This book presents the main theoretical and practical tools provided by behavior analysis to diagnose and treat substance use disorders. Based on the theoretical framework of radical behaviorism, first developed by B.F. Skinner, behavior analysis offers a distinctive biopsychosocial approach to substance use disorders by considering both the biogenetic and environmental influences on behaviors associated with substance use, enabling the development of more integrative and effective diagnostic, prevention, and treatment strategies at the individual and collective level. The volume is divided in three parts. Part one presents an introduction to core concepts in behavior analysis and related disciplines, such as behavioral pharmacology, and their specific applications in substance use disorders diagnostics and treatment. Part two shows how different types of behavioral-analytical clinical and social interventions can be applied in practice to treat substance use disorders, such as: Contingency Management Exposure Therapy Functional Analytical Psychotherapy (FAP) Dialectical Behavioral Therapy (DBT) Acceptance and Commitment Therapy (ACT) Therapy by Contingencies of Reinforcement (TCR) Motivational Interviewing Finally, part three covers special topics, such as the interfaces between neurosciences and behavior analysis on drug use and dependence, effects of substance use in romantic relationships and their relationship with violence against women. Behavior Analysis and Substance Dependence will be a valuable tool for clinical and health psychologists, as well as other health professionals and social workers dealing with substance use disorders, by presenting, in one single volume, an overview of the tools offered by behavior analysis to deal with this serious health issue.

In this book, the world's foremost experts on pricing integrate theoretical rigor and practical application to present a comprehensive resource that covers all areas of the field. This volume brings together quantitative and qualitative approaches and highlights the most current innovations in theory and practice. Going beyond the traditional constraints of "price theory" and "price policy," the authors coined the term "price management" to represent a holistic approach to pricing strategy and tactical implementation. They remind us that the Ancient Romans used one word, pretium, to mean both price and value. This is the fundamental philosophy that drives successful price management where producer and customer meet. Featuring dozens of examples and case studies drawn from their extensive research, consulting, and teaching around the world, Simon and Fassnacht cover all aspects of pricing following the price management process with its four phases: strategy, analysis, decision, and implementation. Thereby, the authors take into account the nuances across industry sectors, including consumer goods, industrial products, services, and trade/distribution. In particular, they address the implications of technological advancements, such as the Internet and new measurement and sensor technologies that have led to a wealth of price management innovations, such as flat rates, freemium, pay-per-use, or pay-what-you-want. They also address the emergence of new price metrics, Big Data applications, two-sided price systems, negative prices, and the sharing economy, as well as emerging payment systems such as bitcoin. The result is a "bible" for leaders who recognize that price is not only a means to drive profit in the short term, but a tool to generate sustained growth in shareholder value over the longer term, and a primer for researchers, instructors, and students alike. Praise for Price Management "This book is truly state of the art and the most comprehensive work in price management." - Prof. Philip Kotler, Kellogg School of Management, Northwestern University "This very important book builds an outstanding bridge between science and practice." - Kasper Rorsted, CEO, Adidas "This book provides practical guidelines on value creation, communication and management, which is an imperative for businesses to survive in the coming era of uncertainty." - Dr. Chang-Gyu Hwang, Chairman and CEO, KT Corporation (Korea Telecom)

"This book brings together feminist histories in education with an innovative approach to epistolary narrative analytics. In deploying the notion of the epistolary bildung the author rigorously and eloquently shows how the correspondence of Barbara Bodichon can shed fresh light in a range of personal problems and public issues in women's lives, which remain relevant today" - Maria Tamboukou, Professor of Feminist Studies, University of East London, UK This book assesses Barbara Bodichon's significance in the history of the women's movement in Britain by elaborating a conceptualisation of letters as sources of feminist development. Bodichon was the leader of the first women's suffrage committee in England, which collected 1,500 signatures in favour of the female vote - a petition presented in the House of Commons by sympathising MPs to support the amendment of the 1867 Reform Bill. This book explores the significance of letter-exchange in Barbara Bodichon's feminist becoming as she managed to mobilize partisans and secure signatures by means of chains of friendship letters spreading across the country. For letters functioned as platforms where, concomitantly to her making sense of her experiential input, Bodichon adopted, redefined and challenged circulating discourses - transforming them in the process and hence contributing to the production of feminist knowledge, intersubjectively and collaboratively in dialogue with her addressees. At the crossroads of history of feminism, gender history and history of women's education, this book explores the significance of letter-exchange in Bodichon's development into one of the galvanizing figures of the women's rights movement in Victorian England.

The artist Mark Hearld finds his inspiration in the flora and fauna of the British countryside: a blue-eyed jay perched on an oak branch; two hares enjoying the spoils of an allotment; a mute swan standing at the frozen water's edge; and a sleek red fox prowling the fields. Hearld admires such twentieth-century artists as Edward Bawden, John Piper, Eric Ravilious and Enid Marx, and, like them, he chooses to work in a range of media - paint, print, collage, textiles and ceramics. Work Book is the first collection of Hearld's beguiling art. The works are grouped into nature-related themes introduced by Hearld, who narrates the story behind some of his creations and discusses his influences. He explains his particular love of collage, which he favours for its graphic quality and potential for strong composition. Art historian Simon Martin contributes an essay on Hearld's place in the English popular-art tradition, and also meets Hearld in his museum-like home to explore the artist's passion for collecting objects, his working methods and his startling ability to view the wonders of the natural world as if through a child's eyes.

Contemporary British artist Kaye Donachie (b.1970) is best known for her figurative, dream-like portraits of women. Her portraits are not direct representations of her subjects but are “abstract narratives�, informed by art and literature by twentieth century women. Often these women have been historically marginalized and include radical writers, activists, poets, and artists. Donachie describes their biographies as “sparse, but that affords a space in which to interpret narratives in my painting and representation.� This monograph will bring together a selection of the artist's muted, figurative paintings, exploring the complexities of the muse and female agency in art and literature. It includes an introduction by Simon Martin based on interviews with the artist exploring her engagement with modern art and literature, together with short texts by the artist herself.   Exhibition Schedule: Pallant House Gallery, Chichester (April 22–October 8, 2023)  

The Classic Maya have long presented scholars with vexing problems. One of the longest running and most contested of these, and the source of deeply polarized interpretations, has been their political organization. Using recently deciphered inscriptions and fresh archaeological finds, Simon Martin argues that this particular debate can be laid to rest. He offers a comprehensive re-analysis of the issue in an effort to answer a simple question: how did a multitude of small kingdoms survive for some six hundred years without being subsumed within larger states or empires? Using previously unexploited comparative and theoretical approaches, Martin suggests mechanisms that maintained a 'dynamic equilibrium' within a system best understood not as an array of individual polities but an interactive whole. With its rebirth as text-backed historical archaeology, Maya studies has entered a new phase, one capable of building a political anthropology as robust as any other we have for the ancient world.

An intimate look at Ben Nicholson's everyday inspirations Throughout his career, Ben Nicholson (1894-1982) transformed everyday homewares into extraordinary experiments in abstract art. Nicholson's studio was filled with objects that inspired him. From patterned mocha-ware jugs and cut glass goblets to spanners, hammers and chisels, these ordinary personal possessions were a source of almost endless inspiration to the artist. This book brings together for the first time Nicholson's paintings, reliefs, prints and drawings alongside his rarely seen personal possessions and studio tools. It traces how the artist's style developed, from his early traditional tabletop still lifes to his later abstract works. Still life was at the heart of Nicholson's artistic practice. Through these humble items, he began to experiment with form and color. His early works in particular owed inspiration to his father, the painter William Nicholson. The book traces the artistic and personal influences on Nicholson's evolutionary still life style from the 1920s to the 1970s. It explores his time with Winifred Nicholson and Barbara Hepworth, as well as his encounters with other Modernist greats, Pablo Picasso and Piet Mondrian. Distributed for Pallant House Gallery

A celebration of the life and work of the artist John Craxton, a rebellious figure in British art history   Spanning a rich variety of works from the 1940s to the 2000s, this book celebrates the life and work of the British artist John Craxton (1922–2009). It charts the development of Craxton’s work from the poetic, melancholy images created in wartime Britain to the vibrant paintings and drawings produced in his adopted homeland of Greece. The book revisits the artist’s early life and looks at the influence of British Romantic art and the landscape of England and Wales on his work, while also exploring themes around LGBTQ+ identity, his relationship to significant modern British and international artists, and the historical context of mid-century Britain and Greece.   Featuring short essays and texts from contributors such as Sir David Attenborough, Ian Collins, Simon Martin, and Miriam O’Connor—covering subjects across Craxton’s career, including book illustration, landscape, ballet design, ceramics, and tapestry—this lively account showcases the diverse artistic output of this key figure in British art history.   Exhibition Schedule:   Pallant House Gallery, Chichester (October 28, 2023–April 21, 2024)

The natural world as seen through the eyes of British artists including Eric Ravilious, Clare Leighton, and John Piper Since its publication in 1789, Gilbert White's Natural History and Antiquities of Selborne has inspired generations of artists, writers and naturalists. From Thomas Bewick to Eric Ravilious and Clare Leighton, many artists' depictions of animals, birds and wildlife have illustrated White's celebrated book, together providing a microcosm of natural history illustration from the eighteenth century until today. In Drawn to Nature, Simon Martin has gathered joyful and beautiful images of the extraordinary array of wildlife described by White, providing an insight into the continuing appeal and relevance of the Natural History. This fascinating account takes us from some of the earliest published depictions of birds and animals, to pioneering nature photography, the revival of wood-engraving in the 1920s and 30s, and responses to White's message about the natural world by contemporary illustrators such as Angie Lewin and Emily Sutton. The book also includes an introduction to the life of Gilbert White by Sir David Attenborough, an essay by Virginia Woolf, poems by modern and contemporary poets, and a jacket design by Mark Hearld. Distributed for Pallant House Gallery

As the twenty-first century unfolds, notions of our cultural past and how our history has influenced our present shift almost daily. Within this, accepted artistic trajectories are being questioned and new connections made. In this wide-ranging and thought-provoking publication, experts in their field address specific aspects of British art of the twentieth century. Presenting new perspectives on established narratives, subjects range from British Surrealism and the rise of corporate and private patronage, to nationality and British identity. Complemented by a range of striking images, this publication succeeds in showing the strength of the British artistic tradition while also encouraging the reader to rethink and explore the existing narrative.

This book presents the main theoretical and practical tools provided by behavior analysis to diagnose and treat substance use disorders. Based on the theoretical framework of radical behaviorism, first developed by B.F. Skinner, behavior analysis offers a distinctive biopsychosocial approach to substance use disorders by considering both the biogenetic and environmental influences on behaviors associated with substance use, enabling the development of more integrative and effective diagnostic, prevention, and treatment strategies at the individual and collective level. The volume is divided in three parts. Part one presents an introduction to core concepts in behavior analysis and related disciplines, such as behavioral pharmacology, and their specific applications in substance use disorders diagnostics and treatment. Part two shows how different types of behavioral-analytical clinical and social interventions can be applied in practice to treat substance use disorders, such as: Contingency Management Exposure Therapy Functional Analytical Psychotherapy (FAP) Dialectical Behavioral Therapy (DBT) Acceptance and Commitment Therapy (ACT) Therapy by Contingencies of Reinforcement (TCR) Motivational Interviewing Finally, part three covers special topics, such as the interfaces between neurosciences and behavior analysis on drug use and dependence, effects of substance use in romantic relationships and their relationship with violence against women. Behavior Analysis and Substance Dependence will be a valuable tool for clinical and health psychologists, as well as other health professionals and social workers dealing with substance use disorders, by presenting, in one single volume, an overview of the tools offered by behavior analysis to deal with this serious health issue.

The main aim of this book is to provide a state of the art of the Levelized Cost of Energy calculation for energy communities from both a theoretical, defining a systematic analysis approach, and a practical point of view, providing results for three representative real case studies. The book is structured in four clear chapters which cover everything from the fundamentals of power system configuration and the LCOE concept, to the definition of the aggregated system LCOE and its impact on electricity markets and energy policies. It presents case studies, within multiple examples for energy generation and storage, making it a brief but well-rounded review. The book will be useful for researchers and academics in energy economics, power systems and energy policies, for energy policy makers and students.

"This book brings together feminist histories in education with an innovative approach to epistolary narrative analytics. In deploying the notion of the epistolary bildung the author rigorously and eloquently shows how the correspondence of Barbara Bodichon can shed fresh light in a range of personal problems and public issues in women's lives, which remain relevant today" - Maria Tamboukou, Professor of Feminist Studies, University of East London, UK This book assesses Barbara Bodichon's significance in the history of the women's movement in Britain by elaborating a conceptualisation of letters as sources of feminist development. Bodichon was the leader of the first women's suffrage committee in England, which collected 1,500 signatures in favour of the female vote - a petition presented in the House of Commons by sympathising MPs to support the amendment of the 1867 Reform Bill. This book explores the significance of letter-exchange in Barbara Bodichon's feminist becoming as she managed to mobilize partisans and secure signatures by means of chains of friendship letters spreading across the country. For letters functioned as platforms where, concomitantly to her making sense of her experiential input, Bodichon adopted, redefined and challenged circulating discourses - transforming them in the process and hence contributing to the production of feminist knowledge, intersubjectively and collaboratively in dialogue with her addressees. At the crossroads of history of feminism, gender history and history of women's education, this book explores the significance of letter-exchange in Bodichon's development into one of the galvanizing figures of the women's rights movement in Victorian England.

Resourcing Rural Ministry offers an in-depth exploration of the key aspects, challenges and opportunities of mission in a rural church. Relevant for ordained and lay leaders alike, the book covers subjects ranging from encouraging evangelism in a multi-church group to making best use of church buildings. Containing a wealth of real-life case studies and suggestions for follow-up, this ecumenical publication draws on the expertise and resources of the Arthur Rank Centre (ARC), which has served the spiritual and practical needs of the rural Christian community for over 40 years. This book contributes to ARC's Germinate programme of training, development and support for rural multi-church groups of all denominations. Resourcing Rural Ministry was first developed by Simon Martin as Training and Resources Officer at the ARC. Additional chapters have been contributed by the Revd Caroline Hewlett, Rona Orme and Becky Payne and the final text has been prepared and edited by Jill Hopkinson. 'This book is packed with helpful resources and background theology that will aid the rural church to be a vibrant and relevant presence in today's society.' Revd Peter Ball, Mission and Training Officer, Eastern Synod of the URC 'Read these contributions and you'll be excited by a wealth of experience, insight and resource.' Rt Revd James Bell, Bishop of Ripon

The Classic Maya have long presented scholars with vexing problems. One of the longest running and most contested of these, and the source of deeply polarized interpretations, has been their political organization. Using recently deciphered inscriptions and fresh archaeological finds, Simon Martin argues that this particular debate can be laid to rest. He offers a comprehensive re-analysis of the issue in an effort to answer a simple question: how did a multitude of small kingdoms survive for some six hundred years without being subsumed within larger states or empires? Using previously unexploited comparative and theoretical approaches, Martin suggests mechanisms that maintained a 'dynamic equilibrium' within a system best understood not as an array of individual polities but an interactive whole. With its rebirth as text-backed historical archaeology, Maya studies has entered a new phase, one capable of building a political anthropology as robust as any other we have for the ancient world.

Hannah Gluckstein (who called herself Gluck; 1895-1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck's life and work, examining, among other things, the artist's numerous personal relationships and contemporary notions of gender and social history. Gluck's paintings comprise a full range of artistic genres-still life, landscape, portraiture-as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artist is known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter. Published in association with the Brighton Museum & Art Gallery and London College of Fashion Exhibition Schedule: Brighton Museum & Art Gallery, England (11/18/17-03/11/18)

Providing a comprehensive assessment of Jeremy Gardiner's career to date, this monograph, the first of its kind, explains how this distinctive artist has taken the exploratory landscape vision of mid-century St Ives modernists like Ben Nicholson, Peter Lanyon and John Tunnard into a new post-millennial era. Gardiner's unique geological interpretation of landscape not only describes the current lie of the land but portrays it as a complex outcome of natural processes over vast periods of time. While indebted to British and American modernism, Gardiner's new conceptual rigour and technical repertoire is informed by science, geomorphology, new technologies and direct physical engagement with ancient landscapes. Following a distinguished international teaching career, based in Britain and the United States, Gardiner's landscape subjects have included geographically varied locations from the Jurassic Coast in his native Dorset and the rugged Atlantic seaboard of Cornwall, to the jagged volcanic topographies of the Brazilian oceanic islands and the Lake District. Including essays from leading art writers, this book provides an insight into the career of one of Britain's most innovative contemporary landscape artists.

Die deutsche Wirtschaft wird traditionell von mittelstandischen Unternehmen getragen. Viele dieser Unternehmen werden von traditionsbewussten Familienunternehmern gefuhrt. Diese wollen auch nach ihrem Ausstieg erreichen, dass "ihr" Unternehmen von der nachsten Generation, insbesondere den eigenen Kindern, fortgefuhrt wird. Der Generationenwechsel ist eine grosse Herausforderung, da er in der Regel von zahlreichen gesellschaftsrechtlichen und steuerrechtlichen Fragestellungen sowie familieninternen Auseinandersetzungen begleitet wird. Der Autor untersucht, ob die Unterbeteiligung als mittelbare Beteiligungsform dazu geeignet ist, praktikable Antworten bezuglich des Generationenwechsels zu geben und damit die Unternehmensnachfolge in mittelstandischen Unternehmen zu optimieren.

Edward Burra (1905-76) was an English painter who is best known for his paintings of the seedy underworld of urban life. Yet, as this fascinating new monograph on his work reveals, his interests were much broader, incorporating landscape and still-life paintings, stage designs, book illustration and watercolours. Somewhat neglected by histories of modern art because his singular vision was often at odd with the mainstream art world, his work is now due for a re-appraisal. This important book represents the first full-scale monograph on Edward Burra and reproduces 100 key paintings alongside drawings and a range of fascinating contextual material. It positions Burra as a major figure in the history of 20th-century art, placing his work alongside that of the German Expressionists and other important contemporaries and influences. Long awaited, this book will be widely welcomed by all those with an interest in the art of this fascinating maverick and documenter of modern life.

The CAM coach brings together the writing partnership of Mark Shields and Simon Martin. Mark is a Nationally renowned NLP coach and Trainer and Simon a veteran natural health journalist and editor of CAM, the monthly magazine for practitioners of complementary and alternative medicine. Between them they have come up with a host of proven secrets, strategies and evidenced techniques of how to successfully set up and run a Complementary Health Practice. The CAM coach is based upon Mark Shields Coaching for Practitioners Series in CAM magazine which has been proven to help, coach, inspire and motivate many practitioners over the years This together with expert contributions from industry leading experts such as Mike Ash, Jayney Goddard, Anthony Haynes and Kate Neil makes the CAM Coach a unique and valuable resource for anyone looking to work successfully in the Complementary and Alternative Medicine industry

Institutionalized as a fascist game in Mussolinis Italy, football was exploited domestically in an attempt to develop a sense of Italian identity and internationally as a diplomatic tool to improve Italys standing in the global arena. The 1930s were the zenith of achievement for Italian football. Italy hosted and won the 1934 World Cup tournament and retained the trophy in 1938 in France. In the 1936 Berlin Olympics, Italy won the soccer tournament with a team of university students, affirming the nations international football supremacy. At club level, calcio was reorganized into a single, national league in 1929namely, Serie Aafter which the first Italian club teams emerged to dominate European competition and threaten previous British notions of supremacy.In this time, Italian Fascism fully exploited the opportunities football provided to shape public opinion, penetrate daily life, and reinforce conformity. By politicizing the game, Fascism also sought to enhance the regimes international prestige and inculcate nationalist values. The author argues that the regimes attempt to use sport to formulate identity actually forced it to recognize existing tensions within society, thereby paradoxically permitting the existence of diversity and individuality.The book serves as a cultural history of Fascism in Italy viewed through the lens of football.