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Drawing on film theory, literary modernism, psychology and art
history, Fields of View elucidates an expanded network of
connections between avant-garde film and wider culture. In this
bold and original work, A.L. Rees identifies three key terms -
'field', 'frame' and 'interval' and charts their use by filmmakers
and theorists such as Dziga Vertov, Sergei Eisenstein, Bruce
Baillie, Maya Deren, Malcolm Le Grice and Werner Nekes, from the
1920s through to the present day. A seminal voice in film culture,
Rees left the incomplete manuscript for this book on his death, and
Simon Payne has subsequently carefully prepared the book for
publication. Fields of View is an important work that establishes a
unique perspective on experimental film.
Drawing on film theory, literary modernism, psychology and art
history, Fields of View elucidates an expanded network of
connections between avant-garde film and wider culture. In this
bold and original work, A.L. Rees identifies three key terms -
'field', 'frame' and 'interval' and charts their use by filmmakers
and theorists such as Dziga Vertov, Sergei Eisenstein, Bruce
Baillie, Maya Deren, Malcolm Le Grice and Werner Nekes, from the
1920s through to the present day. A seminal voice in film culture,
Rees left the incomplete manuscript for this book on his death, and
Simon Payne has subsequently carefully prepared the book for
publication. Fields of View is an important work that establishes a
unique perspective on experimental film.
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