Oxford, city of rich and poor, where the homeless camp out in the shadows of the gorgeous buildings and monuments. A city of lost things - and buried crimes. At three o'clock in the morning, Emergency Services receives a call. 'This is Zara Fanshawe. Always lost and never found.' An hour later, the wayward celebrity's Rolls Royce Phantom is found abandoned in dingy Becket Street. The paparazzi go wild. For some reason, news of Zara's disappearance prompts homeless woman Lena Wójcik to search the camps, nervously, for the bad-tempered vagrant known as 'Waitrose', a familiar sight in Oxford pushing his trolley of possessions. But he's nowhere to be found either. Who will lead the investigation and cope with the media frenzy? Suave, prize-winning, Oxford-educated DI Ray Wilkins is passed over in favour of his partner, gobby, trailer-park educated DI Ryan Wilkins (no relation). You wouldn't think Ray would be happy. He isn't. You wouldn't think Ryan would be any good at national press presentations. He isn't. And when legendary cop Chester Lynch takes a shine to Ray - and takes against Ryan - things are only going to get even messier.

At the beginning of the 11th century, General Yang sends his son Zongbao to exterminate the bandit living in Dragon-Taming Wood. In the forest, Zongbao is surprised by the bandit's teenage daughter, a kung fu prodigy, who challenged him to unarmed combat. Her deal? If Zongbao wins, she will lead him to her father's secret hideout. If she wins, she will take him to her father as her prisoner. So begins Mu Guiying's extraordinary story, which will end with a spectacular battle for the destiny of her country.

Warm, entertaining, and above all thought-provoking, Daemon Voices provides a remarkable insight into the mind of one of our greatest writers. He explains which storytellers have meant the most to him, including William Blake and John Milton, why their work has resonated with him, and how it has inspired his own thinking. In over 30 essays, written over 20 years, Philip Pullman reveals the narratives that have shaped his vision, his experience of writing, and the keys to mastering the art of storytelling.

'Move over Morse. Simon Mason Oxford crime novel breathes fresh life into the police procedural' Val McDermid 'There is no one else like him' Mark Sanderson The Times/Sunday Times Crime Club A DI RYAN WILKINS MYSTERY A SHOCKING DISAPPEARANCE A four-year-old girl goes missing in plain sight outside her nursery in Oxford, a middle-class, affluent area, her mother only a stones-throw away. A TRIGGERING RESPONSE Ryan Wilkins, one of the youngest ever Detective Inspectors in the Thames Valley force, dishonourably discharged three months ago, watches his former partner DI Ray Wilkins deliver a press conference, confirming a lead. A DARK WEB Ray begins to delve deeper, unearthing an underground network of criminal forces in the local area. But while Ray's investigation stalls Ryan brings his unique talents to unofficial and quite illegal inquiries which will bring him into a confrontation with the very officials who have thrown him out of the force. Praise for the DI Ryan Wilkins Mysteries 'Mason has reformulated Inspector Morse for the 2020s' The Times 'Start now and avoid the rush' Guardian

Amy Roecastle is beautiful. Selfish. And missing. Vanished without a trace in the middle of the night, she's taken her ferocious dog - and something else, too. Something deadly. Amy's best friend is lying to Inspector Singh, who has no leads and no idea. Cue Garvie Smith. Teenage slacker. Undeniable crime-solving genius. Garvie's one step ahead of the investigation. But there's nothing simple where Amy is involved. And this time Garvie's about to find himself in way over his head.

Meet Garvie Smith. Highest IQ ever recorded at Marsh Academy. Lowest ever grades. What's the point? Life sucks. Nothing surprising ever happens.Until Chloe Dow's body is pulled from a pond. His ex-girlfriend.DI Singh is already on the case. Ambitious, uptight, methodical - he's determined to solve the mystery - and get promoted. He doesn't need any 'assistance' from notorious slacker, Smith.Or does he?

In over 30 essays, written over 20 years, one of the world's great story-tellers meditates on story-telling. Warm, funny, generous, entertaining and, above all, deeply considered, they offer thoughts on a wide variety of topics, including the origin and composition of Philip's own stories, the craft of writing and the story-tellers who have meant the most to Philip. The art of story-telling is everywhere present in the essays themselves, in the instantly engaging tone, the vivid imagery and striking phrases, the resonant anecdotes, the humour and learnedness. Together, they are greater than the sum of their parts: a single, sustained engagement with story and story-telling.

It's exam season - but Five Mile is in shock. A teenage boy was shot last night, with no clear motive and no clues. Garvie Smith - reprobate, genius and waster - was just getting down to a spot of revision. But he knows he's the only one who has any idea where to look for the answers. Starting with his best friend's girlfriend. Exams. What exams?

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Medical theory and practice of the 1700s developed rapidly, as is evidenced by the extensive collection, which includes descriptions of diseases, their conditions, and treatments. Books on science and technology, agriculture, military technology, natural philosophy, even cookbooks, are all contained here.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT035712With a half-title.London: printed for M. Cooper, 1745. 4],52p.; 8

Eleven-year-old Martha is used to being the one who has to keep her head. Tug, her little brother, is too small. Dad is too strange. And Mum's not here any more. So when Dad falls off the roof, it's Martha who ices his knee and takes him to the doctor. And when Dad doesn't come home, it's Martha who cooks Tug's favourite pie and reads him his bedtime story. And when Dad passes out, it's Martha who cleans him up and keeps his secret. But eventually Dad's problems become too big for even Martha to solve. There is only one person who can sort things out now. Dad.