This book contains a wide-ranging discussion of the literature of religious apologetic composed by pagans, Jews, and Christians in the Roman empire up to the time when Constantine declared himself a Christian. The contributors are distinguished specialists from the fields of ancient history, Jewish history, ancient philosophy, New Testament studies, and patristics. Each chapter is devoted to a particular text or group of texts with the aim of identifying the literary milieu and the circumstances that led to this form of writing. When appropriate, contributors have concentrated on whether the notional audience addressed in the text is the real one, and whether apologetics was regarded as a genre in its own right.

This is a book about the religious life of the Greeks from archaic times to the fifth century AD, looked at in the context of a variety of different cities and periods. Simon Price examines local practices and concepts in the light of general Greek ideas, relating them to such issues as gender roles, political life, and the trial of Socrates. He lays emphasis on the reactions to Greek religions of ancient thinkers--Greek, Roman and Christian. The evidence drawn on is of all kinds: literary, inscriptional and archaeological.

The Cure are arguably the biggest alternative rock band in the world. Their popularity is not limited to any one country, or even continent. Between 1985 and 2000 every album they released went to at least Gold in the UK, the US or both. In America they have earned four Platinum albums, and they are estimated to have sold 30 million albums worldwide. Their iconic status as elder statesmen of Alternative Rock remains undiminished - if anything, their tireless touring has ensured that it has grown with every passing year - and lead singer Robert Smith is an endlessly fascinating figure to successive generations of fans. The Cure's influence reverberates through genres including Emo, Goth, Industrial and Indie Rock. The book is an encyclopaedic A-Z of The Cure examining and riffing on miscellaneous trivia, biographies of the band members past and present, summaries of each album and selected songs, details of the band's various tours and films, and essays on broader topics such as their image, their politics and their influences. Playful, eccentric and irreverent - true to the spirit of the band itself - CUREPEDIA is a comprehensive biography of one of the biggest alternative rock bands in the world. The hardback edition features interior pages printed in red and black ink, a ribbon marker, and bespoke C-U-R-E letter endpapers specially designed by Andy Vella - celebrated artist and collaborator (as part of Parched Art) with The Cure on their album artwork for four decades.

Heads of state today mark their rites of passage with splendid ceremonial, from Reagan's inaugural to Andropov's funeral. Such spectacles continue to be a prominent part of modern political systems, of varied ideological hue, but their precise meaning and importance often remain unclear. These specially commissioned essays address the central problem in the understanding of royal rituals, the relation between power and ceremonial. These contributions, from historians and anthropologists, examine a wide range of societies.

This is a book about the religious life of the Greeks from archaic times to the fifth century AD, looked at in the context of a variety of different cities and periods. Simon Price examines local practices and concepts in the light of general Greek ideas, relating them to such issues as gender roles, political life, and the trial of Socrates. He lays emphasis on the reactions to Greek religions of ancient thinkers--Greek, Roman and Christian. The evidence drawn on is of all kinds: literary, inscriptional and archaeological.

This book offers a radical new survey of more than a thousand years of religious life in Rome, from the foundation of the city to its rise to world empire and its conversion to Christianity. It sets religion in its full cultural context, between the primitive hamlet of the eighth century BC and the cosmopolitan, multicultural society of the first centuries of the Christian era.

This book, the second of the two volumes that make up Religions of Rome, presents a wide range of documents illustrating religious life in the Roman world from the early Republic to the late Empire (both visual evidence and texts in translation). More than just a "sourcebook," it explores some of the major themes and problems of Roman religion (such as sacrifice, the religious calendar, divination and prediction). Each document has an introduction, explanatory notes and bibliography, and is used as the starting point for further discussion.

The essays in this volume cover the whole of the period in which Rome dominated the Mediterranean world. The belief shared by all the contributors is that the Roman empire is best understood from the standpoint of the Mediterranean world looking in to Rome, rather than from Rome looking out. The papers focus on the development of political institutions in Rome itself and in her empire, and on the nature of the relationship between Rome and her provincial subjects. They also discuss historiographical approaches to different kinds of source material, literary and documentary - including the major Roman historians, the evidence for the pre-Roman near east, and the Christian writers of later antiquity. This volume reflects the immense complexity of the political and cultural history of the ancient Mediterranean, from the late Republic to the age of Augustine.

The Greek city-state or polis is the earliest advanced form of social organization in the western world, and is the starting-point for western political thought. Fourteen new essays by leading scholars from Britain, Denmark, France, Italy, and North America present leading aspects of this phenomenon. The Greek city is placed in the general context of Mediterranean history and its impact on the urbanization of Italy is assessed. Other chapters consider the geography of the polis and the relationship between city and countryside, its political and religious institutions, and the distinction between public and private spheres. The first essay seeks to define the uniqueness of the phenomenon of the polis, and the last assesses the reasons for its decline.

The book is written for the general reader and the student of social sciences as much as for professional historians of the ancient world.

An innovative and intriguing look at the foundations of Western civilization from two leading historians; the first volume in the Penguin History of Europe The influence of ancient Greece and Rome can be seen in every aspect of our lives. From calendars to democracy to the very languages we speak, Western civilization owes a debt to these classical societies. Yet the Greeks and Romans did not emerge fully formed; their culture grew from an active engagement with a deeper past, drawing on ancient myths and figures to shape vibrant civilizations. In The Birth of Classical Europe, the latest entry in the much-acclaimed Penguin History of Europe, historians Simon Price and Peter Thonemann present a fresh perspective on classical culture in a book full of revelations about civilizations we thought we knew. In this impeccably researched and immensely readable history we see the ancient world unfold before us, with its grand cast of characters stretching from the great Greeks of myth to the world-shaping Caesars. A landmark achievement, The Birth of Classical Europe provides insight into an epoch that is both incredibly foreign and surprisingly familiar.

'The Penguin History of Europe series ... is one of contemporary publishing's great projects' New Statesman To an extraordinary extent we continue to live in the shadow of the classical world. At every level from languages to calendars to political systems, we are the descendants of a 'classical Europe', using frames of reference created by ancient Mediterranean cultures. As this consistently fresh and surprising new book makes clear, however, this was no less true for the inhabitants of those classical civilizations themselves, whose myths, history, and buildings were an elaborate engagement with an already old and revered past filled with great leaders and writers, emigrations and battles. Indeed, much of the reason we know so much about the classical past is the obsessive importance it held for so many generations of Greeks and Romans, who interpreted and reinterpreted their changing casts of heroes and villains. Figures such as Alexander the Great and Augustus Caesar loom large in our imaginations today, but they were themselves fascinated by what had preceded them. The Birth of Classical Europe is therefore both an authoritative history, and also a fascinating attempt to show how our own changing values and interests have shaped our feelings about an era which is by some measures very remote but by others startlingly close.