japan had been a closed country for more than two hundred years. Then a period of constant communication between Japan and the outside world suddenly began. The Fifteen Years' War was in effect the intensification of relations between already warring nations. During the struggle of 1931 to 1945, Japan was engaged in incessant international activity. This book is based on lectures given at McGill University, Montreal, Canada, from 1979 to 1980.

First published in 1986. By the middle of the nineteenth century Japan had been a closed country for more than two hundred years. Then a period of constant communication between Japan and the outside world suddenly began. The Fifteen Years' War was in effect the intensification of relations between already warring nations. During the struggle of 1931 to 1945, Japan was engaged in incessant international activity. This book is based on lectures given at McGill University, Montreal, Canada, from 1979 to 1980.

Shunsuke Tsurumi, one of Japan's most distinguished contemporary philosophers, continues his study of the intellectual and social history of modern Japan with this penetrating analysis of popular culture in the post-war years. Japanese manga (comics), manzai (dialogues), television, advertising and popular songs are the medium for a revealing examination of the many contradictory forces at work beneath the surface of an apparently uniform and universal culture. The author argues that the iconography of these popular forms has deep and significant implication for the development of Japanese national life in the post-growth years that lie ahead.