Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This path-breaking book shows how green accounting can be compatible with ecological economics and how it can contribute to the implementation of sustainability. It explores the history and methodology of green accounting and describes the state-of-the-art construction of green accounts in individual countries.The authors first provide an overview of the history of national accounting and its place in the debate concerning sustainability. In particular they address the social role that accounts play, the relationship of national accounts to economic traditions, and the relationship between green national accounts and ecological economics. They go on to describe issues related to the history of green accounts and the methodologies adopted, and discuss the Dutch experience with the NAMEA system, the use of input-output analysis in national accounting and the conceptual issues raised by green accounting. Finally, the authors show how green accounts are being constructed and used in various countries, by both national governments and corporate businesses. The book features new case studies of green national accounting in Europe, Africa and Canada, the UK experience in establishing green accounts and the process of greening business accounts. Greening the Accounts will be required reading for scholars of ecological economics, environmental studies and business and national accounting.

This text concerns the computer-based design and modelling, computational approaches and instrumental methods for elucidating molecular mechanisms of protein folding. Ligand-acceptor interactions are included in volumes 202 and 203 as are genetic and chemical methods for the production of functional molecules including antibodies and antigens, enzymes, receptors, nucleic acids and polysaccharides and drugs.

This book offers a new appraisal of the ancestry and career of Godfrey of Bouillon (c.1060-1100), a leading participant in the First Crusade (1096-99), and the first ruler of Latin Jerusalem (1099-1100), the polity established by the crusaders after they captured the Holy City. While previous studies of Godfrey's life have tended to focus on his career from the point at which he joined the crusade, this book adopts a more holistic approach, situating his involvement in the expedition in the light of the careers of his ancestors and his own activities in Lotharingia, the westernmost part of the kingdom of Germany. The findings of this enquiry shed new light on the repercussions of a range of critical developments in Latin Christendom in the eleventh and early twelfth centuries, including the impact of the 'Investiture Conflict' in Lotharingia, the response to the call for the First Crusade in Germany, Godfrey's influence upon the course of the crusade, his role in its leadership, and his activities during the initial phases of Latin settlement in the Holy Land in its aftermath.

This book offers a new appraisal of the ancestry and career of Godfrey of Bouillon (c.1060-1100), a leading participant in the First Crusade (1096-99), and the first ruler of Latin Jerusalem (1099-1100), the polity established by the crusaders after they captured the Holy City. While previous studies of Godfrey's life have tended to focus on his career from the point at which he joined the crusade, this book adopts a more holistic approach, situating his involvement in the expedition in the light of the careers of his ancestors and his own activities in Lotharingia, the westernmost part of the kingdom of Germany. The findings of this enquiry shed new light on the repercussions of a range of critical developments in Latin Christendom in the eleventh and early twelfth centuries, including the impact of the 'Investiture Conflict' in Lotharingia, the response to the call for the First Crusade in Germany, Godfrey's influence upon the course of the crusade, his role in its leadership, and his activities during the initial phases of Latin settlement in the Holy Land in its aftermath.

This book presents and describes an innovative method to simulate the growth of natural fractural networks in different geological environments, based on their geological history and fundamental geomechanical principles. The book develops techniques to simulate the growth and interaction of large populations of layer-bound fracture directly, based on linear elastic fracture mechanics and subcritical propagation theory. It demonstrates how to use these techniques to model the nucleation, propagation and interaction of layer-bound fractures in different orientations around large scale geological structures, based on the geological history of the structures. It also explains how to use these techniques to build more accurate discrete fracture network (DFN) models at a reasonable computational cost. These models can explain many of the properties of natural fracture networks observed in outcrops, using actual outcrop examples. Finally, the book demonstrates how it can be incorporated into flow modelling workflows using subsurface examples from the hydrocarbon and geothermal industries. Modelling the Evolution of Natural Fracture Networks will be of interest to anyone curious about understanding and predicting the evolution of complex natural fracture networks across large geological structures. It will be helpful to those modelling fluid flow through fractures, or the geomechanical impact of fracture networks, in the hydrocarbon, geothermal, CO2 sequestration, groundwater and engineering industries.

An interdisciplinary approach to sources for our knowledge of the crusades. The interrelation of so-called "literary" and "historical" sources of the crusades, and the fluidity of these categorisations, are the central concerns of the essays collected here. They demonstrate what the study of literary texts can do for our historical understanding of the crusading movement, challenging earlier historiographical assumptions about well-known poems and songs, and introducing hitherto understudied manuscript sources which elucidate a rich contemporary compositional culture regarding the matter of crusade. The volume discusses a wide array of European textual responses to the medieval crusading movement, from the Plantagenet and Catalan courts to the Italy of Charles of Anjou, Cyprus, and the Holy Land. Meanwhile, the topics considered include the connexions between poetry and history in the Latin First Crusade texts; the historical, codicological and literary background to Richard the Lionheart's famous song of captivity; crusade references in the troubadour Cerveri of Girona; literary culture surrounding Charles of Anjou's expeditions; the use of the Melusine legend to strengthen the Lusignans' claim to Cyprus; and the influence of aristocratic selection criteria in manuscript traditions of Old French crusade songs. These diverse approaches are unified in their examination of crusading texts as cultural artefacts ripe for comparisonacross linguistic and thematic divides. SIMON THOMAS PARSONS teaches Medieval History at Royal Holloway, University of London and King's College London; LINDA PATERSON is Professor Emerita at Warwick University. Contributors: Luca Barbieri, Miriam Cabre, Jean Dunbabin, Ruth Harvey, Simon John, Charmaine Lee, Helen J. Nicholson, Simon Parsons, Anna Radaelli, Stephen Spencer, Carol Sweetenham.

This study of the monument of Godfrey of Bouillon offers new insights to the political uses of public monuments devoted to figures from the past, modern uses and appropriations of the Middle Ages, and the role of historical culture in the creation of national identity. On 15 August 1848, a bronze equestrian statue of the crusading hero Godfrey of Bouillon (d.1100) was unveiled in the Place Royale in Brussels, Belgium's capital. Conceived and largely funded by the national government, its creation was a major element in a programme of political and cultural consolidation put into place after the Belgian Revolution (1830-1831) and the consequent establishment of the nation's independence. From the outset, the monument was designed to transmit ideas about history and nationhood, and functioned as a focal point in discussions of politics, language, religion and identity. This book sheds new light on a range of dynamics in nineteenth-century Belgium, using the statue as a prism; it investigates responses to it both home and abroad, and traces broader national interest in the commemoration of Godfrey, adopted as a national hero despite being born almost 800 years before the emergence of the state. Above all, it reveals that Belgian politics and culture in this period were profoundly shaped by a sustained interest in the Middle Ages, and by efforts to shape a historical narrative that traced Belgian nationhood back to that era, and beyond.

An interdisciplinary approach to sources for our knowledge of the crusades. The interrelation of so-called "literary" and "historical" sources of the crusades, and the fluidity of these categorisations, are the central concerns of the essays collected here. They demonstrate what the study of literary texts can do for our historical understanding of the crusading movement, challenging earlier historiographical assumptions about well-known poems and songs, and introducing hitherto understudied manuscript sources which elucidate a rich contemporary compositional culture regarding the matter of crusade. The volume discusses a wide array of European textual responses to the medieval crusading movement, from the Plantagenet and Catalan courts to the Italy of Charles of Anjou, Cyprus, and the Holy Land. Meanwhile, the topics considered include the connexions between poetry and history in the Latin First Crusade texts; the historical, codicological and literary background to Richard the Lionheart's famous song of captivity; crusade references in the troubadour Cerverí of Girona; literary culture surrounding Charles of Anjou's expeditions; the use of the Mélusine legend to strengthen the Lusignans' claim to Cyprus; and the influence of aristocratic selection criteria in manuscript traditions of Old French crusade songs. These diverse approaches are unified in their examination of crusading texts as cultural artefacts ripe for comparison across linguistic and thematic divides.

This volume has been created by scholars from a range of disciplines who wish to show their appreciation for Professor John France and to celebrate his career and achievements. For many decades, Professor France's work has been instrumental in many of the advances made in the fields of crusader studies and medieval warfare. He has published widely on these topics including major publications such as: Victory in the East: A Military History of the First Crusade (1994) and Western Warfare in the Age of the Crusades (1999). This present volume mirrors his interests, offering studies upon both areas. The fifteen essays cover a wide variety of topics, spanning chronologically from the Carolingian period through to the early fourteenth century. Some offer new insights upon long-contested issues, such as the question of whether a new form of cavalry was created by Charles Martel and his successors or the implications of the Mongol defeat at Ayn Jalut. Others use innovative methodologies to unlock the potential of various types of source material including: manuscript illuminations depicting warfare, Templar graffiti, German crusading songs, and crusading charters. Several of the articles open up new areas of debate connected to the history of crusading. Malcolm Barber discusses why Christendom did not react decisively to the fall of Acre in 1291. Bernard Hamilton explores how the rising Frankish presence in the Eastern Mediterranean during the central medieval period reshaped Christendom's knowledge and understanding of the North African cultures they encountered. In this way, this work seeks both to advance debate in core areas whilst opening new vistas for future research.

This volume has been created by scholars from a range of disciplines who wish to show their appreciation for Professor John France and to celebrate his career and achievements. For many decades, Professor France's work has been instrumental in many of the advances made in the fields of crusader studies and medieval warfare. He has published widely on these topics including major publications such as: Victory in the East: A Military History of the First Crusade (1994) and Western Warfare in the Age of the Crusades (1999). This present volume mirrors his interests, offering studies upon both areas. The fifteen essays cover a wide variety of topics, spanning chronologically from the Carolingian period through to the early fourteenth century. Some offer new insights upon long-contested issues, such as the question of whether a new form of cavalry was created by Charles Martel and his successors or the implications of the Mongol defeat at Ayn Jalut. Others use innovative methodologies to unlock the potential of various types of source material including: manuscript illuminations depicting warfare, Templar graffiti, German crusading songs, and crusading charters. Several of the articles open up new areas of debate connected to the history of crusading. Malcolm Barber discusses why Christendom did not react decisively to the fall of Acre in 1291. Bernard Hamilton explores how the rising Frankish presence in the Eastern Mediterranean during the central medieval period reshaped Christendom's knowledge and understanding of the North African cultures they encountered. In this way, this work seeks both to advance debate in core areas whilst opening new vistas for future research.

These artful new translations of nine of Arthur Schnitzler's most important stories and novellas-including "Dream Story," on which Stanley Kubrick based his widely acclaimed film Eyes Wide Shut-reinforce the Viennese author's remarkable achievement as literary modernist, depth psychologist, and prose stylist. The psychologically complex and morally ambiguous tales of love and adultery, dream and reality, desire and death in Night Games prove Schnitzler to be fully the equal of his great contemporaries Kafka, Rilke, and Musil, and justify Freud's praise of his knowledge of depth psychology. The collection includes powerful early works such as "The Dead Are Silent" and "Geronimo and His Brother" as well as late masterpieces such as "Night Games" and "Dream Story." Schnitzler creates memorable characters and makes original and masterful use of inner monologue, "stream of consciousness," and unrealiable narrator-techniques that he was among the first, if not the first, to use-to explore the complexities of their inner lives even as he delineates their social world with elegance and wit. The results are comic, tragic, powerful, and psychologically compelling tales of love, sex, and death that often surprise. They are as fresh and relevant to us today, a century later, as when they were first written.

In April 1863 after the U.S. Dakota War of 1862, after the hanging of thirty-eight Dakota men in the largest mass execution in U.S. History some 270 Dakota men were moved from Mankato, Minnesota, to a prison at camp McClellan in Davenport, Iowa. Separated from their wives, children, and elder relatives, with inadequate shelter, they lived there for three long, wretched years. More than 120 men died. Desperate to connect with their families, many of these prisoners of war learned to write. Their letters, mostly addressed to the missionaries Stephen R Riggs and Thomas S. Williamson, asked for information, for assistance, and for help sending and receiving news of their loved ones. Dakota elders Clifford Canku and Michael Simon, fluent Dakota speakers, provide both the Dakota transcription and the first published English translation of fifty of these letters, culled from Riggs's papers at the Minnesota historical society. They are a precious resource for Dakota people learning about the travails their ancestors faced, important primary source documents for historians, and a vital tool for Dakota language learners and linguists. These haunting documents present a history that has long been unrecognised in this country, in the words of the Dakota people who lived it. The dedication written by the authors, both of whom are descendants of Dakota prisoners of war, declares: "Our relatives are watching over us. / We are humbled as we honour our ancestors. / Woecon kin de unyakupi do / We accept this responsibility you gave us".

This is the story of the greatest empire the world has ever known. Simon Baker charts the rise and fall of the world's first superpower, focusing on six momentous turning points that shaped Roman history. Welcome to Rome as you've never seen it before - awesome and splendid, gritty and squalid. From the conquest of the Mediterranean beginning in the third century BC to the destruction of the Roman Empire at the hands of barbarian invaders some seven centuries later, we discover the most critical episodes in Roman history: the spectacular collapse of the 'free' republic, the birth of the age of the 'Caesars', the violent suppression of the strongest rebellion against Roman power, and the bloody civil war that launched Christianity as a world religion. At the heart of this account are the dynamic, complex but flawed characters of some of the most powerful rulers in history: men such as Pompey the Great, Julius Caesar, Augustus, Nero and Constantine. Putting flesh on the bones of these distant, legendary figures, Simon Baker looks beyond the dusty, toga-clad caricatures and explores their real motivations and ambitions, intrigues and rivalries. The superb narrative, full of energy and imagination, is a brilliant distillation of the latest scholarship and a wonderfully evocative account of Ancient Rome.

This book presents and describes an innovative method to simulate the growth of natural fractural networks in different geological environments, based on their geological history and fundamental geomechanical principles. The book develops techniques to simulate the growth and interaction of large populations of layer-bound fracture directly, based on linear elastic fracture mechanics and subcritical propagation theory. It demonstrates how to use these techniques to model the nucleation, propagation and interaction of layer-bound fractures in different orientations around large scale geological structures, based on the geological history of the structures. It also explains how to use these techniques to build more accurate discrete fracture network (DFN) models at a reasonable computational cost. These models can explain many of the properties of natural fracture networks observed in outcrops, using actual outcrop examples. Finally, the book demonstrates how it can be incorporated into flow modelling workflows using subsurface examples from the hydrocarbon and geothermal industries. Modelling the Evolution of Natural Fracture Networks will be of interest to anyone curious about understanding and predicting the evolution of complex natural fracture networks across large geological structures. It will be helpful to those modelling fluid flow through fractures, or the geomechanical impact of fracture networks, in the hydrocarbon, geothermal, CO2 sequestration, groundwater and engineering industries.

This book examines the social, political, and cultural factors that have and continue to influence the evolution of the urban waterfront as seen through production created from art and design practices. Reaching beyond the disciplines of architecture and urban design, Occupation:Boundary distills the dual roles art and culture have played in relation to the urban waterfront, as mediums that have recorded and instigated change at the threshold between the city and the sea. At the moment in time that demands innovative approaches to the transformation of urban waterfronts, and strategies to foster resilient boundaries, architect Cathy Simon recounts her career building at and around the water's edge and in service of the public realm. In so doing, the work of contemporary architects is presented, while the origins and principles of a guiding design philosophy are located in meditations on art and observations on coastal cities around the world. The port cities of New York and San Francisco emerge as case studies that structure the reflections and mediate a narrative that is at once a professional and personal memoir, richly illustrated with images and drawings. Comprising three parts, the first two corresponding parts of Occupation:Boundary draw connections between the past and present by tracing the rise and fall of urban, industrial ports and providing context-in the forms of textual and visual media-for their recent transformations. Such reinterpretations, achieved via design, often serve the public through environmentally conscious strategies realized through inventive approaches to cultural and recreational programs. The work of visual artists, both historical and contemporary, appears alongside architecture, poetry, and literary references that illustrate and draw connections between each of these sections. The third section features select architectural work by the author, framed by critic John King and the architect and urbanist Justine Shapiro-Kline. Introduced with a foreword by the prominent landscape architect Laurie Olin, Occupation:Boundary draws on artistic and cultural intuitions and the experience of an architect whose practice negotiates the boundary between urban contexts and the bodies of water that sustain them. Together, the instincts, reflections, and architectural production collected here evidence the role of art and design in the creation of an equitable and inviting public realm.

For years Lewis and Clark were the funniest comedy team around, despite the fact that their off-stage relationship was less than harmonious. Then Lewis (Woody Allen) had enough, and broke up the act. Now, eight years later, Willy Clark (Peter Falk) is bitter and unemployed; the only paying work his agent niece (Sarah Jessica Parker) can get for him is a cameo in a film... with his old partner, who he has not spoken to since the break-up. A remake of the 1975 film, which starred Walter Matthau and the late George Burns.

A first-ever book on the subject, New York City Blues: Postwar Portraits from Harlem to the Village and Beyond offers a deep dive into the blues venues and performers in the city from the 1940s through the 1990s. Interviews in this volume bring the reader behind the scenes of the daily and performing lives of working musicians, songwriters, and producers. The interviewers capture their voices - many sadly deceased - and reveal the changes in styles, the connections between performers, and the evolution of New York blues. New York City Blues is an oral history conveyed through the words of the performers themselves and through the photographs of Robert Schaffer, supplemented by the input of Val Wilmer, Paul Harris, and Richard Tapp. The book also features the work of award-winning author and blues scholar John Broven. Along with writing a history of New York blues for the introduction, Broven contributes interviews with Rose Marie McCoy, ""Doc"" Pomus, Billy Butler, and Billy Bland. Some of the artists interviewed by Larry Simon include Paul Oscher, John Hammond Jr., Rosco Gordon, Larry Dale, Bob Gaddy, ""Wild"" Jimmy Spruill, and Bobby Robinson. Also featured are over 160 photographs, including those by respected photographers Anton Mikofsky, Wilmer, and Harris, that provide a vivid visual history of the music and the times from Harlem to Greenwich Village and neighboring areas. New York City Blues delivers a strong sense of the major personalities and places such as Harlem's Apollo Theatre, the history, and an in-depth introduction to the rich variety, sounds, and styles that made up the often-overlooked New York City blues scene.

In/Visible War addresses a paradox of twenty-first century American warfare. The contemporary visual American experience of war is ubiquitous, and yet war is simultaneously invisible or absent; we lack a lived sense that "America" is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of twenty-first century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of celebrations at athletic events and in films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network.

In/Visible War addresses a paradox of twenty-first century American warfare. The contemporary visual American experience of war is ubiquitous, and yet war is simultaneously invisible or absent; we lack a lived sense that "America" is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of twenty-first century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of celebrations at athletic events and in films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network.