This book articles presents new scholarship on the subject of imperial expansion through colonization and globalization from a variety of postcolonial perspectives. The essays in this volume, grouped in three chapters, scrutinize imperial expansion within the context of national identities and imageries-deconstructing the modernist and utopian idea of a nation as a site of homogeneity, and reviewing the importance of the concept in the different phases of colonization. Hence the first chapter is entitled 'Neo-Imperial Traces or Premonitions in Modernism.' The post-classical phase of colonialism is examined through the representation of the colonized and the once-colonized. Applying postcolonial theories and often moving beyond them, scholars scrutinize such textual and filmic representations as exemplified in Asia. These make up Chapter Two, 'Interference of the Imperial Tradition in Asia, ' which allows for the re-articulations of cultural heritage in the region within the different and ever renewed schemes of imperial expansion. Chapter Three, 'Reformulations of the Imperial Project, ' seeks to explore the questions surrounding inclusion in and exclusion from the realm of power as the founding principle of empire, suggesting that they are discursive and deliberate. Postcolonial societies inherit the trauma of colonialism that subjected people to a cultural displacement that is exacerbated by renewed efforts of imperial influence through globalizatio

Edward Said (1935-2003) has been one of the most influential literary and social critics of the 20th century. His writings extend over topics such as literature, philosophy, music and political activism. His seminal works such as Beginnings: Intention and Method (1975) and especially Orientalism (1978) provide the foundations of postcolonial theory and have been used to critique and theorize on many disciplines. This collection of articles comprises essays that represent a theoretical critique of Said's work by eminent scholars around the world. At the same time, it is an homage to the late critic showing the profound impact of his work on postcolonial and cultural studies, in addition to politics and contemporary literature.

Edward Said (1935-2003) has been one of the most influential literary and social critics of the 20th century. His writings extend over topics such as literature, philosophy, music and political activism. His seminal works such as Beginnings: Intention and Method (1975) and especially Orientalism (1978) provide the foundations of postcolonial theory and have been used to critique and theorize on many disciplines. This collection of articles comprises essays that represent a theoretical critique of Said's work by eminent scholars around the world. At the same time, it is an homage to the late critic showing the profound impact of his work on postcolonial and cultural studies, in addition to politics and contemporary literature.

In the 1990s, Latin America emerged from the horror of massive and systematic human rights violations as the region returned to civilian-elected regimes. Many hoped that such transitions would bring about significant political, economic and cultural change: the rebuilding a more democratic order based on a "culture of human rights" that would reinvigorate democratic practices in the region. Despite the change in political regimes, such aspirations have come up against the "recalcitrant realities" of enduring military enclaves demanding impunity for past crimes, the persistence of neoliberal economics, ineffective and, in some cases, corrupt government coalitions, as well as the seemingly insatiable demands of private domestic and international capital for "flexible" labor and unregulated capital flows. The tragic events of 9/11 have become so pivotal in current debates on US domestic and foreign policy, that the "other" 9/11, that which took place three decades ago in Chile, seems to have been relegated to a distant footnote. This volume aims to re-examine Chile's 9/11 a historically and symbolically charged event and to explore the lasting legacy of the transformations brought about by the oppressive regimes of the '70s and '80s as they are being experienced today in the cultural, social and intellectual life of the region.

"Focusing its concern through the often-neglected role of literature in shaping and influencing these forces, this powerful collection of essays addresses the complex new ways that international power exercises control over all aspects of life-from new forms of public governance to the construction of private identities. The book acknowledges the emergence of new theoretical models of imperialism and empire, but it sets them firmly within the longer history of the analysis of the post colonial. It explores contemporary concerns such as global ecology, queer theory, and "the War on Terror" and demonstrates their links with underlying forces stretching back to the classic eras of colonial rule. This book provides a convincing model for rethinking the relationship between past and present theories of the exercise of world power from the age of classic imperialism to the era of Bush and Obama." - Gareth Griffiths, Professor of English, University of Western Australia, and coauthor of The Empire Writes Back: Theory and Practice in Post-Colonial Literatures