A great and frequently subversive book by a lyric poet at the height of her craft. Throughout her seven critically acclaimed collections, Sidney Wade has established herself as a poet with a serious but light touch, capable of the clarity and inventiveness it takes to work a problem to both pleasure and resolution. Playing with and challenging form in all directions, the 27 new and 96 selected poems in Deep Gossip bristle with a sly wit that trips and delights the reader. Inspired by landscape, language, music, and living things, as well as the occasional bout of political outrage, Deep Gossip is a smart collection. Praise for Other Books by Sidney Wade "The quick, closely observed poems in Sidney Wade's beguiling Bird Book move from page to page like their subjects-in flight, on air, a murmuration sweeping across the horizon."-William Souder "Sidney Wade's linguistic and philosophical turns in Bird Book confirm that she is both the supreme heir to Wallace Stevens and one of the most original poets in the language."-Randall Mann "This is a beautiful, wise, and timely collection."-Daniel Anderson "As impressive and thrillingly exact as these poems are concerning matters ornithological, it is the exquisite music -'earth-sprung, bright, and resonant'-of Wade's radically short line that so enchants me, the free play of interlinear rhyme, phonemic harmonies, and small bursts of metrical rhythms that yield more vitality and delight than any gathering of poems I have encountered in a very long time."-B. H. Fairchild "Her poems [are] . . . a particular and splendid instance of what Hopkins meant by 'poetry proper, the language of inspiration.' "-Richard Howard

In this new collection of poetry, Sidney Wade includes poems written in many forms that touch on a variety of subjects, all informed by a singular voice and an intensely vibrant language. The volume is set primarily in Istanbul and illuminates physical and metaphysical borders-the edges, everywhere, of water and land; of vanished empires left standing, in architectural form, in the present; of two continents, Europe and Asia; of the broader Western and Eastern cultures and the civilizations that inhabit them. The compelling intricacy of the tangled borders of history and myth, culture and conquest is alluring in a physical, almost erotic sense. The landscape of these poems ranges from the shores of the Orient to include a uniquely metaphysical American Midwest, recognizable territory to readers of Wade's first collection, Empty Sleeves, as well as the classical underworld, Romanesque basilicas in Rome, the often rocky terrain of the territory of marriage, and the more intimate geographies of the kitchen, the cupboard, the bed, and the body. Her subjects extend from the baroque image of Byzantine artifacts to the semiotic resonance of a pair of steeply angled spike-heeled pumps. The book begins in bliss and ends on the brink, in a journey that charts the intricacies of the all-too-human, bewildered heart.