In novels such as Silence, Endo Shusaku examined the persecution of Japanese Christians in different historical eras. Sachiko, set in Nagasaki in the painful years between 1930 and 1945, is the story of two young people trying to find love during yet another period in which Japanese Christians were accused of disloyalty to their country. In the 1930s, two young Japanese Christians, Sachiko and Shuhei, are free to play with American children in their neighborhood. But life becomes increasingly difficult for them and other Christians after Japan launches wars of aggression. Meanwhile, a Polish Franciscan priest and former missionary in Nagasaki, Father Maximillian Kolbe, is arrested after returning to his homeland. Endo alternates scenes between Nagasaki-where the growing love between Sachiko and Shuhei is imperiled by mounting persecution-and Auschwitz, where the priest has been sent. Shuhei's dilemma deepens when he faces conscription into the Japanese military, conflicting with the Christian belief that killing is a sin. With the A-bomb attack on Nagasaki looming in the distance, Endo depicts ordinary people trying to live lives of faith in a wartime situation that renders daily life increasingly unbearable. Endo's compassion for his characters, reflecting their struggles to find and share love for others, makes Sachiko one of his most moving novels.

At the outset of this powerful story we find a Doctor Suguro in a backwater of modern-day Tokyo practicing expert medicine in a dingy office. He is haunted by his past experience and it is that past which the novel unfolds.

In novels such as Silence, Endo Shusaku examined the persecution of Japanese Christians in different historical eras. Sachiko, set in Nagasaki in the painful years between 1930 and 1945, is the story of two young people trying to find love during yet another period in which Japanese Christians were accused of disloyalty to their country. In the 1930s, two young Japanese Christians, Sachiko and Shuhei, are free to play with American children in their neighborhood. But life becomes increasingly difficult for them and other Christians after Japan launches wars of aggression. Meanwhile, a Polish Franciscan priest and former missionary in Nagasaki, Father Maximillian Kolbe, is arrested after returning to his homeland. Endo alternates scenes between Nagasaki-where the growing love between Sachiko and Shuhei is imperiled by mounting persecution-and Auschwitz, where the priest has been sent. Shuhei's dilemma deepens when he faces conscription into the Japanese military, conflicting with the Christian belief that killing is a sin. With the A-bomb attack on Nagasaki looming in the distance, Endo depicts ordinary people trying to live lives of faith in a wartime situation that renders daily life increasingly unbearable. Endo's compassion for his characters, reflecting their struggles to find and share love for others, makes Sachiko one of his most moving novels.

Eleven short, deeply spiritual stories ranging from autobiographical serendipities to solemn, empathetic parables. The title story is set during the 18th-century Shogunate persecution of Christians in Japan.

In this moving novel, a group of Japanese tourists, each of whom is wrestling with his or her own demons, travels to the River Ganges on a pilgrimage of grace.

Translated By Richard A. Schuchert; My book called A Life of Jesus may cause surprise for American readers when they discover an interpretation of Jesus somewhat at odds with the image they now possess.

In October 1613, four samurai set sail for Mexico, accompanied by a Spanish priest who was supposed to act as interpreter. The purpose of this unprecedented mission was to negotiate commercial privileges with the Western world; in return, European missionaries would be allowed to preach Christianity in Japan. However, when their project failed, the emissaries continued their journey to Spain and Italy and were the first Japanese to set foot on European soil. A milestone in 20th century Japanese novels, The Samurai is a profound exploration of faith, frailty, ambition and loyalty, all of which Endo tackled with unparalleled wit and brilliance.  

"Kiku's Prayer" is told through the eyes of Kiku, a self-assured young woman from a rural Japanese village who falls in love with Seikichi, a devoted Catholic man. Practicing a faith still banned by the government, Seikichi is imprisoned but refuses to recant under torture. Kiku's efforts to reconcile her feelings for Seikichi's religion with the sacrifices she makes to free him mirror the painful, conflicting choices Japan faced as a result of exposure to modernity and the West. Seikichi's persecution exemplifies Japan's insecurities, and Kiku's tortured yet determined spirit represents the nation's resilient soul.

Set in the turbulent years of the transition from the shogunate to the Meiji Restoration, "Kiku's Prayer" embodies themes central to Endo Shusaku's work, including religion, modernization, and the endurance of the human spirit. Yet this novel is much more than a historical allegory. It acutely renders one woman's troubled encounter with passion and spirituality at a transitional time in her life and in the history of her people. A renowned twentieth-century Japanese author, Endo wrote from the perspective of being both Japanese and Catholic. His work is often compared with that of Graham Greene, who himself considered Endo one of the century's finest writers.

Scandal has justly become one of the most internationally successful novels by Shusaku Endo, not only because of the fascinating image it offers of the pleasure districts of Tokyo, but also because of the depth with which it paints the issue of individual identity, as well as the allusion to Edgar Allan Poe's black cat or the presence of anonymous phone calls, which have made rivers of ink flow and which have been identified as antecedents of certain motifs in the most current Japanese narrative. Through the story of Suguro, a Catholic writer (like Endo himself), and his encounter with Naruse, a middle-aged widow who used to be sexually aroused by her husband's accounts of brutalities during his time as a soldier in China . Shusaku Endo confronts the reader with an astonishing conception of sadomasochism and sexual life in a very broad sense.

The river is the Ganges, where a group of Japanese tourists converge: Isobe, grieving the death of the wife he ignored in life; Kiguchi, haunted by war-time memories of the Highway of Death in Burma; Numada, recovering from a critical illness; Mitsuko, a cynical woman struggling with inner emptiness; and, the butt of her cruel interest, Otsu, a failed seminarian for whom the figure on the cross is a god of many faces. In this novel, the renowned Japanese writer Shusaku Endo reaches his ultimate religious vision.

In 1613 the missionary Father Pedro Velasco's dream comes true. For the first time, the Japanese are going to cross the Pacific Ocean. And he is going with them. As he sets sail with a group of Samurai, for Mexico, then Spain and finally Rome, his zealous hope is that, by opening up relations with the western world, Japan will become ripe for conversion to Christianity - with him as Bishop. But fate has other plans for Father Velasco. A gripping portrayal of an extraordinary historical voyage, filled with danger and hardship, The Samurai is a haunting novel of endurance, faith and hubris. 'Endo to my mind is one of the finest living novelists' Graham Greene 'Powerful, beautifully written' New Statesman

Prefiguring themes of his later work, the acclaimed Japanese writer Shusaku Endo here writes of choices made by young adults learning who they are and what they want in life. Yoshioka Tstomu is a student, not much interested in his studies, short on cash and long on sexual desire. Eventually he will settle down in a career and marry his boss's niece. Yet he begins to hear a voice in his head that sparks a memory of Mitsu, a plain, naive country girl he once took callous advantage of during his college days. The episode meant nothing to him at the time; to her it meant the world. Yoshioka's future is assured and conventional. Mitsu, on the other hand, takes quite another path, making a Christ-like commitment to take upon herself the suffering of others.