Kawai Koume (1804–1889) was an accomplished poet and painter and a wife, mother, and grandmother in a lower-ranking samurai family in the provincial castle town of Wakayama. She was an eyewitness to many of the key events leading up to the Meiji Restoration and the radical changes that followed, including the famine of 1837, the great earthquake of 1854, the cholera epidemic of 1859, and the departure of samurai to fight in the civil wars of the 1860s. For more than fifty years, she kept a diary recording her family’s daily life—meals and expenses, visitors and the weather, small-town gossip and news of momentous events. Through Koume’s eyes and words, Simon Partner opens a window on social, economic, and cultural life amid some of the most dramatic periods of Japan’s transformative nineteenth century. Koume’s World vividly portrays the everyday activities, social interactions, information networks, cultural production, and household economy of a samurai family across the Tokugawa-Meiji divide. Partner’s narrative offers a remarkably detailed portrait of the dynamic working life of a female artist and household manager while also giving a regional perspective on the upheavals surrounding the Meiji Restoration. A compelling microhistorical study of gender, economy, and society in nineteenth-century Japan, Koume’s World is a compelling account of how one woman experienced both mundane routines and drastic social transformations.

Kawai Koume (1804–1889) was an accomplished poet and painter and a wife, mother, and grandmother in a lower-ranking samurai family in the provincial castle town of Wakayama. She was an eyewitness to many of the key events leading up to the Meiji Restoration and the radical changes that followed, including the famine of 1837, the great earthquake of 1854, the cholera epidemic of 1859, and the departure of samurai to fight in the civil wars of the 1860s. For more than fifty years, she kept a diary recording her family’s daily life—meals and expenses, visitors and the weather, small-town gossip and news of momentous events. Through Koume’s eyes and words, Simon Partner opens a window on social, economic, and cultural life amid some of the most dramatic periods of Japan’s transformative nineteenth century. Koume’s World vividly portrays the everyday activities, social interactions, information networks, cultural production, and household economy of a samurai family across the Tokugawa-Meiji divide. Partner’s narrative offers a remarkably detailed portrait of the dynamic working life of a female artist and household manager while also giving a regional perspective on the upheavals surrounding the Meiji Restoration. A compelling microhistorical study of gender, economy, and society in nineteenth-century Japan, Koume’s World is a compelling account of how one woman experienced both mundane routines and drastic social transformations.

Emma Johnson is an African American resident of Durham, North Carolina, whose son was brutally murdered in 2007. Combining the voices of Emma and her coauthor Simon Partner, a professor at Duke University, the book recounts the postwar history of one of the South's fastest-growing communities through the eyes of one of its most disadvantaged residents. In the process, the book attempts to shed light on the social and economic conditions that led to the murder of Emma's son, one of 25 to 30 mostly African American young men who fall victim to gun violence each year in Durham.

In April 1859, at age fifty, Shinohara Chuemon left his old life behind. Chuemon, a well-off farmer in his home village, departed for the new port city of Yokohama, where he remained for the next fourteen years. There, as a merchant trading with foreigners in the aftermath of Japan's 1853 "opening" to the West, he witnessed the collapse of the Tokugawa shogunate, the civil war that followed, and the Meiji Restoration's reforms. The Merchant's Tale looks through Chuemon's eyes at the upheavals of this period, using the story of an ordinary merchant farmer and its Yokohama setting as a vantage point onto sweeping social transformation and its unwitting agents. In a narrative history rich in colorful detail, Simon Partner focuses on Japan's common people to investigate the relationship between individual motivation and social change. Chuemon, like most newcomers to Yokohama, came in search of economic opportunity. Partner explores how he and other mundane actors in Yokohama's daily life shed light on vital issues in Japan's modern history, including the legacies of the Meiji Restoration; the nature of the East Asian treaty port system; and the importance of regimes of daily life such as food, clothing, medicine, and hygiene in the negotiation of national identity. Though centered on the experiences of an individual, The Merchant's Tale is also the history of a place. Created under pressure from aggressive foreign powers, Yokohama was the scene of gunboat diplomacy, the birthplace of new lifestyles, a connection to global markets, and the beachhead of Japan's technological modernization. Partner's microhistory of a vibrant meeting place humanizes the story of Japan's revolutionary 1860s and their profound consequences for Japanese society and culture.

In April 1859, at age fifty, Shinohara Chuemon left his old life behind. Chuemon, a well-off farmer in his home village, departed for the new port city of Yokohama, where he remained for the next fourteen years. There, as a merchant trading with foreigners in the aftermath of Japan's 1853 "opening" to the West, he witnessed the collapse of the Tokugawa shogunate, the civil war that followed, and the Meiji Restoration's reforms. The Merchant's Tale looks through Chuemon's eyes at the upheavals of this period. In a narrative history rich in colorful detail, Simon Partner uses the story of an ordinary merchant farmer and its Yokohama setting as a vantage point onto sweeping social transformation and its unwitting agents. Chuemon, like most newcomers to Yokohama, came in search of economic opportunity. His story sheds light on vital issues in Japan's modern history, including the legacies of the Meiji Restoration; the East Asian treaty port system; and the importance of everyday life-food, clothing, medicine, and hygiene-for national identity. Centered on an individual, The Merchant's Tale is also the story of a place. Created under pressure from aggressive foreign powers, Yokohama was the scene of gunboat diplomacy, a connection to global markets, the birthplace of new lifestyles, and the beachhead of Japan's modernization. Partner's history of a vibrant meeting place humanizes the story of Japan's revolutionary 1860s and their profound consequences for Japanese society and culture.

Aizawa Kikutaro (1866-1963) was born into the wealthiest family in Hashimoto, a small agricultural village specializing in wheat and silk. By 1925, the village was undergoing rapid commercial development, residents were commuting to factory and office jobs in cities, and, after serving as mayor for almost twenty years, Aizawa was working as a bank manager. Taking the biography of this leading villager as its central focus and incorporating intimate details of life drawn from Aizawa's diary, "The Mayor of Aihara "chronicles the extraordinary transformation of Hashimoto against the background of Japan's rapid industrialization. By portraying history as it was actually lived by ordinary people, the book offers a rich and compelling perspective on the modernization of Japan.

Sakaue Toshie was born on August 14, 1925, into a family of tenant farmers and day laborers in the hamlet of Kosugi. The world she entered was one of hard labor, poverty, dirt, disease, and frequent early death. By the 1970s, that rural world had changed almost beyond recognition. "Toshie" is the story of that extraordinary transformation as witnessed and experienced by Toshie herself. A sweeping social history of the Japanese countryside in its twentieth-century transition from 'peasant' to 'consumer' society, the book is also a richly textured account of the life of one village woman and her community caught up in the inexorable march of historical events. Through the lens of Toshie's life, Simon Partner shows us the realities of rural Japanese life during the 1930s depression; daily existence under the wartime regime of 'spiritual mobilization'; the land reform and its consequences during occupation; and the rapid emergence of a consumer culture against the background of agricultural mechanization during the 1950s and 1960s. In some ways representative and in other ways unique, Toshie's narrative raises questions about conventional frameworks of twentieth-century Japanese history, and about the place of individual agency and choice in an era often seen as dominated by the impersonal forces of modernity: technology, state power, and capitalism.

"Assembled in Japan "investigates one of the great success stories of the twentieth century: the rise of the Japanese electronics industry. Contrary to mainstream interpretation, Simon Partner discovers that behind the meteoric rise of Sony, Matsushita, Toshiba, and other electrical goods companies was neither the iron hand of Japan's Ministry of International Trade and Industry nor a government-sponsored export-led growth policy, but rather an explosion of domestic consumer demand that began in the 1950s.
This powerful consumer boom differed fundamentally from the one under way at the same time in the United States in that it began from widespread poverty and comparatively miserable living conditions. Beginning with a discussion of the prewar origins of the consumer engine that was to take off under the American Occupation, Partner quickly turns his sights on the business leaders, inventors, laborers, and ordinary citizens who participated in the broadly successful effort to create new markets for expensive, unfamiliar new products.
Throughout, the author relates these pressure-cooker years in Japan to the key themes of twentieth-century experience worldwide: the role of technology in promoting social change, the rise of mass consumer societies, and the construction of gender in advanced industrial economies.