This book is both a celebration of the life and career of the eminent literary scholar, critic, and journalist John Sutherland and an extension of Sutherland's work in various fields, including nineteenth- and twentieth-century Anglo-American literature, the publishing industry, and its impact upon creativity and literary puzzles. With contributions from over twenty-five distinguished critics, literary journalists and scholars, this book goes beyond merely describing Sutherland's work. The essayists pay homage to Sutherland while also staking their own critical/scholarly claims. From investigating the publishing dimension, Victorians major and minor, the complexities of Dickens and George Eliot, the "archeology" of Pride and Prejudice to examining the implications of Shakespearean souvenirs, literary puzzles, and Non-Victorians, the essays offer fresh dimensions to Sutherland's rich career as a professor, critic, and journalist.

Explores Hardy's account in fiction of the individual man or woman's relationship with various aspects of the encompassing world - with other individual men and women, with the aggregation known as society, with the natural and artificial environment and with the supernatural.

Hardy's second published novel, Under the Greenwood Tree (1872), the first of his great series of Wessex novels, was originally published anonymously. As part of the Cambridge Edition of the Novels and Stories of Thomas Hardy, this edition of the novel provides readers with an authoritative and accurate text of the novel; moreover it gives access to every revision that Hardy made, and to notations of all the errors introduced by printers' compositors. The annotated text is surrounded by an introduction that gives a very full account of the genesis, the writing and the publishing history of the novel. A range of appendices and comprehensive explanatory notes explore significant aspects of the composition, production and marketing of the novel, touched on in the introduction, to provide a full understanding of the nature and life of this classic work.

'To be loved to madness - such was her great desire'
Eustacia Vye criss-crosses the wild Egdon Heath, eager to experience life to the full in her quest for 'music, poetry, passion, war'. She marries Clym Yeobright, native of the heath, but his idealism frustrates her romantic ambitions and her discontent draws others into a tangled web of deceit and unhappiness.
Early readers responded to Hardy's 'insatiably observant' descriptions of the heath, a setting that for D. H. Lawrence provided the 'real stuff of tragedy'. For modern readers, the tension between the mythic setting of the heath and the modernity of the characters challenges our freedom to shape the world as we wish; like Eustacia, we may not always be able to live our dreams.
This edition has a critically established text based on the manuscript and first edition, and without the later changes that substantially altered Hardy's original intentions.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

'She looked absolutely pure. Nature, in her fantastic trickery, had set such a seal of maidenhood upon Tess's countenance that he gazed at her with a stupefied air: "Tess- say it is not true! No, it is not true!"' Young Tess Durbeyfield attempts to restore her family's fortunes by claiming their connection with the aristocratic d'Urbervilles. But Alec d'Urberville is a rich wastrel who seduces her and makes her life miserable. When Tess meets Angel Clare, she is offered true love and happiness, but her past catches up with her and she faces an agonizing moral choice. Hardy's indictment of society's double standards, and his depiction of Tess as 'a pure woman', caused controversy in his day and has held the imagination of readers ever since. Hardy thought it his finest novel, and Tess the most deeply felt character he ever created. This unique critical text is taken from the authoritative Clarendon edition, which is based on the manuscript collated with all Hardy's subsequent revisions. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This edition presents a critically established text based on comparisons of every revised version. Hardy placed this tale among his Novels of Character and Environment, a group which is held to include his most characteristic work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Simon Gatrell offers a fresh and stimulating exploration of Hardy's account in fiction of the individual man or woman's relationship with various aspects of the encompassing world- with other men and women, with the aggregation known as society, with the natural and artificial environment, and with the supernatural. He focuses on the importance of community in Hardy's fiction, especially on the ability of rural villages and towns to withstand the stresses of industrialized agriculture and the national standardization of education and culture.