Artificial intelligence in 100 stories. To ready us for the inevitable, here are 100 of the best short stories ever written - most of them by humans - about artificial intelligence. Simon Ings has assembled anthropomorphic cyborgs and invertebrate AIs, thuggish metal lumps and wisps of manufactured intelligence so delicate that if you blink you might miss them in the new overlord of all robot literary compendiums. It's Alive! is about inventors and their creations. Following the Money drops robots into the day-to-day business of living. Owners and Servants considers the human potentials and pitfalls of owning and maintaining robots. Changing Places looks at what happens at the blurred interface between human and machine minds. All Hail the New Flesh waves goodbye to the physical boundaries that once separated machines from their human creators. Succession considers the future of human and machine consciousnesses - in so far as we might have one. With 100 stories spanning an order of magnitude more pages, Simon Ings's We, Robots is the new overlord of all robot literary compendiums. Welcome it.

Four writers. Four dictators. One world, changed out of all recognition. ENGINEERS OF HUMAN SOULS is an intimate and shocking shadow history of creative vanity in a time that turned writers - once the faithful servants of authority - into figures of political consequence. Gabriele D'Annunzio, whose poetry became a blueprint for fascism in Italy. Maxim Gorky, dramatist of the working class and Stalin's cheerleader. Joseph Goebbels, a hopeless novelist but, under Hitler, an inspired propagandist. Ding Ling whose every story served the Maoist regime that kept her imprisoned for years. Not one of them was suited to vast undertakings. D'Annunzio couldn't amass the small change necessary for postage stamps, but took over a city. Gorky, a stranger to tact, tried to outmanoeuvre Stalin. Goebbels couldn't keep his own wife faithful, but managed to persuade children to fight and die in the Reich's hopeless last stand. Ding Ling survived Mao's cultural revolution mostly by refusing to believe that it applied to her. All four nursed extravagant visions of the future, and believed they were vital to its realisation. Each was lured to the centre of political action. Each established a dangerous and damaging relationship with a notorious dictator. And when writers and rulers find a use for each other, the consequences can be shattering for us all.

A mysterious box that he cannot open is all that might save Adam's autistic son as they are plunged into a world of old corruptions and new terrors. In PAINKILLERS, Simon Ings deftly teases out his knotted story that, with its many conventional elements, could have run a risk of overfamiliarity: sinister Oriental Triad gangsters, their even more sinister wives, a speedy Hong Kong with its ruthless Brit yuppies and its nightlife ridden with drugs, strange sex and violence. Shooting back and forth between a glamorous Hong Kong, in 1990, and a straitened London, in 1998, Ings sustains suspense by dropping hints but never telling enough. Adam Wyatt and his wife Eva run a small cafe near Southwark Market. They bicker a lot, Adam drinks and visits to their autistic son Justin tend to go awry. But underneath Adam's drinking are secrets from their previous life in Hong Kong, when he worked for the Independent Commission Against Corruption and got in with some very dubious local society types; one of whom includes 'Call me Jimmy' Yao Sau-Lan, 'a big nasty man, in a big nasty suit', whose father just happened to kill Eva's grandfather. When Jimmy's widow and sons come calling, Adam knows he's in trouble.

LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION War-torn, unstable and virtually bankrupt, revolutionary Russia tried to light its way to the future with the fitful glow of science. It succeeded through terror, folly and crime - but also through courage, imagination and even genius. Stalin believed that science should serve the state and with many disciplines having virtually unlimited funds, by the time of his death in 1953, the Soviet Union boasted the largest and best-funded scientific establishment in history - at once the glory and the laughing stock of the intellectual world. The human cost of this peculiar marriage between the state and its scientists was horrendous, yet, in Stalin and the Scientists, Simon Ings makes clear what Soviet science has done for us.

A novel of prodigious scope and ambition, ablaze with imaginative energy and rendered in mesmerizing prose--complete with polar bear attacks, tsunamis, modern piracy, airship crashes, Cold War intrigue, and a djinn

May 25, 1928: Over the frozen seas of the Arctic, an airship falls out of the sky. Among the survivors is a young scientist on the verge of a discovery that will redefine physics. October 3, 1996: Through the dusty industrial towns of India's Great Trunk Road, a disgraced and disfigured female detective starts tracking a criminal syndicate whose tentacles spread from forgery to smuggling to piracy. Her life has been ruined, but she will have her revenge. December 26, 2004: On the island of Bali a tsunami washes up a rusting container. Locked within this aluminum tomb are the mummified remains of a shipping magnate missing for 29 years, and a hand-written journal of his last days. December 13, 2011: Off the coast of Sri Lanka, a tramp steamer is seized by pirates. The captain has his wife and son aboard, and their survival depends on following the pirates' every demand. But what can they possibly want with his worn-out ship and its cargo of junk? We know what they want. We know the ship was carrying a Dead Water cargo, and we know Dead Water is the key to everything. We could spin a thousand stories from this toxic Cold War secret but there's only one of them that can really make a difference. And this is it.

Four writers. Four dictators. One world, changed out of all recognition. ENGINEERS OF HUMAN SOULS is an intimate and shocking shadow history of creative vanity in a time that turned writers - once the faithful servants of authority - into figures of political consequence. Gabriele D'Annunzio, whose poetry became a blueprint for fascism in Italy. Maxim Gorky, dramatist of the working class and Stalin's cheerleader. Joseph Goebbels, a hopeless novelist but, under Hitler, an inspired propagandist. Ding Ling whose every story served the Maoist regime that kept her imprisoned for years. Not one of them was suited to vast undertakings. D'Annunzio couldn't amass the small change necessary for postage stamps, but took over a city. Gorky, a stranger to tact, tried to outmanoeuvre Stalin. Goebbels couldn't keep his own wife faithful, but managed to persuade children to fight and die in the Reich's hopeless last stand. Ding Ling survived Mao's cultural revolution mostly by refusing to believe that it applied to her. All four nursed extravagant visions of the future, and believed they were vital to its realisation. Each was lured to the centre of political action. Each established a dangerous and damaging relationship with a notorious dictator. And when writers and rulers find a use for each other, the consequences can be shattering for us all.

Nominated for the 2019 Kitschie Awards for best novel, Simon Ings' The Smoke is about love, loss and loneliness in an incomprehensible world. Humanity has been split into three different species. Mutual incomprehension has fractured the globe. As humans race to be the first of their kind to reach the stars, another Great War looms. For you that means returning to Yorkshire and the town of your birth, where factories churn out the parts for gigantic spaceships. You're done with the pretentions of the capital and its unfathomable architecture. You're done with the people of the Bund, their easy superiority and unstoppable spread throughout the city of London and beyond. You're done with Georgy Chernoy and his questionable defeat of death. You're done with his daughter, Fel, and losing all the time. You're done with love. But soon enough you will find yourself in the Smoke again, drawn back to the life you thought you'd left behind. You're done with love. But love's not done with you.

An astronaut returns to Earth after a ten-year mission and finds a society that he barely recognizes. Stanislaw Lem's Return from the Stars recounts the experiences of Hal Bregg, an astronaut who returns from an exploratory mission that lasted ten years-although because of time dilation, 127 years have passed on Earth. Bregg finds a society that he hardly recognizes, in which danger has been eradicated. Children are "betrizated" to remove all aggression and violence-a process that also removes all impulse to take risks and explore. The people of Earth view Bregg and his crew as "resuscitated Neanderthals," and pressure them to undergo betrization. Bregg has serious difficulty in navigating the new social mores. While Lem's depiction of a risk-free society is bleak, he does not portray Bregg and his fellow astronauts as heroes. Indeed, faced with no opposition to his aggression, Bregg behaves abominably. He is faced with a choice: leave Earth again and hope to return to a different society in several hundred years, or stay on Earth and learn to be content. With Return from the Stars, Lem shows the shifting boundaries between utopia and dystopia.

Simon Ings has written a surreal adventure probing the very fabric of existence, tearing it open to reveal a sometimes horrifying world within. It is a work that will delight any fan of China Mieville. Only a fool would question the strange magics that maintain the cool haven of the City of the Iron Fish in the middle of an inferno of scorching heat and splintered rock, for the well-watered streets of the city hide secrets in their shadows. Thomas Kemp is just such a fool ... And embarks on a journey that will take him to the limits of reality. It may kill him, worse, that may not be enough. Especially as it is his only friend, Blythe, who may discover the secret of the city's isolation.

Post-cyberpunk SF that recalls the darkness of M. John Harrison and the wild visual imagination of China Mieville and Hannu Rajaniemi, HEADLONG felt ahead of the curve when first published and now serves to show just why Simon Ings has remained on the cutting edge of genre fiction. Surgically connected to their swarming robotic workers, architects Christopher and Joanne Yale are turning the moon into a paradise. But now, without warning, the machines have pulled the plug and are building a new, insane future away from the control of human minds.

An ambitious SF novel that is at once post-cyberpunk and post-modern. Complex, multi-layered, it combines hard science, tarot and images of late 20th-century Europe to make something utterly original. And introduces a memorable new heroine to the genre ... Malise has a problem. She's come downwell to Earth, but years of space combat have ruined her: her muscles have wasted away, her past is a confused torture of events and her brain is wired to addictive military hardware that's illegal on Earth. But with an AI mining probe returning to Earth, having bred and grown until it is hundreds of miles across, Malise is in the firing line again. The probe is indestructible and it is insatiable for more metals. No one knows how to stop it. Malise doesn't know she has a blueprint for humanity's survival wired into her head.