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Since its beginnings in the 1990s, artistic research has become
established as a new format in the areas of educational and
institutional policy, aesthetics, and art theory. It has now
diffused into almost all artistic fields, from installation to
experimental formats to contemporary music, literature, dance, or
performance art. But from its beginnings--under labels like "art
and science" or "scienceart" or "artscience" that mention both
disciplines in one breath--it has been in competition with academic
research, without its own concept of research having been
adequately clarified. This manifesto attempts to resolve the
problem and to defend the term. Further, this manifesto defends the
radical potential of artistic research against those who toy all
too carefully with university formats, wishing to ally their work
with scientific principles. Its aim is to emphasize the autonomy
and particular intellectuality of artistic research, without
seeking to justify its legitimacy or adopt alien standards.
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