From Concept to Monument: Time and Costs of Construction in the Ancient World celebrates Janet DeLaine’s seminal work on Roman architecture and construction. One of the foremost scholars of the last decades, her pioneering research has offered important insights not only into individual structures in central Italy but also into the processes involved in creating ancient buildings. Her approach has provided important conceptual frameworks that have allowed scholars to understand Roman buildings in their proper social and economic contexts. The volume collects papers from an international conference held in Janet’s honour at Wolfson College, Oxford, in January 2020. The various contributions focus on modelling the costs of construction over the course of 2,500 years, from Bronze Age Greece to the early Middle Ages. They discuss both broader issues of methodology and particular case studies, with particular attention to the effort needed in the different steps of architectural creation, such as the exploitation of raw materials (e.g. quarries), transport, and the construction processes on building sites. The papers not only cover a wide chronological and geographical area of the ancient world but also take up many of the themes explored by Janet throughout her career on Roman architecture, urbanism, building technologies, materials, and the principles of design. The wide range of papers reflects the scope and vibrancy of Janet’s scholarship on Roman architecture and her enormous contribution to the discipline.

"The power to influence our concept of style lies in the hands of designers in television. Most people today can recognize 'a look' that a character projects. Steed and Emma Peel [of The Avengers] were the first to convey 'a look, ' and their designers should be saluted. At the heart of this book lies the story of how the look came about." -- Madeline Ann Kozlowski, Professor of Drama, University of California, Irvine, and Emmy Award-winning costume designer for Pryor's Place

From the alien worlds of Star Trek to the realistic operating room of ER, the design of sets and costumes contributes not only to the look and mood of television shows, but even more importantly to the creation of memorable characters. Yet, until now, this crucial aspect of television creativity has received little critical attention, despite the ongoing interest in production design within the closely allied discipline of film studies.

In this book, Piers Britton and Simon Barker offer a first analytical study of scenic and costume design for television drama series. They focus on three enduringly popular series of the 1960s-- The Avengers, The Prisoner, and Doctor Who-- and discuss such topics as the sartorial image of Steed in The Avengers, the juxtaposition of picturesque and fascistic architecture in The Prisoner, and the evolution of the high-tech interior of Doctor Who's TARDIS. Interviews with the series' original designers and reproductions of their original drawings complement the authors' analysis, which sheds new light on a variety of issues, from the discourse of fashion to that of the heritage industry, notions of "Pop" and retro, and the cultural preoccupation with realism andvirtual reality.