From the "deliriously clever" (Boston Globe) Simon Garfield, New York Times bestselling author of Just My Type, comes the wild and fascinating story of the encyclopedia, from Ancient Greece to the present day. New York Times Book Review Editors' Choice "A brilliant book about knowledge itself." --Deirdre Mask, author of The Address Book "Magnificent. ... A perfectly styled work of literature - at times sad, at times funny, but always full of life." --Engineering & Technology Magazine The encyclopedia once shaped our understanding of the world. Created by thousands of scholars and the most obsessive of editors, a good set conveyed a sense of absolute wisdom on its reader. Contributions from Albert Einstein, Sigmund Freud, Orville Wright, Alfred Hitchcock, Marie Curie and Indira Gandhi helped millions of children with their homework. Adults cleared their shelves in the belief that everything that was explainable was now effortlessly accessible in their living rooms. Now these huge books gather dust and sell for almost nothing on eBay. Instead, we get our information from our phones and computers, apparently for free. What have we lost in this transition? And how did we tell the progress of our lives in the past? All the Knowledge in the World is a history and celebration of those who created the most ground-breaking and remarkable publishing phenomenon of any age. Simon Garfield, who "has a genius for being sparked to life by esoteric enthusiasm and charming readers with his delight" (The Times), guides us on an utterly delightful journey, from Ancient Greece to Wikipedia, from modest single-volumes to the 11,000-volume Chinese manuscript that was too big to print. He looks at how Encyclopedia Britannica came to dominate the industry, how it spawned hundreds of competitors, and how an army of ingenious door-to-door salesmen sold their wares to guilt-ridden parents. He reveals how encyclopedias have reflected our changing attitudes towards sexuality, race, and technology, and exposes how these ultimate bastions of trust were often riddled with errors and prejudice. With his characteristic ability to tackle the broadest of subjects in an illuminating and highly entertaining way, Simon Garfield uncovers a fascinating and important part of our shared past and wonders whether the promise of complete knowledge--that most human of ambitions--will forever be beyond our grasp.

A hugely entertaining and revealing guide to the history of type that asks, What does your favorite font say about you?

Fonts surround us every day, on street signs and buildings, on movie posters and books, and on just about every product we buy. But where do fonts come from, and why do we need so many? Who is responsible for the staid practicality of Times New Roman, the cool anonymity of Arial, or the irritating levity of Comic Sans (and the movement to ban it)?

Typefaces are now 560 years old, but we barely knew their names until about twenty years ago when the pull-down font menus on our first computers made us all the gods of type. Beginning in the early days of Gutenberg and ending with the most adventurous digital fonts, Simon Garfield explores the rich history and subtle powers of type. He goes on to investigate a range of modern mysteries, including how Helvetica took over the world, what inspires the seeming ubiquitous use of Trajan on bad movie posters, and exactly why the all-type cover of "Men are from Mars, Women are from Venus" was so effective. It also examines why the "T" in the Beatles logo is longer than the other letters and how Gotham helped Barack Obama into the White House. A must-have book for the design conscious, "Just My Type"'s cheeky irreverence will also charm everyone who loved "Eats, Shoots & Leaves" and "Schott's Original Miscellany."

The encyclopaedia once shaped our understanding of the world. Created by thousands of scholars and the most obsessive of editors, adults cleared their shelves in the belief that wisdom was now effortlessly accessible in their living rooms. Contributions from Albert Einstein, Sigmund Freud, Orville Wright, Alfred Hitchcock, Marie Curie and Indira Gandhi helped millions of children with their homework. But now these huge books gather dust and sell for almost nothing on eBay, and we derive our information from the internet, apparently for free. What have we lost in this transition? And how did we tell the progress of our lives in the past? All the Knowledge in the World is a history and celebration of those who created the most ground-breaking and remarkable publishing phenomenon of any age. It tracks the story from Ancient Greece to Wikipedia, from modest single-volumes to the 11,000-volume Chinese manuscript that was too big to print. It looks at how Encyclopaedia Britannica came to dominate the industry and how an army of ingenious door-to-door salesmen sold their wares to guilt-ridden parents. It explains how encyclopaedias have reflected our changing attitudes towards sexuality, race and technology, and exposes how these ultimate bastions of trust were often riddled with errors and prejudice. With his characteristic ability to tackle the broadest of subjects in an illuminating and highly entertaining way, Simon Garfield uncovers a fascinating and important part of our past, and wonders whether the promise of complete knowledge - that most human of ambitions - will forever be beyond our grasp.

'A brilliant oral history of the golden age of British wrestling and magnificent wider social history.' Richard Osman The classic account of the men and women who used to fight each other for pride and money. Simon Garfield brings them to life in one last glorious bout of jealousy, myth, revenge, passion and deep devotion. When British wrestling was dropped from the ITV schedules in the mid-80s it left the giants of the ring - Big Daddy, Giant Haystacks, Kendo Nagasaki - bereft. This is the true story of the circuit, the big names and their rivalries, told with humour, warmth and affection. This edition features a new afterword by the author.

1856. Eighteen-year-old chemistry student William Perkin's experiment has gone horribly wrong. But the deep brown sludge his botched project has produced has an unexpected power: the power to dye everything it touches a brilliant purple. Perkin has discovered mauve, the world's first synthetic dye, bridging a gap between pure chemistry and industry which will change the world forever. From the fetching ribbons tying back the hair of every fashionable head in London to the laboratories in which scientists developed modern vaccines against cancer and malaria, Simon Garfield tells the story of how the colour purple became a sensation.

** With a new introduction by Russell T Davies ** A new edition of the award-winning, ground-breaking account of the early AIDS crisis in Britain. 'A remarkable journalistic achievement.' Time Out 'Powerful . . . Indispensable.' Observer 'Superb.' London Review of Books Winner of the Somerset Maugham Prize How does a country control a virus that is killing increasing numbers of people? How does a government contain an epidemic spread by sex, drug use and blood products? And how does a population react when told that everyone is at risk from infection? By 1986, when the British Government woke up to the problem of AIDS, it estimated that 30,000 people had already been infected with HIV. Why was it so slow to act? Would the situation have been different if most of those affected had not been gay men? Award-winning journalist Simon Garfield presents a story of political intrigue, of panic and hysteria, of wasted opportunities and of a medical battle conducted against seemingly impossible odds. Including interviews with key figures in the fight against the virus as well as those facing personal devastation and prejudice, The End of Innocence is an important and powerful story, compellingly told. Features a new afterword by the author.

The encyclopaedia once shaped our understanding of the world. Now these huge books sell for almost nothing on eBay while we derive information from our phones. What have we lost in this transition? All the Knowledge in the World tracks the story from Ancient Greece to Wikipedia, from modest single-volumes to the 11,000-volume Chinese manuscript that was too big to print. It exposes how encyclopaedias reflect our changing attitudes towards sexuality, race and technology, uncovers a fascinating part of our shared past and wonders whether the promise of complete knowledge - that most human of ambitions - will forever be beyond our grasp

Every letter contains a miniature story, and here are some of the greatest. From Oscar Wilde's unconventional method of using the mail to cycling enthusiast Reginald Bray's quest to post himself, Simon Garfield uncovers a host of stories that capture the enchantment of this irreplaceable art (with a supporting cast including Pliny the Younger, Ted Hughes, Virginia Woolf, Napoleon Bonaparte, Lewis Carroll, Jane Austen, David Foster Wallace and the Little Red-Haired Girl). There is also a brief history of the letter-writing guide, with instructions on when and when not to send fish as a wedding gift. And as these accounts unfold, so does the tale of a compelling wartime correspondence that shows how the simplest of letters can change the course of a life.

Simon Garfield meets the people behind the typefaces and along the way learns why some fonts, (like men) are from Mars and some are from Venus. From type on the high street and album covers to the print in our homes and offices, Garfield is the font of all types of knowledge.

'Timeless, funny and utterly absorbing' HILARY MANTEL In April 1925 at the age of fifteen, Jean Lucey Pratt started a journal that she kept until just a few days before her death in 1986, producing over a million words in 45 exercise books. What emerges is a portrait of a truly unique, spirited woman and writer. Never before has an account so fully, so honestly and so vividly captured a single woman's journey through the twentieth century.

When he was very young, Simon Garfield lusted after rare stamps but could not afford them. When he was older, the passion reignited with almost ruinous results. The Error World is an examination of obsession and desire, and the search for fulfilment. But it is also a story of wooden legs, pornography in the Finchley Road, Pele's World Cup shirt, the man who guards stamps for the Queen, and a woman who is terrified of the Post Office Tower.

The classic elegant English typeface, still widely used as a book text more than 250 years after its creation. Baskerville is a transitional design, poised between the first metal types and modern styles, notable for its combination of fat and thin letters. When it was first used there was genuine concern that it would damage readers' eyes. John Baskerville was a maverick lacquer maker and printer in Birmingham, a flamboyant dresser, a key figure in the enlightenment. Though it earned him little money, he was obsessive about both his typeface and its appearance on the page, using a new form of paper to show it at its best. His perfection culminated in his Bible, acclaimed as the finest ever made. The story encompasses one of the first women of typography, his wife Sarah Baskerville, and the many typefaces the Baskervilles inspired. And it examines why John Baskerville's body was dug up and buried many times before it was finally allowed to rest in peace.

In 1959, the first Mini was produced on an assembly line at Cowley, near Oxford. It would take a team of supremely talented designers, engineers and production-line workers to build a car that was unique in appearance and construction. They would clash over an uncomfortable and unsafe prototype, and the public had to be convinced to buy a car that let in water when it rained. But somehow the Mini became an icon. Designed for austerity and efficiency, the car came to represent individuality and classlessness. Today, the car is still produced at Cowley - it is now owned by BMW and called the MINI. A great British manufacturing story, it is more popular throughout the world than it has ever been, a symbol of the age that created it. But who makes these things, and what do they think about their work? By meeting the people behind the MINI, Simon Garfield uncovers a fascinating story of endeavour, ingenuity and masterful marketing. The modern MINI has come a long way from the leaky floor and sliding windows. But throughout its history, the people behind it have always known that they have been making something rare - a car with soul.

Cartography enthusiasts rejoice: the bestselling author of the "Just My Type "reveals the fascinating relationship between man and map.
Simon Garfield's "Just My Type "illuminated the world of fonts and made everyone take a stand on Comic Sans and care about kerning. Now Garfield takes on a subject even dearer to our fanatical human hearts: maps. Imagine a world without maps. How would we travel? Could we own land? What would men and women argue about in cars? Scientists have even suggested that mapping--not language--is what elevated our prehistoric ancestors from ape-dom. Follow the history of maps from the early explorers' maps and the awe-inspiring medieval Mappa Mundi to Google Maps and the satellite renderings on our smartphones, Garfield explores the unique way that maps relate and realign our history--and reflect the best and worst of what makes us human. Featuring a foreword by Dava Sobel and packed with fascinating tales of cartographic intrigue, outsize personalities, and amusing "pocket maps" on an array of subjects from how to fold a map to the strangest maps on the Internet, "On the Map "is a rich historical tapestry infused with Garfield's signature narrative flair. Map-obsessives and everyone who loved "Just My Type "will be lining up to join Garfield on his audacious journey through time and around the globe.

Time flies like an arrow, but fruit flies like a banana. The Beatles learn to be brilliant in an hour and a half. An Englishman arrives back from Calcutta but refuses to adjust his watch. Beethoven has his symphonic wishes ignored. A US Senator begins a speech that will last for 25 hours. The horrors of war are frozen at the click of a camera. A woman designs a ten-hour clock and reinvents the calendar. Roger Bannister lives out the same four minutes over a lifetime. And a prince attempts to stop time in its tracks. Timekeepers is a book about our obsession with time and our desire to measure it, control it, sell it, film it, perform it, immortalise it and make it meaningful. It has two simple intentions: to tell some illuminating stories, and to ask whether we have all gone completely nuts.

In Miniature is a delightful, entertaining and illuminating investigation into our peculiar fascination with making things small, and what small things tell us about the world at large. Here you will find the secret histories of tiny Eiffel Towers, the truth about the flea circus, a doll's house made for a queen, eerie tableaux of crime scenes, miniature food, model villages and railways, and more. Simon Garfield brings together history, psychology, art and obsession, to explore what fuels the strong appeal of miniature objects among collectors, modellers and fans, and teaches us that there is greatness in the diminutive.

Comic Sans is one of the most used and most reviled typefaces of the digital age. How was it made? How could it spawn a thousand jokes and yet still be so widely praised by educators? What does its accidental creator think of its use and misuse? This quirky and unique book examines how the computer transformed type into something that anyone could use and have an opinion on; how a typeface, correctly used, may sell us almost anything; and how new types with names such as Sunday Flicker, Pinky Stone and Irongate (to name but three out of the hundreds issued this year) each attempt to keep the alphabet exciting and new.

One of the most beautiful handcrafted typefaces in the world (and the author's favourite), Albertus is also one of the most enduring. The face of thousands of book jackets (Faber adopted it as its house style), it is also the chosen look for David Bowie, Coldplay, Star Wars and the LeBron James website, as warmly enticing on film posters as it is on memorial plaques. The story of Albertus is one of displacement (designer Berthold Wolpe was a German Jewish refugee who went on to design the masthead for The Times), but also one of permanence, for it has proved a fresh, vibrant and indestructible face for almost a century. In this unique celebration, the designer's children reveal the history of its creation and erratic brilliance of their father, while the book grapples with one of the fundamental artistic questions: what makes great art not only survive but flourish in each new age and medium?

AS HEARD ON RADIO 4 'Utterly wonderful' NINA STIBBE, author of Love, Nina Twenty hours have gone since I last wrote. I have been thinking of you. I shall think of you until I post this, and until you get it. Can you feel, as you read these words, that I am thinking of you now; aglow, alive, alert at the thought that you are in the same world, and by some strange chance loving me. In September 1943, Chris Barker was serving as a signalman in North Africa when he decided to brighten the long days of war by writing to old friends. One of these was Bessie Moore, a former work colleague. The unexpected warmth of Bessie's reply changed their lives forever. Crossing continents and years, their funny, affectionate and intensely personal letters are a remarkable portrait of a love played out against the backdrop of the Second World War. Above all, their story is a stirring example of the power of letters to transform ordinary lives.

The encyclopaedia once shaped our understanding of the world. Created by thousands of scholars and the most obsessive of editors, adults cleared their shelves in the belief that wisdom was now effortlessly accessible in their living rooms. Contributions from Albert Einstein, Sigmund Freud, Orville Wright, Alfred Hitchcock, Marie Curie and Indira Gandhi helped millions of children with their homework. But now these huge books gather dust and sell for almost nothing on eBay, and we derive our information from the internet, apparently for free. What have we lost in this transition? And how did we tell the progress of our lives in the past? All the Knowledge in the World is a history and celebration of those who created the most ground-breaking and remarkable publishing phenomenon of any age. It tracks the story from Ancient Greece to Wikipedia, from modest single-volumes to the 11,000-volume Chinese manuscript that was too big to print. It looks at how Encyclopaedia Britannica came to dominate the industry and how an army of ingenious door-to-door salesmen sold their wares to guilt-ridden parents. It explains how encyclopaedias have reflected our changing attitudes towards sexuality, race and technology, and exposes how these ultimate bastions of trust were often riddled with errors and prejudice. With his characteristic ability to tackle the broadest of subjects in an illuminating and highly entertaining way, Simon Garfield uncovers a fascinating and important part of our past, and wonders whether the promise of complete knowledge - that most human of ambitions - will forever be beyond our grasp.

Maps fascinate us. They chart our understanding of the world and they log our progress, but above all they tell our stories. From the early sketches of philosophers and explorers through to Google Maps and beyond, Simon Garfield examines how maps both relate and realign our history. With a historical sweep ranging from Ptolemy to Twitter, Garfield explores the legendary, impassable (and non-existent) mountains of Kong, the role of cartography in combatting cholera, the 17th-century Dutch craze for Atlases, the Norse discovery of America, how a Venetian monk mapped the world from his cell and the Muppets' knack of instant map-travel. Along the way are pocket maps of dragons, Mars, murders and more, with plenty of illustrations and prints to signpost the route. From the bestselling and widely-adored author of Just My Type, On The Map is a witty and irrepressible examination of where we've been, how we got there and where we're going.

'This love letter to our four-legged friends is a delight . . . there is a good joke, an intriguing tale or a fascinating statistic on every page' Craig Brown, Mail on Sunday 'A fact-packed history of a 15,000-year relationship' Sunday Times How did we arrive at the moment when a dog goes to the cinema? How did we realise that dogs could assist humans not only in hunting, but also in bomb disposal and cancer detection? When did pawsecco and naps on a luxury bed replace the scavenging of their wolf ancestors? From the first glimpses of our early bond on ancient rock art to the latest scientific and psychological insights, from the Corgis at the Palace to the true story of the Labradoodle, Dog's Best Friend is the story of a relationship built over 15,000 years that tells us much about dogs and even more about their owners.

'DOG'S BEST FRIEND is as fascinating, funny and wise as we've come to expect from Simon Garfield. More than that, it's a book that asks profound questions about what it means to be canine' ANDY MILLER, author THE YEAR OF READING DANGEROUSLY 'This is a book that will make your tail wag' KATE HUMBLE 'A fascinating, informative and highly entertaining expedition through the highways and byways of dogdom' JOHN BRADSHAW, author of IN DEFENCE OF DOGS 'Simon Garfield has written a book every owner will lap up with the same delight and enthusiasm their Fido would a discarded box of fried chicken. That is to say, with great pleasure' KATE SPICER, author of LOST DOG *** One of the first words we learn. Perhaps the best friend we'll have. An animal so much part of our lives that we speak to it like a child and spend small fortunes on its wellbeing and wardrobe. Dogs and humans: in the last 200 years no inter-species relationship has developed so fast nor come so far. Dogs accompany us in every walk of life, usually three times a day. How and why did this relationship begin? How has it changed over the centuries? And who's getting the upper hand? DOG'S BEST FRIEND investigates this unique bond by revisiting some of the most important milestones in our shared journey. It begins with the earliest visual evidence on ancient rock art, and ends at the laboratory that sequenced the first dog genome. En route we encounter the first Labradoodle in Australia, a misguidedly loyal Akita in Japan, an ill-fated Poodle trainer in the United States, and a hilariously disobedient Romanian rescue dog named Kratu at the Birmingham NEC. We will also meet Corgis and Dorgis at the Palace, the weightless mutniks of the Soviet space programme, a Dalmatian who impersonates Hitler, and an owner who claims his Border Collie can remember the names of more than a thousand soft toys. If you own or once owned a dog, you will know that our relationship can be as rich, complicated and rewarding as the relationship we have with other humans, and the book reflects this diversity with the aid of trainers, breeders and psychologists. Above all, it explores the extraordinary ability of dogs to enhance so many aspects of our lives. DOG'S BEST FRIEND is as entertaining as it is informative, as eccentric as it is erudite, and all told with Simon Garfield's irrepressible gift for witty and insightful storytelling.

Mauve is the beguiling story of a man who invented a colour, and in the process transformed the world around him. Before 1856, artificial colour was derived with difficulty and at enormous expense from animals, minerals or plants. But in 1856 a chemist called William Perkin found a way of making colour from coal. Perkin found mauve by chance, at the age of 18, working on a treatment for malaria. Instead of artificial quinine he produced a dark oily sludge that, much to his surprise, turned silk a beautiful light purple. The colour was unique. It not only stormed the fashion houses of Paris and London, it earned Perkin a fortune and generated huge industries in the new science of applied chemistry. Perkin's astonishing discovery, engagingly told in Mauve, had fundamental effects on the development of explosives, perfume, photography and modern medicine - effects that colour everything we see today.