In the cavern-like darkness of the arcade, the neon phosphor-glow of the screen beckons you close. Drawn to the dancing pixels like a moth to a flame, digging deep in your pocket you pull out a shiny coin and thumb it into the slot as the electronic siren sings the fanfare that marks your arrival. One hand on the joystick, the other splayed across the control buttons, your pulse begins to quicken. Ready Player One Press StartYou've barely begun but suddenly the discordant bleeps are trumpeting your failure as your 8-bit adventure comes to an abrupt end. At least in the world of the video arcade you get a second chance. But what is the true price you pay when you make a pact with the digital demon? There's always another coin, an extra life to be earned, a second chance...Isn't there?GAME OVERA dozen stories of creeping dread and savage horror inspired by the humble amusement arcade and the classic coin-ops of yesteryear. Twelve tales to chill your blood by twelve masters of the malevolent and the macabre.Just keep reminding yourself, it's only a game...Isn't it?

This collection of stories from some of horror fiction's best authors will glue you to the page, but watch out; it may leave you too afraid to take the metro to work. In deep tunnels something stirs, borne on a warm breath of wind, reeking of diesel and blood. The spaces between stations hold secrets too terrible for the upper world to comprehend and the steel lines sing with the songs of the dead. Jonathan Oliver has collected together some of the very best in new horror writing in an themed anthology of stories set on, and around, the New York subway, the London underground, the Metro and other places deep below.

East Anglia - a drear, flat land of fens and broads, lone gibbets and isolated cottages, where demon dogs howl in the night, witches and warlocks lurk at every crossroads, and corpse-candles burn in the marshland . . . This frightening new anthology, the third in a series seeking to spread horror all over the British Isles, contains chilling tales by Alison Littlewood, Reggie Oliver, Simon Bestwick, Roger Johnson, Steve Duffy and many more.

In the haunted desolation of post-nuclear Britain, the Catchman walks. Spawned from the nightmare of Project Tindalos, it doesn't tire, stop, or die. It exists for one purpose only: to find and kill Helen Damnation, leader of the growing revolt against the tyrannical Reapers and their Commander, Tereus Winterborn. Meanwhile, Helen is threatened from both without and within. Her nightmares of the Black Road have returned, and the ghosts of her murdered family demand vengeance, in the form of either Winterborn's death or her own. And close behind the Catchman, a massive Reaper assault, led by Helen's nemesis, Colonel Jarrett, is nearing the rebels' base. Killing Helen has become Jarrett's obsession: only one of them can emerge from this conflict alive.

Horrible people, horrible places, horrible things and horrible fates all await you in The Ninth Black Book of Horror. The new anthology from Mortbury Press is truly horrible. Check in at a horror hospital, witness grisly acts, observe dreadful family reunions, meet a man who hates waste, the things that are not there, and find out what's behind you in The Ninth Black Book of Horror. Sixteen stories by John Llewellyn Probert, Craig Herbertson; Simon Bestwick, Gary Fry; David Williamson, Anna Taborska; Sam Dawson, Paul Finch; Gary Power, Thana Niveau; Tom Johnstone, Marion Pitman; Kate Farrell, John Forth; Marc Lyth, and David A. Riley.

Welcome To The New Home Of Horror 'Johnny Mains is the go-to man for horror in the UK. His extensive knowledge of and unbound passion for the genre is amazing. If there was a government Ministry of Horror (which there should be), Johnny would be in charge. He is the Minister for Horror. He has extraordinary energy and is fighting a one-man battle to preserve and revitalise the noble tradition of the horror anthology. Oh, and he is a nice bloke as well.' -Charlie Higson 'Mercy stands before her, wielding a mud-caked pickaxe in both hands ...' -When Charlie Sleeps, Laura Mauro 'Too much Semtex was an obvious, beginner's mistake, and I noted I needed to remove more brain in future ...' -Exploding Raphaelesque Heads, Ian Hunter 'There isn't much time. Blood is already spattering the paper on which I am writing ...' -The Secondary Host, John Probert 'It appeared to be an insect of some kind, perhaps a beetle or a spider with a bloated body ...' -Come Into My Parlour, Reggie Oliver Best British Horror is a new anthology series dedicated to showcasing and proving, without doubt, that when it comes to horror and supernatural fiction, Britain is its obvious and natural home. This new anthology includes stories by: Ramsey Campbell, Kate Farrell, Gary Fry, Muriel Gray, Ian Hunter, Joel Lane, Tanith Lee, V.H. Leslie, John Llewellyn Probert, Michael Marshall Smith, Laura Mauro, Mark Morris, Adam Nevill, Thana Niveau, Reggie Oliver, Marie O'Regan, Robert Shearman, Elizabeth Stott, Anna Taborska, Stephen Volk and D.P. Watt.

In the haunted desolation of post-nuclear Britain, the Catchman walks. Spawned from the nightmare of Project Tindalos, it doesn't tire, stop, or die. It exists for one purpose only: to find and kill Helen Damnation, leader of the growing revolt against the tyrannical Reapers and their Commander, Tereus Winterborn. Meanwhile, Helen is threatened from both without and within. Her nightmares of the Black Road have returned, and the ghosts of her murdered family demand vengeance, in the form of either Winterborn's death or her own. And close behind the Catchman, a massive Reaper assault, led by Helen's nemesis, Colonel Jarrett, is nearing the rebels' base. Killing Helen has become Jarrett's obsession: only one of them can emerge from this conflict alive.

The dream never changes: a moonless, starless night without end. The road she walks is black, bordered with round, white pebbles or nubs of polished bone; she can't tell which but they're the only white in the darkness, marking her way through the night. In dreams and nightmares, Helen walks the Black Road. It leads her back from the grave, back from madness, back towards the man who caused the deaths of her family: Tereus Winterborn, Regional Commander for the Reapers, who rule the ruins of a devastated Britain. On her journey, she gathers her allies: her old mentor Darrow, the cocky young fighter Danny, emotionally-scarred intelligence officer Alannah and Gevaudan Shoal, last of the genetically-engineered Grendelwolves. Winterborn will stop at nothing to become the Reapers' Supreme Commander; more than anything he seeks the advantage that will help him achieve that goal. And in the experiments of the obsessed scientist Dr Mordake, he thinks he has found it. To Winterborn, Project Tindalos is a means to ultimate power; to Mordake, it's a means to roll back the devastation of the War and restore his beloved wife to the living. But neither Winterborn nor Mordake understand the true nature of the forces they are about to unleash. Forces that threaten to destroy everything that survived the War, unless Helen and her allies can find and stop Project Tindalos in time.